Ein Mädchen aus Osteuropa wandert mit ihrem kleinen Sohn nach Amerika aus und erwartet ein Leben wie in einem Hollywood-Film.Ein Mädchen aus Osteuropa wandert mit ihrem kleinen Sohn nach Amerika aus und erwartet ein Leben wie in einem Hollywood-Film.Ein Mädchen aus Osteuropa wandert mit ihrem kleinen Sohn nach Amerika aus und erwartet ein Leben wie in einem Hollywood-Film.
- Für 1 Oscar nominiert
- 34 Gewinne & 48 Nominierungen insgesamt
Siobhan Fallon Hogan
- Brenda
- (as Siobhan Fallon)
Empfohlene Bewertungen
This film is brutal, it's not violent, but it's so intense, so sad, so depressing, that I could barely watch it. If you want to cry this film is a must watch. The storyline is fantastic, the cinematography is "cheap" and that makes it artistic. The music was fantastic, sad, creepy, meaningful and it wasn't out of random like in most musicals, here it made sense to exist.
It's one of the best musicals I've ever seen, it's one of the best dramas I've ever seen. It is one of the best films I've ever seen.
It's one of the best musicals I've ever seen, it's one of the best dramas I've ever seen. It is one of the best films I've ever seen.
A superb piece of 2000 cinema, and a worth Cannes winner. Bjork is absolutely perfect as the vulnerable but sympathetic heroine. I won't spoil the plot, but you don't expect to end up where the film takes you. There didn't seem to be a dry eye in the house. The music is slightly spoilt by Lars Von Trier's lyrics, but Bjork puts some life into the tunes. This has had an appalling critical response in the U.K. It put me off going for 2/3 weeks. I do feel that Bjork can arouse resentment in people. Perhaps the establishment (French, Walker, Norman etc) needs to go, and be replaced by some fresh blood.
Why? Because it's a one of a kind movie. The acting is superb (especially Bjork), direction assured and the musical numbers are great. Still, it's the most depressing film I've ever seen. By the end of the film I was crying practically non-stop. It's so bleak I don't think I'll ever see it again, but it should be seen at least once by everybody. It shows misery and suffering full throttle. You'll either love it or loathe it (I'm somewhere in th middle), but you'll never see anything like it again and you won't forget it. Just bring lots of Kleenex.
This is distinguishably different from the general Hollywood films or independent projects. It's not like anything done before. LARS VON TRIER, and BJORK, simply blow your mind away: such totality in delivery!
It's gut wrenching - an absorbing tearjerker - but not sentimental. It is in strong doses. (NFE: it may not be for everyone.) The theatre audience was very quiet with occasional sniffing heard. The film may be a fantasy, yet there are subtle jabs at certain social norms and contains hints at how we treat life and lead life.
Bjork made it natural, innocent, and naively good. It is all Bjork matter: she is feeling all the joy and pain and daydreaming, saying all those words, singing all those songs, and dancing along to the music she so ingeniously composed. Lars von Trier once again wrote and delivered a 100% powerful film. He packs all kinds of emotions into 2 hrs. and 20 mins.: from the endearing friendship of two working women Kathy and Selma; to the faithful loving pursuit of Jeff for Selma; to the quiet exchanges of seemingly trusting souls of Bill and Selma; to Selma's son, Bill's wife, the crime, the court, the prison's loneliness within; the anguish pain of a determined mother; and the integrated mood changing musical numbers in-between. One scene of Bjork lying motionless with just one finger moving with quiet sobbing heard is powerful imagery.
Catherine Deneuve as Kathy is well at ease in her supporting role. She continues to exude her charm quietly. You can tell she thoroughly enjoys the company she's in at this production. Musical-wise, Deneuve is no stranger: besides "The Umbrellas of Cherbourg" 1964 - every word in the film was sung, I also remember Jacques Demy's "The Young Girls of Rochefort" 1967 - she danced and sang with her sister Francoise Dorleac, along with Gene Kelly, Michel Piccoli and George Chakiris.
