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Heavy Metal

  • 1981
  • 16
  • 1 Std. 26 Min.
IMDb-BEWERTUNG
6,6/10
40.282
IHRE BEWERTUNG
BELIEBTHEIT
4.898
187
Heavy Metal (1981)
Home Video Trailer from Columbia Pictures
trailer wiedergeben1:17
2 Videos
99+ Fotos
Adult AnimationDark ComedyDark FantasyHand-Drawn AnimationAdventureAnimationFantasySci-Fi

Eine leuchtend grüne Kugel - die das ultimative Böse verkörpert - terrorisiert ein junges Mädchen mit einer Anthologie von bizarren und fantastischen Geschichten über dunkle Fantasie, Erotik... Alles lesenEine leuchtend grüne Kugel - die das ultimative Böse verkörpert - terrorisiert ein junges Mädchen mit einer Anthologie von bizarren und fantastischen Geschichten über dunkle Fantasie, Erotik und Schrecken.Eine leuchtend grüne Kugel - die das ultimative Böse verkörpert - terrorisiert ein junges Mädchen mit einer Anthologie von bizarren und fantastischen Geschichten über dunkle Fantasie, Erotik und Schrecken.

  • Regie
    • Gerald Potterton
    • John Bruno
    • John Halas
  • Drehbuch
    • Daniel Goldberg
    • Len Blum
    • Dan O'Bannon
  • Hauptbesetzung
    • Richard Romanus
    • John Candy
    • Joe Flaherty
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,6/10
    40.282
    IHRE BEWERTUNG
    BELIEBTHEIT
    4.898
    187
    • Regie
      • Gerald Potterton
      • John Bruno
      • John Halas
    • Drehbuch
      • Daniel Goldberg
      • Len Blum
      • Dan O'Bannon
    • Hauptbesetzung
      • Richard Romanus
      • John Candy
      • Joe Flaherty
    • 223Benutzerrezensionen
    • 89Kritische Rezensionen
    • 51Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Gewinne & 2 Nominierungen insgesamt

    Videos2

    Heavy Metal
    Trailer 1:17
    Heavy Metal
    Heavy Metal
    Trailer 1:17
    Heavy Metal
    Heavy Metal
    Trailer 1:17
    Heavy Metal

    Fotos202

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    + 194
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    Topbesetzung32

    Ändern
    Richard Romanus
    Richard Romanus
    • Harry Canyon (segment "Harry Canyon")
    • (Synchronisation)
    John Candy
    John Candy
    • Desk Sergeant (segment "Harry Canyon")
    • (Synchronisation)
    • …
    Joe Flaherty
    Joe Flaherty
    • Lawyer (segment "Captain Sternn")
    • (Synchronisation)
    • …
    Don Francks
    Don Francks
    • Grimaldi (segment "Grimaldi")
    • (Synchronisation)
    • …
    Caroline Semple
    • Girl (segment "Grimaldi")
    • (Synchronisation)
    Susan Roman
    Susan Roman
    • Girl (segment "Harry Canyon")
    • (Synchronisation)
    • …
    Al Waxman
    Al Waxman
    • Rudnick (segment "Harry Canyon")
    • (Synchronisation)
    Harvey Atkin
    Harvey Atkin
    • Alien (segment "Harry Canyon")
    • (Synchronisation)
    • …
    Glenis Wootton Gross
    • Whore (segment "Harry Canyon")
    • (Synchronisation)
    Marilyn Lightstone
    Marilyn Lightstone
    • Whore (segment "Harry Canyon")
    • (Synchronisation)
    • …
    Jackie Burroughs
    Jackie Burroughs
    • Katherine (segment "Den")
    • (Synchronisation)
    Martin Lavut
    • Ard (segment "Den")
    • (Synchronisation)
    August Schellenberg
    August Schellenberg
    • Norl (segment "Den")
    • (Synchronisation)
    • …
    John Vernon
    John Vernon
    • Prosecutor (segment "Captain Sternn")
    • (Synchronisation)
    Eugene Levy
    Eugene Levy
    • Sternn (segment "Captain Sternn")
    • (Synchronisation)
    • …
    Rodger Bumpass
    Rodger Bumpass
    • Hanover Fiste (segment "Captain Sternn")
    • (Synchronisation)
    • (as Roger Bumpass)
    • …
    Douglas Kenney
    Douglas Kenney
    • Regolian (segment "Captain Sternn")
    • (Synchronisation)
    George Touliatos
    George Touliatos
    • Pilot (segment "B-17")
    • (Synchronisation)
    • …
    • Regie
      • Gerald Potterton
      • John Bruno
      • John Halas
    • Drehbuch
      • Daniel Goldberg
      • Len Blum
      • Dan O'Bannon
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen223

    6,640.2K
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    Empfohlene Bewertungen

    sick_boy420xxx

    TAKE A RIDE...ON HEAVY METAL

    One of my all-time favorite flicks is this animated anthology of stories all bound together by this glowing green "Locnar," an orb of evil unmatched in all of time and space. The animations are terrific: "Harry Canyon" about a futuristic cabbie in NYC, "DEN" about a nerd who is transported to a far off land as a hulking muscleman, "Taarna" about mankinds last stand against the power of the "Locnar," and others. My personal favorite is the short "B-17" about a bomber in WWII and the horrible power of the "Locnar." As I mentioned previously, the animation is spectacular...reminding me of a day when not everything was computer-generated. Features Cheap Trick, Riggs, Nazareth, Black Sabbath, Blue Oyster Cult, Devo and others on the kicking soundtrack. Overall, a classic of the 80's: one that shouldn't be missed at any cost. My Highest Recommendation.
    grendelkhan

    Fine showcase of a great magazine.

