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7,2/10
2133
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Aufwendige Verfilmung des Tolstoi-Klassikers - Der wichtigste Roman der russischen Literatur!Aufwendige Verfilmung des Tolstoi-Klassikers - Der wichtigste Roman der russischen Literatur!Aufwendige Verfilmung des Tolstoi-Klassikers - Der wichtigste Roman der russischen Literatur!
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I really liked this mini series and was never bored with it.
Considering how long it was that was some feat. I see many on here have criticised the casting of certain characters and I can agree with much of what has been said, however for me it didn't detract from the over all enjoyment.
It contained all the right emotions and I thought(casting aside) most of the acting was of a very high standard. The mix of European stars some more stars than others lifted the acting standard and it all worked really well. The scenery and sets were also truly breathtaking.
So over all a good series that reflected the spirit of the book.
Considering how long it was that was some feat. I see many on here have criticised the casting of certain characters and I can agree with much of what has been said, however for me it didn't detract from the over all enjoyment.
It contained all the right emotions and I thought(casting aside) most of the acting was of a very high standard. The mix of European stars some more stars than others lifted the acting standard and it all worked really well. The scenery and sets were also truly breathtaking.
So over all a good series that reflected the spirit of the book.
This story is so epic, it is remade all the time. Even right now! This 2007 version has very good qualities, the most obvious being the sets, the locations and the costumes. The worst was the actors which are mostly very good but sometimes looked like only one take was made. The snow is also often paper. The fights were often not looking real at all. All in all, I liked it enough.
I'm not saying it is easy to adapt and film a behemoth work like War and Peace. But they managed to get the production values fine, eg costumes, most of the architecture. Even battle scenes are not bad considering.,
But this production is ruined by awful acting and direction. And I don't mean a few or most of the actors -- but all of them.
Excellent all-around--the superb acting is the high point--Alexander Beyer and Hannelore Elsner particularly good, and of course Malcolm McDowell is good. The cinematography and production design are gorgeous, and the historical realism is dense and exciting (best Napoleon you'll ever see). Costumes are excellent and rich, and the direction is skillful (wonderful close-ups of the actors, the directors really gave them a chance to shine). Music is beautiful. A really outstanding, well-made piece, a great tale with a wonderful cast of villains and delightfully honorable, upstanding characters, with many exciting contests and backstabbing among them. Though admittedly the narrative has to move along at a brisk pace, and much is left out of the story, this is true of any long tale like this one brought to the screen. Much fun to watch over a few nights.
For those that have read the well over 1,000-paged book, this mini-series will prove to impress you quite well. While most of the characters are well-cast, and the cinematography is rich enough for a full-featured film, I felt rushed along a little too hurriedly. Yes, while Tolstoy did go incredibly in-depth on his characters, there were still some VERY important elements that were either skipped or assumed in this series that left me wanting.
Maybe I simply felt let down from the commitment put into reading the novel to see everything shortened so much, however if only they could have spared a few more hours to supply that to enrich the characters...
Maybe I simply felt let down from the commitment put into reading the novel to see everything shortened so much, however if only they could have spared a few more hours to supply that to enrich the characters...
Wusstest du schon
- PatzerNear the end of the series (set in 1813), Pierre plays the first bars of Chopin's Nocturne in C sharp minor - which was composed in 1830.
- VerbindungenVersion of Natasha Rostova (1915)
- SoundtracksThe Duke of Kent's Waltz
(uncredited)
Traditional
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