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Poklosie

  • 2012
  • Not Rated
  • 1 Std. 47 Min.
IMDb-BEWERTUNG
7,3/10
4380
IHRE BEWERTUNG
Maciej Stuhr and Ireneusz Czop in Poklosie (2012)
DramaFantasieThriller

Füge eine Handlung in deiner Sprache hinzuA Polish man who returns home after the death of his father unearths a secret about the now-deceased Jewish residents of his village.A Polish man who returns home after the death of his father unearths a secret about the now-deceased Jewish residents of his village.A Polish man who returns home after the death of his father unearths a secret about the now-deceased Jewish residents of his village.

  • Regie
    • Wladyslaw Pasikowski
  • Drehbuch
    • Wladyslaw Pasikowski
  • Hauptbesetzung
    • Ireneusz Czop
    • Jerzy Szymkiewi
    • Wojciech Walasik
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    4380
    IHRE BEWERTUNG
    • Regie
      • Wladyslaw Pasikowski
    • Drehbuch
      • Wladyslaw Pasikowski
    • Hauptbesetzung
      • Ireneusz Czop
      • Jerzy Szymkiewi
      • Wojciech Walasik
    • 21Benutzerrezensionen
    • 33Kritische Rezensionen
    • 62Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Gewinne & 6 Nominierungen insgesamt

    Fotos7

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    Topbesetzung62

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    Ireneusz Czop
    Ireneusz Czop
    • Franciszek Kalina
    Jerzy Szymkiewi
    • Taxi driver 1
    Wojciech Walasik
    • Taxi driver 2
    Zbigniew Zamachowski
    Zbigniew Zamachowski
    • Wlodzimierz Nowak
    Andrzej Mastalerz
    Andrzej Mastalerz
    • Priest Janusz Pawlak
    Maciej Stuhr
    Maciej Stuhr
    • Józef Kalina
    Anita Poddebniak
    Anita Poddebniak
    • Shop assistant
    Magdalena Gnatowska
    • Woman in shop
    Monika Kisla
    • Killentka
    Ryszard Ronczewski
    Ryszard Ronczewski
    • Franciszek Sudecki
    Wojciech Zielinski
    Wojciech Zielinski
    • Antek
    Radoslaw Hebal
    • Miody
    Zuzana Fialová
    Zuzana Fialová
    • Justyna
    Filip Plawiak
    Filip Plawiak
    • Policeman Góral
    Zbigniew Konopka
    Zbigniew Konopka
    • Bank manager
    Maja Wlodarczyk
    • Bank clerk
    Lech Dyblik
    Lech Dyblik
    • Woodcuter
    Tomasz Przybysz
    • Woodcuter 2
    • Regie
      • Wladyslaw Pasikowski
    • Drehbuch
      • Wladyslaw Pasikowski
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen21

    7,34.3K
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    Empfohlene Bewertungen

    10denis888

    Gruesome But Absolutely Outstanding

    This is a very good movie. Deeply tragic, terribly honest, unbearably truthful, impossibly merciless. he very topic of Holocaust has been closely watched, studied and discussed, but here we do not have the scale of Spielberg's Schindler's List, or bare wound of Polanski's Pianist. Here we see a minor case, nevertheless, not a bit less painful or decent. The story of two Kalina brothers in a small Polish village (which is shown so vividly and so exact) seems to be a bit slow at first, but then the tempo of the film gets faster, the events get more and more tragic, and people become more and more horrible. This is a fictitious village, but the story itself is of Jedwabne origin, with local population taking part in killing all local Jews just to be commended by Nazis. The very fact that the movie was prohibited in some Polish Gminy (regions), and harshly attacked by nationalists shows how very true it is and how precisely it hit the tee. Ireneusz Czop as Franciszek Kalina, Maciej Stuhr as Józef Kalina, brother of Franciszek, Jerzy Radziwiłowicz as the rector, Zuzana Fialová as Justyna, granddaughter of Sudecki, Andrzej Mastalerz as Janusz Pawlak, Zbigniew Zamachowski as police Sgt. Włodzimierz Nowak, Danuta Szaflarska as the elderly herbalist

    • all these actors did a marvelous and very deep performance, and the very core of the problem is shown extremely well. Thye final discovery is so tragic for Kalina Brothers, so bad, so terrible to know, that one of them cannot bear the truth anymore, and the other does what he really has to. The final scene with Jewsish relatives of murdered locals is deeply sad, touching, and really great. I highly recommend this excellent film and commend it 10 out of 10. This is a superb work of Wladyslaw Pasikowski - he did his real best.
    10aharmas

    When We Lose Humanity

    Not too long ago, many were slaughtered, and there was a fraction that got all the attention and the blame. The problem is that there were parties that just stood by while others committed these crimes and/or either approved or even participated in their execution. The film explores how there was more to history than we have been exposed to, that the horrors were worse than anything we could imagine, and the devil shows his ugly face in more than one way.

