IMDb-BEWERTUNG
6,4/10
23.130
IHRE BEWERTUNG
Moderne Adaption von William Shakespeares "Romeo und Julia" mit indischem Touch, der Film konzentriert sich auf die Geschichte von Ram und Leela, ihre Liebe, Lust und das Drama danach.Moderne Adaption von William Shakespeares "Romeo und Julia" mit indischem Touch, der Film konzentriert sich auf die Geschichte von Ram und Leela, ihre Liebe, Lust und das Drama danach.Moderne Adaption von William Shakespeares "Romeo und Julia" mit indischem Touch, der Film konzentriert sich auf die Geschichte von Ram und Leela, ihre Liebe, Lust und das Drama danach.
- Auszeichnungen
- 32 Gewinne & 88 Nominierungen insgesamt
Supriya Pathak
- Dhankor Baa
- (as Supriya Pathak Kapur)
Richa Chadha
- Rasila
- (as Richa Chadda)
Mohammad Faizan
- Goli
- (as Master Mohammad Faizan)
Krishna Singh Bisht
- Keshav
- (as Krishna Singh)
Empfohlene Bewertungen
Goliyon Ki Raasleela Ram-Leela, one of the most anticipated movies of the year releases with all its bang and reveals itself as least related to stuff for which it had been declared controversial.
Sanjay Leela Bhansali's take on Romeo-Juliet, despite a known script, seems quite refreshing. The visuals, nobody questions, is by far Bhansali's best. Utterly flawless. You might want to compare the flawed VFX effects of movies like Krrish 3 and Ra. One and find Ram-Leela's visuals standing far ahead of them. The symmetry he puts in, the pattern he develops in every visual is like the best artist would.
SLB's poetry, dialogs and expression are so well that you might want other directors to get training from him. The professionalism is of Hollywood standard.
The songs are already chart-topping (Nagade Sang Dhol was No.1 on i Tunes for 7 consequent weeks), and when you watch them in the movie you feel mesmerized. So well choreographed are these dances that you couldn't stop yourself from thinking of performing them on some occasion. Though a bit raunchy, Ishkiyaon Dhishkyon seems more funny than vulgar. Priyanka's item number gives mph effect.
The strongest part of Goliyon Ki Raasleela Ram-Leela is the star performances. We do not doubt that Deepika Padukone, who has established herself as an equal of the Vidya Balan and Shaban Azmi only betters herself with this movie, giving her critics a yet bigger challenge. She, as Leela, is flawless. You wouldn't be watching Deepika Padukone, but Leela in the movie. Though in Cocktail, Ye Jawaani ha Deewani and Chennai Express, Deepika was the soul of the movie, here she has to share it with Ranveer Singh who acts equally well. This is his best performance so far. In fact, this is the best performance of the year by a male actor. Richa Chada is shockingly real as Leela's sister-in-law and Supriya Pathak, though sounds a bit like Hansa, is exhilarating and fear-inducing. Every dialog she delivers is pitch perfect.
The perfection that Bhansali has expressed in all the aforementioned topics gets polluted by the flawed script. Though in the first half you do not notice how time passes with the songs, acting and the chemistry setting fire to the screen, the second half takes a U-turn. The second half begins with impracticality, which moves on to deal with various serious topics, which is exceptional to a love story. What becomes a problem here is the absence of effective execution of these scenes. The sub-plots are in abundance but all last for so less time that the tears of Leela and Ram do not reflect on the audience's eyes. Before the audience could feel the pain, the scene changes. The ending becomes more like a fairy tale which ruins all the realistic happenings of the movie.
Despite its flaw, Goliyon Ki Raasleela Ram-Leela stands as WORTH WATCHING. One must definitely watch this class-and-mass movie for entertainment, visuals, star performances, songs, and by far the best adaptation of Romeo and Juliet by Bollywood. Go fall in love with Ram-Leela!
Sanjay Leela Bhansali's take on Romeo-Juliet, despite a known script, seems quite refreshing. The visuals, nobody questions, is by far Bhansali's best. Utterly flawless. You might want to compare the flawed VFX effects of movies like Krrish 3 and Ra. One and find Ram-Leela's visuals standing far ahead of them. The symmetry he puts in, the pattern he develops in every visual is like the best artist would.
SLB's poetry, dialogs and expression are so well that you might want other directors to get training from him. The professionalism is of Hollywood standard.
