IMDb-BEWERTUNG
7,3/10
11.402
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA dramatization of one man's rescue of Jewish refugees in the German-occupied Polish city of Lvov.A dramatization of one man's rescue of Jewish refugees in the German-occupied Polish city of Lvov.A dramatization of one man's rescue of Jewish refugees in the German-occupied Polish city of Lvov.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 13 Gewinne & 19 Nominierungen insgesamt
Aleksander Mincer
- Szlomo Landsberg
- (as Olek Mincer)
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While there have been other movies dealing with Holocaust this one is unique in its complexity. It takes place in Lvov, town populated by a number of ethnic groups which had coexisted in an uneasy truce in a sort of a Tower of Babel which first the Russian and then the German occupations easily destroyed.
The mix of peoples is apparent by the mix of languages spoken: Polish, Yiddish, Ukrainian, German . The subtitles by the way are excellent and easy to follow.
The movie shows the risks involved in helping Jews under the German occupation a very important but often forgotten point. Heart wrenching scenes caused more than one person to wipe their tears in this Polish audience. The humanity of Socha the imperfect hero makes him one of the most heart warming characters that I recall.
This movie is a thriller, a morality tale and in some ways reminds one of a classic Western where honor, justice and love survive under most adverse circumstances.
The mix of peoples is apparent by the mix of languages spoken: Polish, Yiddish, Ukrainian, German . The subtitles by the way are excellent and easy to follow.
The movie shows the risks involved in helping Jews under the German occupation a very important but often forgotten point. Heart wrenching scenes caused more than one person to wipe their tears in this Polish audience. The humanity of Socha the imperfect hero makes him one of the most heart warming characters that I recall.
This movie is a thriller, a morality tale and in some ways reminds one of a classic Western where honor, justice and love survive under most adverse circumstances.
There have been a rash of holocaust films in recent years told from various view points and "In Darkness" is a worthy addition to the pantheon of films that re-tell the horror of the Jewish ghettos of Poland and their clearances. At a time when anti-semitic tendencies are once again beginning to emerge in various European countries it is sobering to be reminded of the consequences of the vicious hatred whipped up by the Nazis in the 30's and 40's.
While some might argue that the film is perhaps 20 minutes too long I was not aware of the time passing, being thoroughly engrossed in the attempts by a small group of Jews to survive long enough in the sewers to evade capture by either the Germans or the murderous Ukranian police force who did much to assist the Nazis in their elimination of the Jews in Poland. The scenes cut between the dankness of the sewers and the light of the streets above and whenever we are transported up from the dark and into the light, as an audience, we take gulps of fresh air.
I suspect there was some artistic licence employed but the story itself pins you to the seat and the collective sigh when the final message comes up on the screen at the very end is almost palpable.
While some might argue that the film is perhaps 20 minutes too long I was not aware of the time passing, being thoroughly engrossed in the attempts by a small group of Jews to survive long enough in the sewers to evade capture by either the Germans or the murderous Ukranian police force who did much to assist the Nazis in their elimination of the Jews in Poland. The scenes cut between the dankness of the sewers and the light of the streets above and whenever we are transported up from the dark and into the light, as an audience, we take gulps of fresh air.
I suspect there was some artistic licence employed but the story itself pins you to the seat and the collective sigh when the final message comes up on the screen at the very end is almost palpable.
It's WWII in German-occupied Polish city Lwów. Leopold Socha is a sewer worker and an opportunist looking to enrich himself with Jewish gold. At first, he and his co-worker friend Szczepek Wróblewski help the Jews but only for a price. However, the danger of discovery mounts. Some people get suspicious. Leopold finds himself alone hiding his group even after they run out of money.
The obvious holocaust movie comparison is the great 'Schindler's List'. Of course, there is similarity between Schindler and Socha. However the characters in this movie seem move gritty. It's more than the grungy sewer location. It is the people's pettiness and ugly racism. It's not just the Germans, or the Ukranians or the Poles. It's also the Jews. For most of the movie, the motives are not high-minded. Fear and the survival instincts hold sway. The eventual idealism comes not as a single revelation as Schindler riding his horse watching the ghetto be liquidated. It comes in a series of steps that moves forward and backwards. More than once, Socha almost abandons his Jews and almost as many times, Socha is about to be killed by his Jews. This is more gritty and compelling in a different way. Socha is a hero almost by chance but it is his humanity overcoming his fears that is the true story. He is no mover and shaker. He is a blue collar grunt and he risks the little that he had for the sake of strangers. Filming in the narrow confines of the sewer set does limit the visual scale. It doesn't always provide the best views.
