Das Parfum - Die Geschichte eines Mörders
Jean-Baptiste Grenouille wurde mit einem ungewöhnlich ausgeprägten Geruchssinn geboren und kreiert die besten Parfums der Welt. Auf der Suche nach dem ultimativen Aroma nimmt seine Arbeit je... Alles lesenJean-Baptiste Grenouille wurde mit einem ungewöhnlich ausgeprägten Geruchssinn geboren und kreiert die besten Parfums der Welt. Auf der Suche nach dem ultimativen Aroma nimmt seine Arbeit jedoch eine dunkle Wendung.Jean-Baptiste Grenouille wurde mit einem ungewöhnlich ausgeprägten Geruchssinn geboren und kreiert die besten Parfums der Welt. Auf der Suche nach dem ultimativen Aroma nimmt seine Arbeit jedoch eine dunkle Wendung.
- Auszeichnungen
- 15 Gewinne & 20 Nominierungen insgesamt
- Driver
- (as Walter Cots Wangüemert)
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A must see. Or, should I say, a must "smell"!
Unfortunately, much of the book had to be skipped in the interest of time much of Grenouille's childhood is glossed over and the bit after the cave visit is completely omitted.
Despite this, the atmospheric sets and brilliant acting (with the exception of a disappointing Mr. Hoffman, who really does not have the stature of a master Parisian perfumer) kept me completely enthralled.
As in the original book, there is quite a bit of nudity, which is tastefully done, but I will be interested to see how this is swallowed in America it will probably get an 18 rating or be cut down, which is a shame, it was given a 12 rating in Germany.
In summary, a really great film, but probably best if you have read the book beforehand..
I had the chance to watch a preview of "The Perfume" tonight and I was very surprised: this movie is really good! Okay, it can't actually make you smell all the scents and odours, but the images and the music allow you to experience the atmosphere and the emotions Grenouille is feeling when he takes in the scents of his environment. You couldn't have done this much better without the use of real scents at theatres.
Although much of the story is told by a narrative voice (mostly quotes from the novel), the movie is still thrilling and exciting all the way. It's a very good adaption of Süskind's novel, sticking to the original plot concerning the major events, leaving away unnecessary subplots (although it's a pity that funny "lethal gas"-plot was cut out!) and shortening long passages. The result is well-constructed movie that is worth seeing.
The actors, especially Whishaw who plays Grenouille, have done a very good job. Like in the novel, Grenouille is an ambivalent character and you never know whether to love him for his genius talent or to hate him for his cruel murders. Whishaw's half-crazy, scary gaze made me shiver. Dustin Hoffman as old and unsuccessful parfumeur Baldini was very convincing... I loved the way he talks to Grenouille arrogantly although he recognizes how much more talent the young man has. Baldini is always good for a laugh.
The only thing to criticize is that the movie is not as brutal as the novel. I think they wanted to avoid the FSK 16 rating and so didn't show much violence, which in my opinion would have been necessary if you wanted the movie to have the same shocking impact on the audience as the novel. For example I was really shocked by the end of the novel - in the movie you hardly see what happens.
However, it's really a thrilling story visualized excellently - go to the movies and watch "The Perfume"! You won't be disappointed.
Wusstest du schon
- WissenswertesThe production team scouted eight different countries in Europe looking for the best place to represent eighteenth century Paris, before settling on Barcelona, Spain.
- PatzerThe method of enfleurage that Grenouille is first seen practicing is called cold enfleurage - placing live botanicals in a layer of lard or tallow set in a frame. However, this method of enfleurage was not developed until the 1800's. The movie is set in the mid 1700's.
- Zitate
Narrator: He still had enough perfume left to enslave the whole world if he so chose. He could walk to Versailles and have the king kiss his feet. He could write the pope a perfumed letter and reveal himself as the new Messiah. He could do all this, and more, if he wanted to. He possessed a power stronger than the power of money, or terror, or death - the invincible power to command the love of man kind. There was only one thing the perfume could not do. It could not turn him into a person who could love and be loved like everyone else. So, to hell with it he thought. To hell with the world. With the perfume. With himself.
- SoundtracksTarentelle
(Traditional)
Performed by Saboï and its Members
Asta Coulomb, Christian Coulomb, Sebastien Coulomb, François Hecquet, Bertrand Mercier, Nicolas Pillard,
Edo Pols, Jocelyn Raulet, Simon Staelens, Remi Tran-No
By arrangement: Christian Coulomb
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- El perfume: historia de un asesino
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 60.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.223.293 $
- Eröffnungswochenende in den USA und in Kanada
- 37.079 $
- 31. Dez. 2006
- Weltweiter Bruttoertrag
- 135.039.924 $
- Laufzeit
- 2 Std. 27 Min.(147 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1