The songs are already chart-topping (Nagade Sang Dhol was No.1 on i Tunes for 7 consequent weeks), and when you watch them in the movie you feel mesmerized. So well choreographed are these dances that you couldn't stop yourself from thinking of performing them on some occasion. Though a bit raunchy, Ishkiyaon Dhishkyon seems more funny than vulgar. Priyanka's item number gives mph effect.
The strongest part of Goliyon Ki Raasleela Ram-Leela is the star performances. We do not doubt that Deepika Padukone, who has established herself as an equal of the Vidya Balan and Shaban Azmi only betters herself with this movie, giving her critics a yet bigger challenge. She, as Leela, is flawless. You wouldn't be watching Deepika Padukone, but Leela in the movie. Though in Cocktail, Ye Jawaani ha Deewani and Chennai Express, Deepika was the soul of the movie, here she has to share it with Ranveer Singh who acts equally well. This is his best performance so far. In fact, this is the best performance of the year by a male actor. Richa Chada is shockingly real as Leela's sister-in-law and Supriya Pathak, though sounds a bit like Hansa, is exhilarating and fear-inducing. Every dialog she delivers is pitch perfect.
The perfection that Bhansali has expressed in all the aforementioned topics gets polluted by the flawed script. Though in the first half you do not notice how time passes with the songs, acting and the chemistry setting fire to the screen, the second half takes a U-turn. The second half begins with impracticality, which moves on to deal with various serious topics, which is exceptional to a love story. What becomes a problem here is the absence of effective execution of these scenes. The sub-plots are in abundance but all last for so less time that the tears of Leela and Ram do not reflect on the audience's eyes. Before the audience could feel the pain, the scene changes. The ending becomes more like a fairy tale which ruins all the realistic happenings of the movie.
Despite its flaw, Goliyon Ki Raasleela Ram-Leela stands as WORTH WATCHING. One must definitely watch this class-and-mass movie for entertainment, visuals, star performances, songs, and by far the best adaptation of Romeo and Juliet by Bollywood. Go fall in love with Ram-Leela!
I watched this film with mixed expectations. On one hand, I had seen the Nagada Sang Dhol and Lahu Muhn Lag Gaya clips on you-tube - exactly what caught my eye and made me want to watch it. On the other hand, a- not-so-good rating and most reviewers claiming it was very bad were lowering my expectations. I did, however, watch it, and I loved it.
The film is intense, wonderfully directed and benefits from great acting. I am not familiar with any of the actors; nor with Bollywood films in general, which I do not find appealing because of their over- dramatisation of... pretty much everything. And mostly, poor acting. This is where Ram-Leela stands out. Apart for a few scenes, the director made use of the actor's skills, and pushed them to the point they save the sometimes-poor script. There's great chemistry in there, as well as some more than convincing acting, all in wonderful colours and costumes.
I had a hard time understanding why it's got such harsh reviews, given how good it is, but reading them I realized what the problem is (and probably why I liked it): Ram-Leela is not a film for puritans. While it seemed quite tame to me, certain watchers found it "vulgar", or too sexual. From my point of view, it's aligned with European films. What it lacks in plot-line (although decent), makes up with daring performances and honest acting. As for those claiming it's not a love story, I agree: it's a battle of egos, and most important, a battle with the self for each of the characters. This could have been emphasized more, but you can't have everything.
The film is intense, wonderfully directed and benefits from great acting. I am not familiar with any of the actors; nor with Bollywood films in general, which I do not find appealing because of their over- dramatisation of... pretty much everything. And mostly, poor acting. This is where Ram-Leela stands out. Apart for a few scenes, the director made use of the actor's skills, and pushed them to the point they save the sometimes-poor script. There's great chemistry in there, as well as some more than convincing acting, all in wonderful colours and costumes.
I had a hard time understanding why it's got such harsh reviews, given how good it is, but reading them I realized what the problem is (and probably why I liked it): Ram-Leela is not a film for puritans. While it seemed quite tame to me, certain watchers found it "vulgar", or too sexual. From my point of view, it's aligned with European films. What it lacks in plot-line (although decent), makes up with daring performances and honest acting. As for those claiming it's not a love story, I agree: it's a battle of egos, and most important, a battle with the self for each of the characters. This could have been emphasized more, but you can't have everything.
Apparently, this was one of the most awaited and anticipated movies of the year and the controversy just before the movie release ensured that the shows were sold out! I too was eagerly awaiting for this one and had really high expectations considering the SLB tag.
