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IMDbPro

Frauengefängnis

  • 1976
  • BPjM Restricted
  • 1 Std. 18 Min.
IMDb-BEWERTUNG
4,4/10
1675
IHRE BEWERTUNG
Frauengefängnis (1976)
VerschwörungsthrillerDramaHorrorKriminalitätThriller

Füge eine Handlung in deiner Sprache hinzuWomen's prison tale, with Lina Romay as Maria who is jailed after killing her father, played by director Jess Franco, who tries to rape her. Lesbian wardens, torture, nudity, sex, insanity a... Alles lesenWomen's prison tale, with Lina Romay as Maria who is jailed after killing her father, played by director Jess Franco, who tries to rape her. Lesbian wardens, torture, nudity, sex, insanity and conspiracy round out the formula.Women's prison tale, with Lina Romay as Maria who is jailed after killing her father, played by director Jess Franco, who tries to rape her. Lesbian wardens, torture, nudity, sex, insanity and conspiracy round out the formula.

  • Regie
    • Jesús Franco
  • Drehbuch
    • Connie Grau
    • Christine Lembach
    • Jesús Franco
  • Hauptbesetzung
    • Lina Romay
    • Paul Muller
    • Monica Swinn
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,4/10
    1675
    IHRE BEWERTUNG
    • Regie
      • Jesús Franco
    • Drehbuch
      • Connie Grau
      • Christine Lembach
      • Jesús Franco
    • Hauptbesetzung
      • Lina Romay
      • Paul Muller
      • Monica Swinn
    • 25Benutzerrezensionen
    • 24Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 0:56
    Trailer

    Fotos20

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    Topbesetzung17

    Ändern
    Lina Romay
    Lina Romay
    • Maria
    Paul Muller
    Paul Muller
    • Dr. Moore
    • (as Paul Müller)
    • …
    Monica Swinn
    Monica Swinn
    • Prison Director
    • (as Monika Swinn)
    Roger Darton
    • Governor Milton
    Ronald Weiss
    • Warden
    Martine Stedil
    Martine Stedil
    • Bertha Contrini
    Eric Falk
    Eric Falk
    • Guard Nestor
    Peggy Markoff
    • Ingrid
    • (as Peggy Markhoff)
    • …
    Nathalie Mann
    Denis Torre
    Raymond Hardy
    • Guard José
    • (as Ray Hardy)
    Beni Cardoso
    Beni Cardoso
    • Rosaria Cortina
    Frieda Altstadt
      Madeleine Ammann
        Nathalie Chape
          Jesús Franco
          Jesús Franco
          • Maria's Father
          • (Nicht genannt)
          Lilliane Stollberger
            • Regie
              • Jesús Franco
            • Drehbuch
              • Connie Grau
              • Christine Lembach
              • Jesús Franco
            • Komplette Besetzung und alle Crew-Mitglieder
            • Produktion, Einspielergebnisse & mehr bei IMDbPro

            Benutzerrezensionen25

            4,41.6K
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            Empfohlene Bewertungen

            5fredcdobbs5

            I am no longer a Franco virgin. Not sure if that's good or bad . . .

            Well, I'm finally forced to admit it--up to now I've never seen a Jess Franco film (well, not knowingly, anyway; the guy has used 189,000 different names, so I might have seen one among his incredibly prodigious output made under one of those names though I didn't know it at the time). Naturally I knew about him, and his reputation, but I finally got around to seeing my first of one of his films today. And it was this one. And I'm still recovering.

            All things considered, though, I've seen worse--not much worse, but worse. Then again, you can't judge a Jess Franco film by such arbitrary standards as "good" or "bad"; they just don't apply. Was it well made? No. Was it well acted? No. Was it well written? God, no. Was it enjoyable? Hell, yes. Its enjoyability factor was due in large part to the plethora of gratuitous nudity and just-this-side-of-porn sexual activities--sexual abuse, molestation, rape, incest, lesbianisn, voyeurism, and everything else that makes life worthwhile (at least in a Jess Franco film). It wasn't just the nudity and the sex that make this film so much fun, though. It was the joyously demented attitude of the thing. You got the feeling that Franco said to himself, "Well, I've managed to scrape together a couple of bucks; let's make a sleazoid women in prison picture and get Lina Romay naked as often as humanly possible"; for that philosophy alone he should have gotten a special Oscar.

            As for the "plot"--as if you care about such trivial matters--a lezbo warden and an effeminate phony doctor run a combination womens prison/torture chamber/home for retired and/or escaped and/or wannabe Nazi concentration camp guards in an unnamed South American country (although it was shot in the Central American country of Honduras, something I'm sure the Honduran government wasn't particularly jazzed about when it finally found out what Jess was up to while shooting in one of their prisons)

            As a movie, it's not really very good (actually, it stinks). As an example of the "Jess Franco experience", it's somewhat better. As a showpiece for Lina Romay's incredible sex appeal and terrific body, it's a masterpiece. If you go into it with the right attitude, it can be a lot of fun.

