Zwei Hauptlinien der Geschichte sind komplex und verflochten. Die eine ist die Liebesgeschichte von Natasha und Pierre, die in ihrer Ehe unglücklich sind. Ein weiterer ist der "Große Vaterlä... Alles lesenZwei Hauptlinien der Geschichte sind komplex und verflochten. Die eine ist die Liebesgeschichte von Natasha und Pierre, die in ihrer Ehe unglücklich sind. Ein weiterer ist der "Große Vaterländische Krieg" von 1812 gegen Napoleons Armeen.Zwei Hauptlinien der Geschichte sind komplex und verflochten. Die eine ist die Liebesgeschichte von Natasha und Pierre, die in ihrer Ehe unglücklich sind. Ein weiterer ist der "Große Vaterländische Krieg" von 1812 gegen Napoleons Armeen.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 5 Gewinne & 3 Nominierungen insgesamt
- Field Marshal Kutuzov
- (as B. Zakhava)
- Prince Nikolai Andreevich Bolkonsky
- (as A. Ktorov)
- Princess Lise Bolkonskaya
- (as A. Vertinskaya)
- Princess Maria Bolkonskaya
- (as A. Shuranova)
- Hélène Bezukhova
- (as I. Skobtseva)
- Prince Vasili Kuragin
- (as B. Smirnov)
- Anatol Kuragin
- (as V. Lanovoy)
- Sonia Rostova
- (as I. Gubanova)
- Dolokhov
- (as O. Efremov)
- Prince Bagration
- (as G. Chokhonelidze)
- Emperor Napoleon Bonaparte
- (as V. Strzhelchik)
Empfohlene Bewertungen
Admittedly, the 7 hour plus running time is pretty daunting, but consider the source material. This film deservedly won the best foreign picture Oscar when it was finally released in the U.S. The fact that a Soviet film was able to garner such an award during the height of the Cold War is a testament to its greatness.
There are 3 intermissions to this, the Pangaea of all epic films, and each section draws the viewer in more than the last. The spectacle will blow your mind in a way that digital effects never will be able to do. To actually see the Red Army (and what looks like all of it) marching in costume over the expanse of miles into the distance will change any prior notions of spectacle you held. Ben-Hur, The Ten Commandments, whatever awed you before is chicken feed compared to the brutal grandeur of Bondarchuk's recreation of The War of 1812.
There are beautiful interludes of excellent acting amidst extremely costly sets--it's a shame I don't know Russian because those subtitles chew up a lot of exquisite scenery. The characters are fully developed, the direction is inspired (no run-of-the-mill static camera work in any of this).
They showed this in 70mm at The Egyptian Theatre in Hollywood last year. Before that it was 10 years without a screening in the U.S. We can't afford to let this shimmering prize of film history lapse. In a theatre, or if it is ever issued on DVD, this movie will deeply reward all those who watch it. There was nothing as grand as War & Peace before; there will be nothing on its scale ever again. Treasure this masterpiece...if you can find it.
This film is the stuff of legends. Reportedly one of the most expensive productions ever created, Sergei Bondarchuk's "War and Peace" benefited from the Red Army's involvement and the Soviet Government's financing, and clocks in at about 7 hours. It is as faithful to its source as could be imaginable. In fact, it almost transcends its source.
