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IMDbPro

American Pop

  • 1981
  • R
  • 1 Std. 36 Min.
IMDb-BEWERTUNG
7,2/10
5877
IHRE BEWERTUNG
BELIEBTHEIT
1.960
13.898
Jerry Holland, Marcello Krakoff, Amy Levitt, Jeffrey Lippa, Helen Morgan, Lisa Jane Persky, Elsa Raven, Rick Singer, Mews Small, and Ron Thompson in American Pop (1981)
Trailer for American Pop
trailer wiedergeben2:19
2 Videos
99+ Fotos
Animation für ErwachseneEpischHistorisches EposDramaGeschichteMusikAnimationsfilmHandgezeichnete Animation

Füge eine Handlung in deiner Sprache hinzuThe story of four generations of a Russian Jewish immigrant family of musicians whose careers parallel the history of American popular music in the 20th century.The story of four generations of a Russian Jewish immigrant family of musicians whose careers parallel the history of American popular music in the 20th century.The story of four generations of a Russian Jewish immigrant family of musicians whose careers parallel the history of American popular music in the 20th century.

  • Regie
    • Ralph Bakshi
  • Drehbuch
    • Ronni Kern
  • Hauptbesetzung
    • Mews Small
    • Ron Thompson
    • Jerry Holland
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    5877
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.960
    13.898
    • Regie
      • Ralph Bakshi
    • Drehbuch
      • Ronni Kern
    • Hauptbesetzung
      • Mews Small
      • Ron Thompson
      • Jerry Holland
    • 92Benutzerrezensionen
    • 49Kritische Rezensionen
    • 57Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos2

    American Pop
    Trailer 2:19
    American Pop
    American Pop
    Trailer 0:31
    American Pop
    American Pop
    Trailer 0:31
    American Pop

    Fotos165

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    + 157
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    Topbesetzung53

    Ändern
    Mews Small
    Mews Small
    • Frankie
    • (Synchronisation)
    • (as Marya Small)
    Ron Thompson
    Ron Thompson
    • Tony
    • (Synchronisation)
    • …
    Jerry Holland
    • Louie
    • (Synchronisation)
    Lisa Jane Persky
    Lisa Jane Persky
    • Bella
    • (Synchronisation)
    Jeffrey Lippa
    • Zalmie
    • (Synchronisation)
    Roz Kelly
    • Eva Tanguay
    • (Synchronisation)
    Frank DeKova
    Frank DeKova
    • Crisco
    • (Synchronisation)
    • (as Frank De Kova)
    Rick Singer
    • Benny
    • (Synchronisation)
    • (as Richard Singer)
    Elsa Raven
    Elsa Raven
    • Hannele
    • (Synchronisation)
    Ben Frommer
    • Palumbo
    • (Synchronisation)
    Amy Levitt
    Amy Levitt
    • Nancy
    • (Synchronisation)
    Leonard Stone
    Leonard Stone
    • Leo Stern
    • (Synchronisation)
    Eric Taslitz
    • Little Pete
    • (Synchronisation)
    Gene Borkan
    • Izzy
    • (Synchronisation)
    Richard Moll
    Richard Moll
    • Beat Poet
    • (Synchronisation)
    Beatrice Colen
    Beatrice Colen
    • Prostitute
    • (Synchronisation)
    Vincent Schiavelli
    Vincent Schiavelli
    • Theatre Owner
    • (Synchronisation)
    Hilary Beane
    • Showgirl #1
    • (Synchronisation)
    • Regie
      • Ralph Bakshi
    • Drehbuch
      • Ronni Kern
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen92

    7,25.8K
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    Empfohlene Bewertungen

    10alrodbel

    Memorable Vivid Allegory

    I haven't seen this movie since it came out nearly two decades ago and yet I remember it like it was yesterday. Perhaps being a member of the clan that the movie depicts gives it special meaning for me. The strand connecting the chants of the ghetto synagogue, through early jazz, sixties ballads and finally hard rock rang true to this unsophisticated viewer. Perhaps the characters where often cliches and the symbolism hackneyed- but so what. This is the shorthand of our culture and these iconic elements were used with wit, charm and taste. Animation in this film is truly an artistic medium. The memory of the final scene, where generations of suffering are vindicated in the roar of acclaim for the rock singer descendent, still brings a chill to my spine.
    7Bunuel1976

    American POP (Ralph Bakshi, 1981) ***

    The narrative of this Bakshi animated film follows the showbiz aspirations of a Jewish émigré family through four generations (from turn-of-the-century to the present, i.e. early 1980s), taking in the various turbulent world events and reflecting the often radical changes in culture which occurred during all this time.