Let's talk the good stuff first. Brilliant performances by all, stunning and spectacular sets, fabulous music and a whole lot of color. Up till now I had some doubts about Deepika's acting talent, but boy can she act. She was superb and fantabulous in the movie, and I am not talking about her beauty. Supriya Pathak was incredible as Ba. Ranveer again displayed what a brilliant actor he is.
So with all this amazing stuff about the movie, why doesn't it still work. Poor story or should I say, no story whatsoever! The movie just keeps rolling and you end up thinking how is this scene different from the previous one. The story is so bad (and believe me I am not exaggerating even one bit) that nothing else works for the movie. All the viewers with me in the theater were yawning and loudly calling out for the movie to finish.
God knows why the critics are going gaga for this one. I had always believed in Rediff's review and I just wish I had done the same this time as well. Rediff gave it just 1 star.
Do yourself some favour, don't watch it at all.
Let's talk the good stuff first. Brilliant performances by all, stunning and spectacular sets, fabulous music and a whole lot of color. Up till now I had some doubts about Deepika's acting talent, but boy can she act. She was superb and fantabulous in the movie, and I am not talking about her beauty. Supriya Pathak was incredible as Ba. Ranveer again displayed what a brilliant actor he is.
So with all this amazing stuff about the movie, why doesn't it still work. Poor story or should I say, no story whatsoever! The movie just keeps rolling and you end up thinking how is this scene different from the previous one. The story is so bad (and believe me I am not exaggerating even one bit) that nothing else works for the movie. All the viewers with me in the theater were yawning and loudly calling out for the movie to finish.
God knows why the critics are going gaga for this one. I had always believed in Rediff's review and I just wish I had done the same this time as well. Rediff gave it just 1 star.
Do yourself some favour, don't watch it at all.
i don't get it why people are criticizing so much about this movie.... okay if its about the sultry dialogues i agree they were somewhat vulgar. but to be honest the movie had the elements of romance, chemistry and emotions. the cinematography was great and i loved the colors in the movie.... deepika padukone has become a fine actress and every film of hers depict her smooth acting abilities. ranveer singh is the coolest actor I've ever seen on the screen. the songs are nice and the choreography is outstanding. i couldn't take my eyes off deepika during the song "nagada sang dhol". it's a good movie to watch but surely is not a family movie.
Director Mr. Sanjay Leela Bhansali ,is known for taking the scenes far more ahead from screenplay by adding visual magic and he succeeds to create the magic again. He is also master of portraying emotions but this movie lacks his masterstroke. Story is simple, screenplay is OK but dialogues by Siddharth-Garima , are very good mostly. Movie is slow at places even belonging to the action drama romantic genre. Climax is forced because of adaptation. Love scenes are best as usual. Director has given his 200% to conceiving the visuals that he couldn't give his 100% to the emotions. Characters are not well established. A women, who is able to remove bullet from her most loved one person's dead body, possess soft heart!! How!? A person goes to the deadly enemy's house without proper disguise or any other precautions. Even , he can intrude with the help of a tree trunk.Guns are the most common things between them but in pre climax they fight with swords! Main male lead body is deliberately over exposed, which doesn't go well with the premise of the movie, where rest of the person prefers to cover themselves. Performance wise Ranveer Singh is OK but lacks in most of the emotional scenes. Deepika Padukone is adorable. He slaves you to look at herself in every frame. Ratna Pathak is impressive. Richa Chaddha is fine. Music by director himself is OK but lyrics by Siddharth-Garima is very good.
Wusstest du schon
- WissenswertesThe song 'Mor Bani Thangat Kare' is originally written by Gujarati poet Shri Zaver Chand Meghani.
- PatzerEven after Ram and Leela's finger are chopped off, we see their full fingers in some of the scenes that follow.
- VerbindungenFeatured in 59th Idea Filmfare Awards (2014)
- SoundtracksAng Laga De
Music by Sanjay Leela Bhansali
Lyrics by Siddharth-Garima
Performed by Aditi Paul, Shail Hada
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 2.738.863 $
- Eröffnungswochenende in den USA und in Kanada
- 1.449.174 $
- 17. Nov. 2013
- Weltweiter Bruttoertrag
- 4.840.849 $
- Laufzeit2 Stunden 30 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
By what name was Goliyon Ki Raasleela Ram Leela (2013) officially released in India in English?
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