David Morse as Bill (the policeman and neighbor) reminds me of what a memorable performance he delivered in Sean Penn's "The Crossing Guard" 1995 opposite Jack Nicholson and Robin Wright. 'tis great to see Joel Grey dancing again (hm, in the most improbable setting!)
For a 5' 4'' singer-songwriter from Iceland, Bjork is a giant impact in this quiet powerhouse of a film, "Dancer In the Dark." Lars von Trier's vision and confidence in Bjork truly paid off!
It's gut wrenching - an absorbing tearjerker - but not sentimental. It is in strong doses. (NFE: it may not be for everyone.) The theatre audience was very quiet with occasional sniffing heard. The film may be a fantasy, yet there are subtle jabs at certain social norms and contains hints at how we treat life and lead life.
Bjork made it natural, innocent, and naively good. It is all Bjork matter: she is feeling all the joy and pain and daydreaming, saying all those words, singing all those songs, and dancing along to the music she so ingeniously composed. Lars von Trier once again wrote and delivered a 100% powerful film. He packs all kinds of emotions into 2 hrs. and 20 mins.: from the endearing friendship of two working women Kathy and Selma; to the faithful loving pursuit of Jeff for Selma; to the quiet exchanges of seemingly trusting souls of Bill and Selma; to Selma's son, Bill's wife, the crime, the court, the prison's loneliness within; the anguish pain of a determined mother; and the integrated mood changing musical numbers in-between. One scene of Bjork lying motionless with just one finger moving with quiet sobbing heard is powerful imagery.
Catherine Deneuve as Kathy is well at ease in her supporting role. She continues to exude her charm quietly. You can tell she thoroughly enjoys the company she's in at this production. Musical-wise, Deneuve is no stranger: besides "The Umbrellas of Cherbourg" 1964 - every word in the film was sung, I also remember Jacques Demy's "The Young Girls of Rochefort" 1967 - she danced and sang with her sister Francoise Dorleac, along with Gene Kelly, Michel Piccoli and George Chakiris.
David Morse as Bill (the policeman and neighbor) reminds me of what a memorable performance he delivered in Sean Penn's "The Crossing Guard" 1995 opposite Jack Nicholson and Robin Wright. 'tis great to see Joel Grey dancing again (hm, in the most improbable setting!)
For a 5' 4'' singer-songwriter from Iceland, Bjork is a giant impact in this quiet powerhouse of a film, "Dancer In the Dark." Lars von Trier's vision and confidence in Bjork truly paid off!
Dancer in the Dark haunted me. This film was an amazing view into the human mind as well as a tragic story of hopeless hope, betrayal by others, and still remaining true to yourself. Bjork produces an inspirational performance, of which one would never think she is not primarily an actress. Some of her moments in this film bring you to tears with their absolute honesty. The ensemble cast are a godsend as well. Peter Stormare, Catherine Denevue, and David Morse in particular. Morse, playing the most varied and difficult character, succeeds with apparent ease. The only complaint I had of the film is that it was slightly drawn out and slow paced. However, it is still spiked with moments of surprise that knock you so hard, you are pulled back in immediately. With an incredible closeness to these people, Dancer in the Dark will make you think and stretch your emotions to the limit.
Wusstest du schon
- WissenswertesIt took Lars von Trier a whole year to convince Björk to play the lead role.
- PatzerSelma's son's surname should be Jezek, not Jezková.
- Zitate
Lines on screen: They say it's the last song. They don't know us, you see. It's only the last song if we let it be.
- Alternative VersionenThe film originally contained a song entitled "141 Steps"; however, after the Cannes premiere, director Lars von Trier decided to shorten it, and the song was subsequently reworked and retitled "107 Steps."
- SoundtracksOverture
Written by Björk
Arranged, Orchestrated & Conducted by Vincent Mendoza
Produced by Björk
Mixed by Mark Stent (as Mark "Spike" Stent)
Published by Universal Music
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Bailando en la oscuridad
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.800.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.184.036 $
- Eröffnungswochenende in den USA und in Kanada
- 91.612 $
- 24. Sept. 2000
- Weltweiter Bruttoertrag
- 40.061.153 $
- Laufzeit
- 2 Std. 15 Min.(135 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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