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Medea

  • Fernsehfilm
  • 1988
  • 1 Std. 17 Min.
IMDb-BEWERTUNG
7,1/10
3802
IHRE BEWERTUNG
Medea (1988)
Drama

Füge eine Handlung in deiner Sprache hinzuMedea is in Corinth with Jason and their two young sons. King Kreon wants to reward Jason for his exploits: he gives the hand of his daughter, Glauce, to Jason as well as the promise of the ... Alles lesenMedea is in Corinth with Jason and their two young sons. King Kreon wants to reward Jason for his exploits: he gives the hand of his daughter, Glauce, to Jason as well as the promise of the throne. In exchange, Medea and the boys are to be banished. Jason explains that his action... Alles lesenMedea is in Corinth with Jason and their two young sons. King Kreon wants to reward Jason for his exploits: he gives the hand of his daughter, Glauce, to Jason as well as the promise of the throne. In exchange, Medea and the boys are to be banished. Jason explains that his actions ensure a rich future for Medea and her sons. She asks that she be allowed to stay; Kreon... Alles lesen

  • Regie
    • Lars von Trier
  • Drehbuch
    • Euripides
    • Carl Theodor Dreyer
    • Lars von Trier
  • Hauptbesetzung
    • Udo Kier
    • Kirsten Olesen
    • Henning Jensen
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    3802
    IHRE BEWERTUNG
    • Regie
      • Lars von Trier
    • Drehbuch
      • Euripides
      • Carl Theodor Dreyer
      • Lars von Trier
    • Hauptbesetzung
      • Udo Kier
      • Kirsten Olesen
      • Henning Jensen
    • 24Benutzerrezensionen
    • 26Kritische Rezensionen
    • 84Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos7

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    Topbesetzung12

    Ändern
    Udo Kier
    Udo Kier
    • Jason
    Kirsten Olesen
    Kirsten Olesen
    • Medea
    Henning Jensen
    Henning Jensen
    • Kreon
    Solbjørg Højfeldt
    Solbjørg Højfeldt
    • Ammen
    Preben Lerdorff Rye
    • Paedragon
    Baard Owe
    Baard Owe
    • Aiceus
    Ludmilla Glinska
    • Glauce
    Vera Gebuhr
    • Aeldre Terne
    Jonny Kilde
    • Store Dreng
    Richard Kilde
    • Lille Dreng
    Dick Kaysø
    • Jasons Stemme
    Mette Munk Plum
    • Glauces Stemme
    • Regie
      • Lars von Trier
    • Drehbuch
      • Euripides
      • Carl Theodor Dreyer
      • Lars von Trier
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen24

    7,13.8K
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    Empfohlene Bewertungen

    10sixwings

    Medea by Lars Triers

    Brilliant expose' and depiction of the classical Greek play. I never had any feeling of sympathy for the character of Medea. I always found her murderous rage against her husband reprehensible. No hatred or anger can justify murdering one's own children. But for the first time, I felt a sadness and compassion towards Medea. Lar Triers treatment and subsequent rendition of Medea's plight made me think of her more than just as a "woman scorned" and I finally understood what moved her to this sacrilegious act of infanticide. Jason was her entire life and the one that she should have killed. So in his absence, she slew his progeny. She wanted to wipe any trace of him from the earth and from her heart. So she destroyed everything at once including herself. There would never be any chance of returning after this unforgivable act.

    This is the definitive Medea. Lars Triers deserves praise for bringing this tragedy into focus. For making Medea human instead of a monster he deserves our gratitude.
    7stellastuart-13145

    Retains your interest all the way through

    Fascinating film which was filled with wonderful experimental cinematic effects. I'd love to have a 4K version of it. What spoilt for me it was that Lars Von Trier doesn't know that there is NO TIDE in the Mediterranean!
    chaos-rampant

    Faraway vision (so close)

    Watching this makes me lament Trier. It's good work. It's more than that, in fact. Beautiful pictures are not uncommon in film. In fact, they are getting so banal, say a postcard-perfect sunset, that we (both viewers and makers) often actively seek ugliness, some imperfection that conveys flawed - human - intimacy. Trier has flitted between the two notions (his Dogme entirely devoted to the latter), mixing and matching in a variety of projects down to his recent Melancholia.