    Two brothers find themselves at the heart of the story, which begins as a some type of thriller/conspiracy the likes of which we have seen before. For a while the spirit of "Chinatown" comes to mind, and a beautifully crafted film slowly unfurls a narrative where the mystery expands, the cast of the dueling parties grows as new layers are revealed, and eventually the film combines elements seen in old fashioned thrillers, horror movies, and even a touch of noir here and there.

    What takes the film to a higher category is that what we see here has basis on real historical events, and as we realize this, our souls hurt because the pain is too much, and it might be that there is the possibility that we can become one of the parties involved. After all, free will has always been at the core of the worst human decisions in history. Either we want to destroy, to save, or to remain quiet and allow the evils to continue and grow. Liars have for years assisted those who either killed or stole, and they condoned quietly the actions of others by not interfering.

    Films like these makes us remember how ignorant we are, in many different degrees by either not learning enough, not being willing to change and by not facing what really exists in our own souls.
    8wojwys

    Not a propaganda but used as such

    Unfortunately this movie was used as propaganda tool from two opposite sides. I'd recommend not to seek any relationship to any facts as you won't find any. Simply enjoy the movie for what was created - an artistic value with universal message.

    I was not aware of Poland banning this movie. As a matter of fact there were some Poles (too many) that sold out Jews to Germans. There were many (too many)Poles executed along with the whole family for hiding Jews.

    In Yad Vashem majority of trees, symbolizing those who saved Jews, have Polish names. As a matter of fact most of these trees symbolize Polish families. It should be many, many more, but some Poles decided to take an award from God, never from people.

    My father was risking his life by smuggling grain in a street car passing through ghetto. The bags were hidden in the motor compartment and at some secluded spots he was ripping these bags open. Little kids were swarming around grain and quickly filling their cans. For them it was the only meal the whole family could have. I don't think he ever heard "thank you" for doing it, however he enjoyed living the life of a decent man.
    10FilmCriticLalitRao

    Director Władysław Pasikowski chooses elements from a 'thriller' film to speak about events of the past in his latest film "Pokłosie"/ "Aftermath".

    It is said that history cannot be buried under the ground. It always comes out of its own accord in the future to talk about the past. This is something which viewers witness in "Aftermath" which has been set as a fast paced thriller. The story is told through the turbulent lives of two brothers Franek and Jozek who experience how their peaceful life in a small polish village is completely transformed once they come across some horrible secrets involving murders of their Jewish neighbors during second world war. Pasikowski's film succeeds from the beginning as it fights against a lot of clichés. Firstly, it is absolutely harsh against the belief that let the secrets remained buried as it would be in the interest of everybody if their currently status quo is maintained and not disturbed in future. This is not something which Kalina brothers are willing to accept readily as it was not on their minds to let the secrets be buried. They were fully aware of consequences they would have to face if they went ahead with their scheme of unearthing secrets. In this manner, Kalina brothers-Franek and Jozef make it explicitly clear that truth must come out regardless of the anguish and pain it might cause to anybody who is not able to digest it. Although the villagers are not shown in a negative light but director Pasikowski is upright when he shows that there is a lot of resentment in the minds of local people about its inhabitants who have left for USA. The role of church as depicted in this film is rather ambiguous as the local priest chose to remain neutral at a time when a lot could have been done by him to assuage sufferings. The religious angle gets prominence when the younger brother sacrifices himself in the same manner as Jesus Christ to atone for sins committed by his father. It is rather unfortunate that upon its release in Poland, Aftermath was embroiled into unnecessary controversy. One fail to understand what led some Polish people to accuse this film of being an anti Polish propaganda. Lastly, as freedom of expression is needed to understand the greatness of all works of art, it is hoped that the ban on "Aftermath" in some Polish cinemas would soon be lifted.
    CinemaClown

    Adds A Whole New Chapter To World War History

    Inspired by the true Holocaust related incident that took place in Poland during the Second World War, Aftermath tells the story of two brothers who unearth a shocking secret about their hometown that hasn't been spoken of ever since the war ended. Franciszek Kalina has returned from Chicago to his hometown after decades & discovers that his brother Józef has been shunned by the entire community for acquiring many Jewish tombstones which were once used as pavement for a now abandoned road. As the residents grow more hostile towards them, the brothers attempt to find out what really happened to all the Jewish residents only to discover a truth that'll scar them for life.