The obvious holocaust movie comparison is the great 'Schindler's List'. Of course, there is similarity between Schindler and Socha. However the characters in this movie seem move gritty. It's more than the grungy sewer location. It is the people's pettiness and ugly racism. It's not just the Germans, or the Ukranians or the Poles. It's also the Jews. For most of the movie, the motives are not high-minded. Fear and the survival instincts hold sway. The eventual idealism comes not as a single revelation as Schindler riding his horse watching the ghetto be liquidated. It comes in a series of steps that moves forward and backwards. More than once, Socha almost abandons his Jews and almost as many times, Socha is about to be killed by his Jews. This is more gritty and compelling in a different way. Socha is a hero almost by chance but it is his humanity overcoming his fears that is the true story. He is no mover and shaker. He is a blue collar grunt and he risks the little that he had for the sake of strangers. Filming in the narrow confines of the sewer set does limit the visual scale. It doesn't always provide the best views.
I saw this movie at the Savannah Film Festival in Georgia today... Going in I thought this movie would be just another holocaust movie. But it was more than just a holocaust movie the story which is based off a true story told the story of people who regardless of race are escaping from their deaths by hiding in a sewer throughout the war. I was amazed by how this movie could keep my attention throughout as seeing that it's just a group of people hiding underground but it did. It's a long movie but entertaining throughout. The story embraced these poor individuals and showed their struggles and I was amazed by the acting. I was also amazed by all the challenges that they had gone through to produce this movie and my thought of how stressful it would be to be on a set like this. As a young cinematographer myself, I was impressed by the lighting and the picture overall that was produced. I'm dying to know what lenses they used for such a beautiful film. For attending this film and not being from Georgia I heard some positive and some negative feedback from other attendees of the film. Some people had a little struggle of how long the movie was... But in my eyes I feel that it's important for the movie to be longer because these people are in a tunnel for over a year and are struggling to survive.
I saw this movie at is world premier gala event at the Toronto International Film Festival (TIFF). I must admit that I grew up hearing stories from the script writer, David Shamoon, so I may have some bias to this film. As a novice critic, this is my review: In Darkness is a touching and moving film. This is not a war movie, and it is only partly a Holocaust story. This is a human story. The memoir of one of the survivors, who is portrayed in this film, inspired the book which found its way to David then to Hollywood. Any one who sees this or has any connection to the tragedies of the Second World War will be happy that this story was told. It is unique and not like any other film portrayal that I have ever seen. You must have a stomach for seeing what survival is like when portrayed on the silver screen. You will root for some characters, bit your nails as events unfold, and sigh with relief at numerous occasions. At the end of the film you will have something to talk about with those you watched it with and those you want to recommend it to. See this film and you will be happy that you did.
As a side note, the presentation of the film at TIFF was on 10th anniversary of 9/11 and I would think that TIFF organizers chose this evening and this presentation strategically. There was also a special surprise after the movie, the survivor/writer of the original memoirs cam to stage to thank those involved and present her grand daughters. It brought tears to the audience. I have never been to a movie premier with so much applause before even when big names like Clooney are in attendance.
As a side note, the presentation of the film at TIFF was on 10th anniversary of 9/11 and I would think that TIFF organizers chose this evening and this presentation strategically. There was also a special surprise after the movie, the survivor/writer of the original memoirs cam to stage to thank those involved and present her grand daughters. It brought tears to the audience. I have never been to a movie premier with so much applause before even when big names like Clooney are in attendance.
Wusstest du schon
- WissenswertesPoland's candidate to compete for Best Foreign Language Film at the 2012 Academy Awards.
- PatzerWhen Poldek is taking a bath, a scar from a smallpox vaccine is clearly visible on his left arm. Most of the world's populace wasn't vaccinated before the WHO Smallpox Vaccination program began in 1967.
- VerbindungenFeatured in Maltin on Movies: The Vow (2012)
- SoundtracksDido's Lament
Written by Henry Purcell
Performed by Urska Arlic Gololicic (Soprano) and Mary Komasa (as Maria Komasa-Lazarkiewicz) (Harpsichord)
[from the opera "Dido and Aeneas"]
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Details
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Box Office
- Bruttoertrag in den USA und Kanada
- 1.041.455 $
- Eröffnungswochenende in den USA und in Kanada
- 27.413 $
- 12. Feb. 2012
- Weltweiter Bruttoertrag
- 9.955.885 $
- Laufzeit
- 2 Std. 25 Min.(145 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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