    But there are really few makers who can consistently furnish the sunsets, and link between them, that reveal something of planets in their orbits. Tarkovsky is king of that close vision from faraway. Watching this makes me lament Trier, because he could have been our current Tarkovsky, much more than either Tarr or Kusturica, who both flirted with carrying the mantle of that cosmogonic art.

    This one lacks that orbital vision in different narrative planes (we only have one thread), and is mostly, rapturously devoted to tone poetry of elemental intimacy. It was very early in Trier's career anyway, but it's still a better and more visual third film than most directors ever managed. It's beautiful, but not in the clean sense of a David Lean epic. I prefer it this way.

    That is partly because he's working from a barebones story that is ancient myth as interpreted by Euripides (and written into a script by Carl Dreyer): Medea has fled to Corinth promised marriage by the Argonaut Jason, who reneges on that promise when offered the hand of the daughter of the local king. Medea together with her two children is banished from the city.

    It is a simple story of injustice. You are going to anticipate every turn, including (probably) the most tragic finale. It is the conventional Medea of myth, betrayed mother, woman, vengeful enchantress of cthonic witchcraft.

    But the visual bell boom of this Rublev stretches far and wide, as he rings into being a gauzy world of untime, last fires, and first voyages out to cloudy sea. If only he hadn't lost himself in anger and cynical pessimism.. Tarr has followed suit. I think about the only thing that can keep an intelligent mind sane, is finding rhyme and music in unreason.
    10Atavisten

    A very grim tale

    Wow, this is an inspired film. It takes the myth of Jason written by Euripedes and a script by Carl Th. Dreyer, boths testimony has been proved by the test of time and makes a fantastic low budget masterpiece epic of it. Some people think that its production values spoils the experience, but I would like to ask them this: would Claude Monets paintings look better if they were polished? We see into the fabric of film here and I think that only heightens the realism or it makes me believe it the more as a film, if the focus was on making it look real several other things would get lost.

    How big the debt to Dreyers movies are I cant tell as I haven't seen any of his work yet due to poor availability, but as huge it seems it actually makes me a big fan of Dreyer himself, which von Trier also is and don't try to hide.

    Metaphors are a plenty here and somehow it works, experiments with filming, post production and so on is evident and really made this a wonderful testimony to an inspired mind. Respect to Lars! Especially for the water scenes, the wind, the golden fleece ...

    Art direction may not be 100% historically correct, but it looks very good, Medea herself must have inspired 'Orbital' for their 'The Box' music video some years later.

    The revenge she gets are the most raw and brutal I have seen by the way.
    7elo-equipamentos

    Great mythology greek tale in bad shape!!

    Yes it's a great movie but needs an upmost restoration to be able a better look by us who really loves the seventh art, is quite impossible at least to me measure a picture in these conditions, l don't know whose belongs the copyright of this one, but Lars Von Trier didn't deserves such bad shape allowed to sell, unfortunately will be see Monalisa blurry, by this just 7 out 10!!

    Resume:

    First watch: 2018 / How many: 1 / Source: DVD / Rating: 7

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Ludmila Glinska's only film role. She plays 'Glauce' and is credited as Ludmilla Glinska.
    • Verbindungen
      Featured in Tod eines Weltstars (1992)

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 1. April 1988 (Dänemark)
    • Herkunftsland
      • Dänemark
    • Sprache
      • Dänisch
    • Auch bekannt als
      • Медея
    • Drehorte
      • Southern Jutland, Dänemark
    • Produktionsfirma
      • Danmarks Radio (DR)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 16.714 $
    • Eröffnungswochenende in den USA und in Kanada
      • 2.379 $
      • 20. Apr. 2003
    • Weltweiter Bruttoertrag
      • 16.714 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 17 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.33 : 1

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