    Brilliantly directed by Władysław Pasikowski, the first act of the film is kind of slow, less informative & tells a completely different story than what's presented in the second & third acts. Nicely photographed, superbly acted, finely scored & becoming potent in the middle of the story from where it feels like this film will explode any moment & eventually does when the devastating secrets about the fate of the town's Jews are finally revealed.

    On an overall scale, Aftermath (Pokłosie) could've been a better film if it had used a more tighter narrative but nonetheless manages to achieve what it set out to do & brings on the screen a horrifying secret that many around the world still aren't aware of and ends up delivering an even more powerful punch that won't be easily forgotten. Undoubtedly deserving a wider global audience, Aftermath is one film you shouldn't miss out if you're game for Holocaust-related cinema.

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      Franciszek Kalina: So, what made you do it?

      Józef Kalina: Beats me. So many things aren't right, but we live with them anyway because there's nothing you can do about it. But I think that some things are more wrong than others. It's like, you see a guy lying drunk in the street, you walk on by, 'cause you think, "He's drunk," and you got your own problems and all. But when it's a child lying there, you just can't walk by. Understand?

      Franciszek Kalina: Go on.

      Józef Kalina: The Germans destroyed that cemetery. I can't help that, I wasn't even born then. They paved the road with gravestones, now that's very wrong, but I didn't know about that either. It was only when folks started talking about covering up that old road with asphalt that I thought, "No way." At first I hoped the county would do something, but then I saw people driving up and down the road, all happy that it's nice and even.

      Franciszek Kalina: I understand all that, but why you? We never had anything to do with the Yids.

      Józef Kalina: Beats me, I'm telling you I don't know why. It made me feel bad. I kept thinking, "This is wrong." What if someone tore up our parents' headstone and put it by the church door so folks wouldn't get their feet muddy?

      Franciszek Kalina: Joziu, but these are total strangers. They're not even our people. Not to mention they've been dead 100 years. Your family's alive. Why should they suffer because of some Jewish foolery?

      Józef Kalina: I know it's wrong, but I had to do it.

      Franciszek Kalina: Jews in Chicago, I know what they're like... What was that about the church?

      Józef Kalina: I found out that they laid some of the stones around the well.

      Franciszek Kalina: Józek, don't even think about it.

      Józef Kalina: Why not? The parish priest doesn't mind. He said I could take them away. That young priest's not too happy about it, but there's nothing he can do. The parish priest is on my side.

      Franciszek Kalina: Just don't do it.

      Józef Kalina: It's wrong, don't you see?

      Franciszek Kalina: It'll end in tears, I'm telling you. What about those lumberjacks, huh? Think they beat you up for no reason?

      Józef Kalina: Come on, that was about soccer. They wanted to know who I root for.

      Franciszek Kalina: So you went and said Maccabi Tel Aviv.

      Józef Kalina: They were drunk and looking for a fight is all.

      Franciszek Kalina: [gets up from the table and holds Józef's face in his hands] Why should you, of all people, care about their dead?

      Józef Kalina: Well, you know, there's no one left to look after them.

    • Soundtracks
      Powrót do domu
      Written by Jan Duszynski

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    Details

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    • Erscheinungsdatum
      • 9. November 2012 (Polen)
    • Herkunftsländer
      • Polen
      • Russland
      • Niederlande
    • Offizielle Standorte
      • Official Facebook (United States)
      • Official site (United States)
    • Sprache
      • Polnisch
    • Auch bekannt als
      • Aftermath
    • Drehorte
      • Parysów, Mazowieckie, Polen
    • Produktionsfirmen
      • Apple Film Productions
      • Attack Film
      • Metrafilms
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    Box Office

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    • Weltweiter Bruttoertrag
      • 1.696.330 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 47 Min.(107 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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