Während des Zweiten Weltkriegs wurde eine Geschichte mit unschuldigen Augen von Bruno, dem achtjährigen Sohn des Kommandanten in einem deutschen Konzentrationslager, gesehen, dessen verboten... Alles lesenWährend des Zweiten Weltkriegs wurde eine Geschichte mit unschuldigen Augen von Bruno, dem achtjährigen Sohn des Kommandanten in einem deutschen Konzentrationslager, gesehen, dessen verbotene Freundschaft mit einem jüdischen Jungen auf der anderen Seite des Lagerzauns überraschen... Alles lesenWährend des Zweiten Weltkriegs wurde eine Geschichte mit unschuldigen Augen von Bruno, dem achtjährigen Sohn des Kommandanten in einem deutschen Konzentrationslager, gesehen, dessen verbotene Freundschaft mit einem jüdischen Jungen auf der anderen Seite des Lagerzauns überraschende und unerwartete Folgen hat.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 7 Gewinne & 7 Nominierungen insgesamt
- Leon
- (as Zac Mattoon-O'Brien)
Empfohlene Bewertungen
It is beautifully scripted, acted and shot too - with none of the anachronisms of taste and language that bedevil historically-set films such as The Duchess.
A small, British movie with an unusual take on a ghastly and well-worn subject.
PS - for parents: It's a 12A in Britain and I wouldn't take a child under about eleven. Nor would I let them go alone.
Bruno is an 8 year old German kid whose father David Thewlis is an officer in the Wehrmacht. They're living a nice life in the beginning of World War II in metropolitan Berlin. Thewlis gets orders however shipping him to a command in a nice rural area of southern Germany, presumably Bavaria. Like any other kid he's upset at being dislocated from his friends and his school, but he certainly hasn't much to say in the matter.
So the family is uprooted to a lovely pastoral area where Dad's been put in charge of a concentration camp. Not one of the bigger ones like Auschwitz and Dachau, but a small one that his superiors expect Thewlis to run efficiently.
Young Bruno has absolutely no one to play with and he wanders over to the camp. His parents feel he's way too young to understand about these things and he makes friends with a kid on the other side of the barbed wire, a young Jewish boy named Shmuel who wears those funny striped pyjamas like everyone else in the camp.
Two things struck me about The Boy In The Striped Pyjamas. When I did a review of The Diary Of Anne Frank, the biggest impression I got out of the film was the ordinariness of that small group of Jews hidden in that attic. Who could possibly think these people were any kind of threat to civilization simply for being and believing in their faith? We get to see the other side of the looking glass here, a view of this very average German family, besides young Bruno and Thewlis, there's mother Vera Famiga and daughter Amber Beattie. Famiga is not happy one bit with her domestic situation and it's slowly dawning on her that the politics and policies of the Third Reich is the root of her concerns. As for Beattie, she's really buying into the whole Nazi thing, partly because she's going through puberty and a young and handsome aide to her father played by Rupert Friend is stirring up those first womanly feelings.
But to all intents and purposes this is your average German family, not too much different than the Frank family in that attic, but that this regime of hate has made Thewlis a death merchant.
The second thing that struck me and it's what gives hope to this crazy world is what passes between Asa Butterfield as Bruno and Jack Scanlon as Shmuel. If all we are as humans are reflections of our parents prejudices there would be absolutely no hope for mankind. But we do grow, we do question, some of us just don't accept everything that's fed to us. We don't see Shmuel's world of the camp until the very end, the boys mostly have contact with a barbed wire fence between them. But we see Bruno and his sister being now home schooled in Nazi teachings and his innocent contact with that kid on the other side of the fence makes him question what's going on.
The Boy In The Striped Pyjamas is one of the best films of 2008. You will not forget the performances of Butterfield and Scanlon and the adult cast members. The end will shatter your mind, but the film's depiction of friendship growing in the worst possible circumstances is also a message of hope.
Set during World War II, a story seen through the innocent eyes of Bruno, the eight-year-old son of the commandant at a concentration camp, whose forbidden friendship with a Jewish boy on the other side of the camp fence. The boys have a great friendship talking every day, enjoying the company. But when the father gives Bruno a Nazi propaganda loving tutor, Bruno becomes confused, is his father an evil man or is his friend the evil one? Love his country and do his duty or don't judge and just stay true to his friend? Bruno must decide all this with some scary consequences ahead of him.
The Boy in the Striped Pyjamas is a fantastic film, though if you see it, I do recommend bringing the tissues. I couldn't believe the chemistry they had with these two young actors, they worked so well together as these innocent boys who both have no idea what's going on. Bruno doesn't know why his friend is behind fences, and his friend doesn't know why he's there either. The ending is extremely powerful and the story keeps you interested. I do recommend seeing The Boy in the Striped Pyjamas, it's a treasure from 2008.
9/10
Sophie x x x
I have taken him to see the film; and was riveted. I think that the style of the film is really that of an old fashioned family film, however the subject matter is emotionally very demanding and all the better for that. It does what good drama should do - makes you think and feel. As the credits ran, at the showing that I saw, no one moved or spoke for a minute or two. The Holocaust is a difficult subject, but to tell a story in such a way that it is accessible to a 12 year is a great achievement.
There have been some comments that the cast speak English (rather than, presumably, German) and that this is somehow a bad thing. What are the alternatives? Either sub-titles or daft 'ello 'ello accents. In some ways the ordinariness of the Nazis and the family points up the horror of what happened that ordinary people can do the worst of things to fellow human beings.
Wusstest du schon
- WissenswertesBruno's parents are named Ralf and Elsa, but in the credits of the film they are listed as "Father" and "Mother." This is a tribute to the novel, in which the narrative focuses solely on Bruno's point of view.
- PatzerThe Nazi banners at the film's beginning are sheer and translucent: silk, nylon or rayon. Nazi banners were constructed of wool and were never translucent.
- Zitate
Shmuel: I wish you'd remembered the chocolate.
Bruno: Yes, I'm sorry. I know! Perhaps you can come and have supper with us sometime.
Shmuel: I can't, can I? Because of this.
[points the electric fence]
Bruno: But that's to stop the animals getting out, isn't it?
Shmuel: Animals? No, it's to stop people getting out.
Bruno: Are you not allowed out? Why? What have you done?
Shmuel: I'm a Jew.
- Crazy CreditsQuotation displayed before the opening titles: "Childhood is measured out by sounds and smells and sights, before the dark hour of reason grows - John Betjeman"
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- El niño con el pijama de rayas
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 9.046.156 $
- Eröffnungswochenende in den USA und in Kanada
- 253.085 $
- 9. Nov. 2008
- Weltweiter Bruttoertrag
- 40.416.563 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1