            Come to think of it, even if you DON'T go into it with the right attitude it can be a lot of fun. Enjoy.
            Michael_Elliott

            Barbed Wire Dolls

            Barbed Wire Dolls (1975)

            *** 1/2 (out of 4)

            A young woman (Lina Romay) is sent to prison after accidentally killing her father (Franco himself) who was trying to rape her. Inside the prison she must deal with an evil warden (Monica Swinn), a mixed up doctor (Paul Muller) and all sorts of sexually hungry lesbians. As far as WIP (Women in Prison) films go then this is without question the best one I've seen as it has no limits to the amount of trash it will go to whether it be violence, torture, nudity or sexual abuse. The film never takes itself overly serious and instead is just a good time if you can stand this type of thing. Romay has the perfect look for the good girl and really delivers on that level. Her sexuality certainly shine through as does the rest of the girls. I've said quite often that no one knows how to film women better than Franco and his camera is constantly looking over all the beautiful women and picking up everything he can. Swinn is also in good form as the lesbian warden who love to torture and rape. Franco keeps the action moving through the rather short 80-minute running time, which is a great thing as the film never slows down or gets boring. All of the women makes for good characters to root for and all he bad guys are great villains including the Governor who gets his kick watching his assistant do the women. The highlight of the film however belongs to a flashback sequence where we see Romay kill her father being played by Franco. This scene, shot in slow motion, is just so incredibly silly that you can't help but laugh out loud.
            5frankenbenz

            Awfully Great

            www.eattheblinds.com

            There's a scene in Barbed Wire Dolls that is so perfectly horrible it should be cinematic legend. It's a young girl's flashback of her father (played by Franco himself) attempting to rape her. The entire scene is shot with Franco's patented wandering zoom, a lens slathered with vaseline and a slow motion effect you have to see to believe.

            Doing double-duty as "Cinematographer," Franco apparently didn't realize you could change the frame rate on the camera and decided slow motion is best acquired through slow motion acting. Yup, actors pretending to go through the motions in real time slow motion. Hilarious.

            For someone who hates his own movies and wishes he'd directed Citizen Kane, Franco's taste is not nearly as bad as the choices he consistently makes behind the camera. Within the realm of bad movies, if Ed Wood Jr. is Orson Welles, then Jess Franco is quite possibly John Ford. High praise, indeed. Barbed Wire Dolls is a B- movie with so many juicy tidbits of ineptness, tasteless raunch, camp and cliché you can't help but love this senseless mess. See the slow motion genius for yourself:
            4a_dancersdream

            It made me want to watch Ilsa instead

            Now some people are complaining about the lack of plot, however there is a plot; a weak one, but yes it is there. Most characters are pulled from Ilsa - The Wicked Warden (another Franco movie) and yet all I wanted was for Dyanne Thorne to play a cameo. As a fan of exploitation movies such as Ilsa, I was hoping this was going to be something familiar. And by 'something familiar' I don't mean the same characters and same set. I'm looking for new torture, new sleaze and the like. Other then super fake electrical shocks there is none of that. Just badly dubbed naked girls who pretend to masturbate. If that's what I was looking for then I suppose I would have to have rated this movie more then a 4/10 but it was a little to soft-core for me. And for that I apologize.
            9HumanoidOfFlesh

            Sexploitation at its sleaziest!

            "Barbed Wire Dolls" has to be one of the sleaziest Women in Prison epics ever created.This is Franco's first film for Swiss producer Erwin C.Dietrich and it offers tons of nudity and sleaze.A beautiful Maria(Lina Romay)is imprisoned in a penitentiary run by a cruel lesbian warden(Monica Swinn).She is accused of murdering her father(played by Jesus Franco himself)but the wardress actually did the deed.Once in prison,Maria is tortured by being tied nude to metal bed-frame which is hooked up to electrical current."Barbed Wire Dolls" is as sleazy as they get.The film features incredible amount of sleaze including whippings,masturbation with a cigarette,lesbian sex scenes,rape and a close up of one of the inmate's private parts being penetrated by a guard's fingers.The acting is actually not bad and the film is never boring.So if you're a fan of European exploitation give this dirty classic a look.9 out of 10.

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            Handlung

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            • Wissenswertes
              Producer Erwin C. Dietrich put his faith in director Jesús Franco and left him to make the film in peace, he did not see any footage until the film was finished. When Franco screened the completed film to him, he was horrified by the quality. The shots were too blurry and no movie lighting was used, it was rough and raw. Franco defended the film and explained it was the style he was going for. Still dissatisfied, Dietrich told Franco it was a terrible film and wasn't sure if he would be able to sell it to theaters. However, much to Dietrich's surprise, he managed to sell it to numerous European cinemas and the film was a decent success at the box office and received several good reviews at the time. Many years later, in an interview, Dietrich thought more highly of the film and said it was the first film to use the Dogme 95 style before Lars von Trier. Franco went on to make 16 more films for Dietrich over a three year period, and he told Dietrich they were the best years of his life.
            • Patzer
              When Dr. Moore gives an injection to Bertha, He jabs the syringe into her buttock and quickly removes the needle without depressing the plunger.
            • Zitate

              [Maria finds a dead mouse under the food on her plate]

              Maria da Guerra: Ah! A mouse!

              Guard: What's wrong?

              Maria da Guerra: I found a mouse here on my plate. Look at it!

              Guard: So what? It adds protein to your diet.

              [Guard pushes Maria's face onto the plate]

            • Alternative Versionen
              The film was rejected for cinema (as "Caged Women") by the BBFC in 1976 and then passed with heavy cuts under the same title the following year. The 2004 Anchor Bay DVD release (as "Barbed Wire Dolls") was cut by 41 secs to remove shots of explicit sexual penetration.
            • Verbindungen
              Edited into Les gardiennes du pénitencier (1981)

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            FAQ13

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            Details

            Ändern
            • Erscheinungsdatum
              • 23. April 1976 (Westdeutschland)
            • Herkunftsland
              • Schweiz
            • Sprache
              • Französisch
            • Auch bekannt als
              • El reformatorio de las perdidas
            • Drehorte
              • Castillo de San Fernando, Omoa, Honduras(Main exteriors location.)
            • Produktionsfirma
              • Elite Film
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            Technische Daten

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            • Laufzeit
              • 1 Std. 18 Min.(78 min)
            • Sound-Mix
              • Mono
            • Seitenverhältnis
              • 1.85 : 1

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