    An ambitious if heavy-handed undertaking (Bakshi's trademark realism, displayed through rotoscoped animation, occasionally interspersed with stock footage) which is patchy overall but frequently impressive - and undeniably evocative. The necessarily eclectic soundtrack, too, is a major asset even if the last half does lean too heavily on the the hippie/rock scene; it's also amusing how the script presents the band which the protagonist eventually forms part of as the talent behind many of the best-known rock songs from the era by the likes of Big Brother And The Holding Company, Jefferson Airplane, The Jimi Hendrix Experience, The Sex Pistols and even my own favorite, The Velvet Underground!!
    870shoe

    Well Done. Aces for Bakshi

    What a genuinely interesting and touching film. The rotoscoped animation may not be everyone's cup of tea but it works just fine here. I honestly think it's use was a big plus as it gives this human story a human, life like quality.

    If this was done today it would be slopping over with re-do tunes by current pop nobodies to jam onto a "music from and inspired by" CD not to mention it would be poorly cast with Hollywood no talents.

    The casting here doesn't leave you straining to identify celebs, it just has good actors portraying good characters. You focus on the story of the family, which after all is the point.

    Underrated and very much worth your time.
    Alix_Sunder

    Rock Epic

    A story that transcends through the generations of a family. Starting in the "roaring" '20's the movie begins with the life of an immigrant boy and carries the viewer through a tapestry of jazz, swing, blues, classic rock, and early 80's rock. A completely different look than previous or later Bakshi works, but with the same quality. A must see if you want to forget you're watching an animated movie.
    LeMille0

    Good, but underviewed and misunderstood.

    This film was one that I was reluctant to see at first when it came out on video in the mid 90's. I eventually saw it and it interested me in many ways. The concept of a newly American family transcending through the century by ways of musical pop culture is an innovative idea. The main fault in the film resides on the fact that the filmmaker had somewhat misguided judgements on what exactly pop music and history was in the era that he was depicting. Apart from that I found the dialogue not condescending and the actor's voiceovers quite convincing. The verbal exchange between the character of Tony and the blonde was one of the most authentically written love scenes I have ever encountered in a movie. It was interesting to see the tortured characters succumb to weaknesses and eventually prevail at the end, however unrealistic it may have been represented. Some viewers of this film complain of the chopping rotoscoping used in it, but I found it refreshing seeing through the film to it's eventual endeavor by use of the actor's faces along with their voices. The grittiness of the film was more enjoyable to me. It showcased a lot of underrated talents of actors whose careers never took off such as Jeffrey Lippa and Lisa Jane Persky, among many others. It is often sad how talented represented actors get pushed aside the a world of notoriety. The most identifiable to me was Ron Thompson in the voice of Tony and Pete. I wish that I had seen him in so many other films. His verbal performance was enough to convince me that he was accomplished otherwise as an actor. I think that this film could have been a bit better if it were less presumptuous of the musical mainstream that carried the story through, but eventually it was entertaining. Though this film was not well known and a bit misguided I recommend viewing it at least once.

    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The two dancers in the "Sing, Sing, Sing (With a Swing)" montage are The Nicholas Brothers, Harold Nicholas and Fayard Nicholas. The animators directly rotoscoped their dance from Der Tänzer auf den Stufen (1943).
    • Patzer
      Zalmie and his mother flee the czar in Russia but when they are in the US they speak what some people mistakenly assume is German. They're actually speaking Yiddish, which is similar to German and was the language spoken by Jews in Russia at the time.
    • Zitate

      Zalmie: Hey, Louie. I just seen the most beautiful thing I ever seen in the whole world.

      Louie: Some pre-Prohibition booze, huh?

      Zalmie: No. I seen the stripper gettin' dressed.

      Louie: A stripper gettin' dressed ain't beautiful unless she's ugly to begin with.

    • Crazy Credits
      Disclaimer before soundtrack listings: The following songs were depicted as being written by fictional characters. The producer would like to thank the true composers.
    • Alternative Versionen
      In some versions of the film, dialog has been redone in at last two scenes, presumably to make points more clear. For example, in Little Pete's first scene, he is asked what his Dad would say about him hanging backstage with a rock band. In one version, Pete says "Nothing. He's dead." In the other version, he instead says "I never met my Dad. He's some kind of mystery" (which serves as a better setup for information learned later) Also, Tony returns to the band's apartment after his release from the hospital, only to find they have moved out. In both versions, under 'People Are Strange,' we hear him on the phone with a friend, but the phone conversations begin completely differently. In one we never learn what happened to the band, only that they seemed to have moved out and left Tony behind, while in the other we learn that the band has gone on to big things, with a gold album. Both versions' phone calls end the same way, though, with Tony desperately asking his friend for money or drugs.
    • Verbindungen
      Edited from Applaus (1929)
    • Soundtracks
      American Pop Overture
      Arranged by Lee Holdridge

    Top-Auswahl

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    FAQ15

    • How long is American Pop?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 13. Februar 1981 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Hebräisch
      • Russisch
      • Jiddisch
    • Auch bekannt als
      • Поп Америка
    • Produktionsfirmen
      • Bakshi Productions
      • Aspen Productions (I)
      • Columbia Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 1.500.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 36 Min.(96 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Stereo

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