Admirably cast (the angelic Liudmila Savelieva is ideal as Natasha Rostova and the director was unbelievably wise in casting himself as Pierre Besukhov), elegantly transcribed into a witty screenplay and enacted with class and conviction by its immense cast, "War and Peace" is not just a good adaptation. Its merits as a film are colossal. The cinematography defies any other film, particularly during the battle scenes: rejecting the painterly staticism of Barry Lyndon and the simple charging and distant shots of older films, the violence in Sergei Bondarchuk's epic mirrors that of Kingdom of Heaven (2005!!!), as the camera flies over a never-ending battlefield at full speed, glides aver frantic canons and divisions, crashes into mêlées and follows haunting stampedes of riderless horsemen (a potent metaphor for how the great leaders of the time lost all control over the conflict's proportions). All this without a pixel of CGI in sight (and all the better for it as it presents shots that the eye would simply refuse to believe if generated by a computer) The epic battle of before the sack of Moscow is so colossal and devastating, that even Napoleon looks confused at how to feel before the ocean of corpses sprawled before him. This is the greatest display of cinematic warfare ever committed to the screen. That the calmer scenes manage to sustain that level of excellence is a testament to how grandiose an effort this film is. The display of repressed emotions and overt tenderness are heart-breaking and many episodic scenes stand out magnificently, such as the wolf hunt, the opening balls (easily rivaling anything in "Il Gattopardo") and the duel. This is a film to which the fantastic "Dr Zhivago" feels like a small appetizer Bondarchuk's "War and Peace" reaches beyond the book and in doing so successfully is one of the greatest motion pictures of all time. It is cinematic poetry and entertainment of the highest order. And to sum things up in an overused but never more appropriate than here they'll never make'em like this again.
It probably hasn't been seen in the US on a broad scale since ABC had the good sense to run it as a four part late-night special in early 1973 (anyone else remember)?
Not even subtitles - for those of us who are not true foreign film buffs, I mean - can hurt this film. Bondarchuk's amazing direction, as well as his acting, is breathtaking. The Russian people have been celebrated as lovers of great writing and the subject at hand, "War and Peace", becomes a poem at the conclusion.
Truly magnificent from every level - as a period piece, a psychological drama, a war movie, a love story, a history...Tolstoy would be universally acclaimed ahead of Shakespeare if he (Tolstoy) had the good sense to be from England...
Don't miss it. How the Soviet Government, at the height of the Cold War, could finance and produce a masterpiece like this is one of the great mysteries of the 20th century. Give Bondarchuk the credit.
Wusstest du schon
- WissenswertesSergey Bondarchuk created meticulous recreations of battles of the Napoleonic Wars. The Battle of Borodino against the Napoleon's invasion is the largest battle scene ever filmed.
- PatzerWhen some of the characters are attending the opera, "L'incoronazione di Poppea" by Claudio Monteverdi is being performed. It premiered in Venice in 1642, but by the time that the story takes place (ca. 1807), it had been lost and all but forgotten. A score wasn't rediscovered until 1888, and the first modern performance was given in 1905. The anachronism is probably intentional since Monteverdi's tale of the destructiveness of erotic desire foreshadows the events immediately after that scene.
- Zitate
Narrator: On 12th June, 1812, the forces of western Europe crossed the frontiers of Russia and war began. In other words, an event took place that was contrary to all human reason and human nature.
- Alternative VersionenThere are three different versions: The American release, a 360 minute film in two parts (dubbed in English). The Russian release, a series of four films totaling 403 minutes (see also Vojna i mir I: Andrei Bolkonsky (1965), Vojna i mir II: Natasha Rostova (1966), Vojna i mir III: 1812 god (1967) and Vojna i mir IV: Pierre Bezukhov (1967)). Most reviews (including Leonard Maltin's) list this film's running time as 507 minutes; this is a mistake due to the longer lengths of 70mm prints.
- VerbindungenEdited from Krieg und Frieden - Teil 1: Andrej Bolkonski (1965)
- SoundtracksPrologue
(uncredited)
from "L'Incoronazione di Poppea"
Composed by Claudio Monteverdi
Written by Giovanni Francesco Busenello
Top-Auswahl
- How long is War and Peace?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- La guerra y la paz
- Drehorte
- Borodino, Moskovskaya oblast, Russland(scenes before the main battle with Napoleon)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 8.000.000 RUR (geschätzt)
- Bruttoertrag in den USA und Kanada
- 148.503 $
- Eröffnungswochenende in den USA und in Kanada
- 22.976 $
- 17. Feb. 2019
- Weltweiter Bruttoertrag
- 149.485 $
- Laufzeit6 Stunden 33 Minuten
- Farbe
- Seitenverhältnis
- 2.20 : 1