    Heavy Metal, the movie, is great encapsulation of Heavy Metal, the magazine. Heavy Metal was and is an anthology of the best of American and European comic writers and artists. It has carried the work of such masters as Moebius, Druillet, Liberatore, Bernie Wrightson, Howard Chaykin, Walt Simonson, Arthur Sydam, Enki Bilal, Richard Corben and Simon Bisley. The movie adapts some of the great stories from the glory days of the magazine.

    The movie is much like the magazine: a mixed bag of sci-fi, fantasy, horror, comedy, and erotica. Some of it is good, some not. My personal favorites are Harry Canyon, Den, Captain Sternn, B-17, and Tarna. Harry Canyon is a sci-fi tale of thugs, femme fatales, and cynics ala Dashell Hammett and Raymond Chandler, transported to the future. It has been cited as an inspiration for The Fifth Element, by some; but it bears some resemblance to the works of French artist, Moebius, who created designs for The Fifth Element. Moebius also factors into Tarna, as the entire look of this sequence is almost xeroxed from Moebius' Arzach stories.

    Captain Sternn is the anti-hero/criminal from Bernie Wrightson, co-creator of Swamp Thing and illustrator of a beautiful edition of Frankenstein. This is a fun sequence, full of comedy and chaos, much like the Sternn stories. Sternn has more than a slight resemblance to a certain Kryptonian.

    B-17 captures the flavor of the old EC horror comics, like Tales from the Crypt and the Vault of Horror. The sequence features design work from Mike Ploog, a horror comics master and artist of Marvel's Man-Thing. It has a nice creepy, decayed atmosphere and lets the visuals tell the story.

    Den is adapted from Richard Corben's tales. The melon-breasted women that Corben is known for are on fine display here. We also get the humor that also permeates Corben's work. John Candy was quite good here, giving Den the perfect adolescent voice.

    Tarna is the most lush sequence, with sweeping vistas and the use of rotoscoping for the character. It is also quite violent. Again, it owes a great deal to Moebius' Arzach.

    So Beautiful, So Dangerous is pretty forgettable, with juvenile humor and boring animation. Soft Landing is fairly pointless, except to serve as a title sequence. The whole linking device is unnecessary, as the segments bear little relation to one another and are stronger as separate entities. The soundtrack is great, with most pieces capturing the flavor of the animation.

    Ultimately, the uneven stories and lower budget animation holds this movie back. The movie is best viewed as an anthology, rather than a complete story, and with a forgiving eye to the budget. With that said, it's still entertaining and an important work of adult animation.
    jdjnkns

    Take it for what it is

    Sure, it's not the best animation by today's standards. However, for when it was made the animation was top notch. It does have a great voice cast and the music is great. I graduated highschool in 1991 with long hair down my back. I went to my senior prom wearing a Motley Crue t-shirt--so nothing more to be said. I think anyone like me must appreciate Heavy Metal at least on some level. I also appreciate it for the art work and the small details. Watching a beatiful warrior godess slowly don her ridiculously sexy red outfit before wielding a sword to gut a bunch of mutants--it couldn't get any better. The movie as a whole, a conglomerate of strangley unrelated yet joined stories, makes this movie a cult classic--as true as they come. Perhaps that is what is lacking in Heavy Metal 2000--truely a sad attempt as a sequel, with no potential of ever being a worthy classic to sit on a shelf next to the original. The FAKK sword is the coolest thing about the movie, besides the Simon Beasley cover art. At least I think that's Simon's work and not Royo's--perhaps someone could confirm that. Okay, but not to stray from the topic of Heavy Metal (1981)---take it for what it is--don't over analyze it. Sit back, have a few laughs, poke fun at it, and at the end I think it's worth the watch.
    george.schmidt

    Trippy little piece of art; waycool soundtrack to boot

    HEAVY METAL (1981) **1/2 (Voices of : John Candy, Eugene Levy, Joe Flaherty, Harold Ramis, John Vernon) {Featuring songs by : Devo, Sammy Hagar, Blue Oyster Cult, Donald Fagan, Stevie Nicks, Nazareth, Grand Funk Railroad, Journey, Cheap Trick, Black Sabbath, Don Felder, Riggs, Trust} Landmark animated adaptation of the cult magazine "Heavy Metal" is a dizzying soup of noir, science fiction, fantasy and sex vignettes all strung together by the shared element of a glowing green meteorite of pure evil called Loc-Mar {which by the way has parallels to the glowing suitcase in "Pulp Fiction" and the eerie car trunk of "Repo Man"; just food for thought} that threatens a little girl as it recalls the stories for her. Somewhat dated by today's standards but nonetheless a trippy little piece of art. It's recent release on video (1996) was held up primarily by music rights for all the songs being used; includes THX sound and an excised segment "Neverwhere Land" that was cut due to running time. Executive produced by Ivan Reitman ("Ghostbusters"). Directed by Gerald Potterton.
    8aharmon

