Wir müssen zusammenhalten

This 2000 masterpiece is a creed apart from the usual holocaust narratives . Amazing to see that World War II is still a fertile ground for brilliant creations like this one . A rare mix of drama , realism , comedy , suspense and what all ? A wonderful message on how as flesh and blood humans good , evil and the undecided all are interdependent on each other , how we need to realise that there isn't anything pure evil or pure good . 1940 Czech town where the patriot , collaborator ( with the occupying Nazis ) , the hunted , the humanist all coexist and live out the everyday drama of survival against all odds .Finely wrapped in heart wrenching comedy this sure belongs to the league of true classics .Wonderful and brilliant use of symbolism , the strung out pork and the entrapped potential meat Jew , the perambulator cross over at the ghost town street with the hand cart carrying the post conflict rubble ... brilliant strokes of mastery !! A must watch for cinephiles and non cinephiles ... do not ever miss this one !!!

I thought this was the original title as well, but even if it's not it's a great film. The acting is just great, these actors are all strangers to me and perhaps that helped, I don't know, but I loved each and every one of them, even the jerks. The script is top notch and the camera and music all conspire to make this one of the best films of the 'empty calorie' summer of 2001. It's a good sign for Czech films, this director is one to watch. I can't wait for his next film. Go and see this movie! ..

Without doubt, one of the best films you'll see in your lifetime.

At the start, there is a car being driven in the countryside. The car stops, and three men get out to pee. Two of them play a little prank on the chauffer. In the next scene, the chauffer is in charge, and the family of the boy who played the prank (the bosses who happened to be Jewish) are being evicted of their big house.

And this is just a very minor aspect of the film. There are selfish people, and there are selfless people in this film, and more often than not they are the same people. Of course, those who want things spelled out for them would like to know if Josef makes the decision that is central to the plot to save his skin, to save David's, or to make his wife (who wants to have children) happy.

This is not a Hollywood film. I like American movies, most of the time. They are great for entertainment, but if I want something for my mind and my soul, something that can make me laugh, cry, and think, then this is the kind of movie I want.

This movie is intelligent and thought provoking as it examines, without judgment, the human capacity for both good and evil in its portrayal of several citizens of a small town in Czechoslovakia during the Nazi occupation. It is rare that a movie be harrowing, funny, sweet, and heart wrenching without being contrived. What distinguishes this movie about wartime loyalties and collaboration with the enemy from well worn cliches is its finely nuanced portrayal of each character. Not every collaborator is deserving of punishment and not every so called resistance fighter is a hero. It is an emotionally rewarding movie and it shows that human behavior cannot be reduced to a Manichean struggle.

'Life Is Beautiful' is often called a great 'holocaust comedy', but it pales in comparison to this. Life Is Beautiful awkwardly shifts between scenes that are supposed to be funny, and scenes that are supposed to be meaningful or sad or intense, as if Benigni was making a joke, then apologizing for it, then apologizing for being too serious, and making a joke again, and so on. This movie plays it straight pretty much, and everything just works. Particularly the scene with the hands in the bed, and the scene where Josef is taught how to make Nazi-like facial expressions are hilarious. The characterizations are very well done, particularly Horst, the horny scumbag of a Nazi who you get to like in the end. The movie is sometimes surreal. In many scenes the images are very jumpy and distorted, but that shows us what the characters are going through, effectively. The ending is maybe one of the greatest movie endings of all time. It's very surreal, and you can interpret it in many ways. Its abstraction is what helps to make it powerful. When many people create art that has to do with the holocaust, they often go out of their way just to show us that they are making a statement about how horrible the holocaust is, as if theyre afraid that we won't think that otherwise. Even the classic Schindler's List does that, I think. But this movie is a different kind of holocaust movie. It doesn't try hard to show us that the holocaust was bad, but it doesn't neglect how serious the holocaust was, either. The only complains I have about this movie is that it is often slow, and a little confusing at the beginning. It's not a completely perfect movie, but it's definitely a masterpiece of holocaust movies. All the schools that show kids Life Is Beautiful should definitely switch to this.