Des diamants pour l'enfer

This video nastie was banned in Britain and never released.

No, it wasn't for Jesus Franco's propensity for plenty of full frontal nudity, including his own wife, Lina Romay. After all, they have made over 100 films together, and I am sure moviegoers know her as well as he does.

No, it was the application of the old "Tucker Telephone." I don't know if Franco got the idea from the Tucker prison farm in Arkansas, or from Generalissimo Franco, but the application of electrical wires to his wife's vagina and the electrical current was too much for the Brits.

Yes, there is a poorly done lesbian scene (only one), and the women in prison all slept naked, but that gets to be a bore after a while. Mostly people just smoked and talked. Pretty boring.

This is one of only two Jess Franco movies to have been banned in Britain during the "video nasties" scandal of the early 1980's, which only goes to show you that the BBFC (the British Board of Film Censors) needed to see A LOT more Jess Franco movies. This movie is pretty sick, but it is nowhere near as sick as earlier Franco WIP movies like "Barb-Wire Dolls" or "Greta, the Wicked Warden" (another Franco WIP movie "Women in Cellblock 9" was much more recently censored by the modern-day BBFC for underage nudity, and is currently unavailable in America at all).

This movie actually has a surprisingly intricate, if pretty off-the-wall, plot that kind of gets in the way of the depravity. After some diamonds are heisted from a Chinese junk, the only surviving thief is shot dead by his girlfriend "Shirley" (Lina Romay). The girlfriend is sentenced to a brutal prison, but many suspect she knows more than she's telling about the missing diamonds including the prison warden, who forces his prison snitch mistress to befriend "Shirley", and a crooked insurance investigator, who it turns out was in on what was to have been a fake heist before he and his partners were double-crossed by "Shirley" and her boyfriend.

The movie has the typical Francoesque longeurs of lesbian frolicking while the director performs the cinematic equivalent of a full body cavity search on the actresses with his beloved zoom lens. The two scenes that probably most incensed the BBFC though were the scenes of a naked woman being brutally whipped (old hat by the mid 1970's) and the scene of a naked Lina Romay receiving electroshocks in a very uncomfortable place (and I don't just mean the dank, barren cell). While this may seem the kind of incendiary mixture of violence and sex that tends to raise British censorial hackles, the violence is impossible to take seriously due to the incompetent film-making. The whip, for instance, leaves no mark on the girl in long shots but only in obviously fake close-ups, while the warden on the English-language soundtrack keeps demanding the prisoner "kneel down and beg forgiveness", despite the fact she's clearly chained to the ceiling. In the electroshock scene, Romay has her hands hand-cuffed in front of her and she could easily pull off the wire that is supposedly causing her searing pain (and as in "Barb Wire Dolls", her miming of electric convulsions is also pretty unconvincing). On the other hand, if there's anything at all "sexy" about these scenes it's simply that these women are nude at the time and have very nice bodies (especially Romay)--it has nothing to do with the ridiculous "torture" they're supposedly undergoing.

This movie didn't deserve the censorship it received, but conversely, it also doesn't deserve the fame/notoriety/whatever it has received for having been censored. It might be one of Franco's better WIP movies, but it's certainly not one of his best movies, and definitely not a great movie by any standard.

Woman behind bars, directed by Jess Franco(as Rick Deconnink)is basically an exploitation film set in a woman's prison. The film has several of Franco's trademarks such as lots of full frontal nudity and woman being tortured in a number of ways. One such torture scene involves the star Lina Romay, who in reality is the wife of Jess Franco, having live electrodes applied to her breasts and genitals.

Because of these torture scenes the film was placed on the DPP video nasty list. Eventually the film was removed from the list but the film has never been re-released.

In the film Romay murders her boyfriend to steal his hoard of diamonds, but she winds up in prison in the hands of a sadistic warden and his guards The film would appeal to fans of Franco's directing style and also fans of exploitation films especially the woman in prison sub genre.

This film has been a special target of mine for some time; not because I particularly enjoy the women in prison genre; but simply because it was the only film on the DPP's Video Nasty shopping list that I hadn't seen. Anyway, the inclusion of this film on the Video Nasty list would seem to be another huge error from the DPP. The 'women in prison' genre has no shortage of vile, exploitative efforts; and many of those would deserve a place on the Video Nasty list. This one, however, is one of the least exploitative I've ever seen and yet it's the only women in prison film on there! Furthermore, the film actually has a plot! It focuses on a diamond robbery; followed by the murder of the man that did it by his girlfriend, who is then sent to a women's prison where she is subjected to some mild exploitation. There's some lesbian sex and stuff featured; but nothing really that 'bad'. The film does feel cheap and nasty in places; but the cinematography is decent and it feels like a professional production. It has to be said that the film is a little bit dull at times; but it doesn't overstay it's welcome at less than eighty minutes and just for the fact that it has some story, I'd rate this among the better films of the genre.

It's not at all surprising that, along with Lucio Fulci, Jess Franco has the honour of being the director with the most films on the official Video Nasty list: with virtually his entire filmography consisting of exploitative trash designed to either titillate or offend through explicit sex, torture and gore, his work was bound to be targeted during the Draconian days of Mary Whitehouse and James Ferman. What is surprising, though, is that given today's more relaxed attitude to sex and violence in film, Women Behind Bars still remains unavailable in the UK to this day.

Barring a couple of unconvincing scenes of torture (some laughable whipping and that old WIP classic, the electrodes on the genitalia), Women Behind Bars contains very little to get to get in lather about. It's chock full of full frontal female nudity of course (including Jess' trademark close-up crotch shots), and contains one lesbian tryst (between lovely Lina Romay and sexy blonde Martine Stedil), but with the director devoting more time and attention than usual to something vaguely resembling a plot, the general level of depravity is a few notches lower than your average Franco flick and nowhere near as shocking as one might expect given the film's notoriety.

This relative tameness, combined with Franco's usual lack of technical prowess (his direction and camera-work is wildly erratic; the action moves like an arthritic sloth on Xanax), atrocious dialogue and lousy acting, makes the film a real chore to get through. Maybe that's why it hasn't had a UK DVD release yet: nobody thinks it would be worth the effort.