    Comic fantasy ... and nothing more

    Trying to con Harry Canyon in futuristic New York City ("big deal"), striking a deal with Den, having sex with a robot (or, as he puts it, using "mechanical assistance"), bribing Hanover Fiste to testify on your behalf in court, praying for Taarna to save you. None of these things have anything in common except for the Loch-nar, a green ball supposedly containing the essence and entirety of evil.

    It doesn't matter if none of this makes complete sense or if it's even that good in terms of plot construction. This is Heavy Metal!

    The concept of this 1981 animated experiment is two-fold: show good and evil in a constant state of flux, and bring to life the richness and erotic energy of the popular animated magazine. Add to that some science fiction, a slight reverence for history (in the beautiful ghoul scene in the WWII B-17) and a juvenile insight into drugs and sex, and you have the definition of my '80s youth culture.

    I was one of those kids who'd sneak an issue of Heavy Metal, found on the magazine stands in the local drug store next to the grocery store where my father did his weekly shopping, inside another magazine and stare at the drawings, looking for some violence and humor ... and naked women with bi g breasts. I did the same thing whenever I got my hands on a National Lampoon and, if I was lucky, Hustler.

    It's pre-pubescence at its hormonal best! And seeing it again as an adult brings all that excitement back to me. Every story, every piece of music ... God, every shot for that matter -- they all bring me back to being 10 years old and wrestling with my older cousin as she tried to block my eyes when the chick Harry Canyon picks up off the street strips and slides into bed with him to the tune of Journey's "Open Arms."

    This movie wasn't meant to be cinematic greatness. It was meant to be a boy's fantasy and his coming of age. Sometimes we take these things too seriously. A good movie is a good movie, and a good memory is a good memory. Let's leave it at that ... and let me get a whiff of that stuff the spaceship pilots have lined along the floor...

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The home video was removed from circulation for several years because of problems with music licensing - with so many bands and artists on the soundtrack, securing rights to the music proved difficult.
    • Patzer
      The two final scenes of "So Beautiful & So Dangerous" are reversed. The robot and Gloria leave the spaceship onto the space station before the ship lands. If you look closely at the lower right corner of the screen as the ship grinds to a halt in the hangar bay, the escalator ramp used by the robot and the secretary only seconds before is deployed.
    • Zitate

      Prosecutor: Are you Captain Lincoln F. Sternn?

      Stern: [haughtily] I am.

      Prosecutor: Lincoln Sternn, you stand here accused of 12 counts of murder in the first degree, 14 counts of armed theft of Federation property, 22 counts of piracy in high space, 18 counts of fraud, 37 counts of rape...

      [pauses to check the criminal record]

      Prosecutor: ...and one moving violation. How do you plead?

      Stern: [haughtily] Not guilty.

    • Crazy Credits
      The rolling text of the credits stutter upwards in rhythm with the machine sound that opens the song "Working in the Coal Mine" performed by Devo.
    • Alternative Versionen
      Because of time constraints, a segment called "Neverwhere Land (1996)" was deleted; in this film, this would have connected "Captain Sternn" to "B-17". The story follows the influence of the Loc-Nar upon the evolution of a planet, from the Loc-Nar landing in a body of water, influencing the rise of the industrial age, and a world war. This original story was created by Corny Cole. The original rough animatics are set to a loop of the beginning of the song "Time" by Pink Floyd. The 1996 VHS release included this segment at the beginning of the tape. On the DVD release, this segment is included within the bonus features and is dedicated "In memory of Dawn M. Cole - 1931-1985". In both released versions, the sequence is set to the music of "Passacaglia" (from Magnificat), composed and conducted by Krzysztof Penderecki.
    • Verbindungen
      Featured in OTT: Folge #1.8 (1982)
    • Soundtracks
      Radar Rider
      Performed by Riggs

      Written by Jerry Riggs, Marc Jordan

      Publisher: Mr. Sunshine Inc, BMI

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    Details

    Ändern
    • Erscheinungsdatum
      • 18. Februar 1982 (Westdeutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Kanada
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Universo en fantasía
    • Drehorte
      • England, Vereinigtes Königreich
    • Produktionsfirmen
      • Columbia Pictures
      • Guardian Trust Company
      • Canadian Film Development Corporation (CFDC)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 9.300.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 546.545 $
    • Eröffnungswochenende in den USA und in Kanada
      • 204.660 $
      • 10. März 1996
    • Weltweiter Bruttoertrag
      • 547.563 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 26 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Stereo
      • Dolby Atmos
      • Dolby Digital
    • Seitenverhältnis
      • 1.37 : 1(original ratio)
      • 1.85 : 1

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