IMDb-BEWERTUNG
5,3/10
3324
IHRE BEWERTUNG
Nach dem Absturz eines UFOs in Arizona, der auf eine Kollision mit einem NASA-Satelliten zurückzuführen ist, versucht die US-Regierung, den Vorfall aus politischen Gründen zu vertuschen.Nach dem Absturz eines UFOs in Arizona, der auf eine Kollision mit einem NASA-Satelliten zurückzuführen ist, versucht die US-Regierung, den Vorfall aus politischen Gründen zu vertuschen.Nach dem Absturz eines UFOs in Arizona, der auf eine Kollision mit einem NASA-Satelliten zurückzuführen ist, versucht die US-Regierung, den Vorfall aus politischen Gründen zu vertuschen.
Empfohlene Bewertungen
"Hanger 18" is from Sunn Classic Pictures....a now-defunct studio that brought us some quirky, paranoid films such as "The Outer Space Connection" (a documentary that claimed ancient civilizations were in constant contact with aliens who, apparently, made their cool structures) and "In Search for Noah's Ark". I expected very, very little from a Sunn film...that's for sure. However, the longer I watched the film, the more I realized it wasn't bad at all. Paranoid...yes...bad....no.
The film begins with footage of the space shuttle that looks dated today...but was amazing stuff for 1980. Consider this...years before the creation of Pixar, the film shows a lot of high tech CGI effects of the shuttle. I didn't have any idea how Sunn could afford this. It was only in the end credits where the studio thanked both NASA and Rockwell International....and it's likely they got the footage from them, as studios of the day simply didn't have the money or HUGE computers needed for such graphics. Regardless, it was pretty good footage.
While on a routine mission to deploy a satellite, the satellite accidentally collides with a UFO...and the UFO crashes to the Earth. This portion and the scientific study of the ship...all this was very well done and interesting. But there's another plot...one which seemed too influenced by Watergate...where some presidential aids take control of how to tell...or NOT tell the public. This portion, while interesting in its own way, kept the film from being better...that is until the nice twist ending.
Overall, a solid sci-fi film masquerading as yet another lousy Sunn film. Well worth seeing and highly original.
The film begins with footage of the space shuttle that looks dated today...but was amazing stuff for 1980. Consider this...years before the creation of Pixar, the film shows a lot of high tech CGI effects of the shuttle. I didn't have any idea how Sunn could afford this. It was only in the end credits where the studio thanked both NASA and Rockwell International....and it's likely they got the footage from them, as studios of the day simply didn't have the money or HUGE computers needed for such graphics. Regardless, it was pretty good footage.
While on a routine mission to deploy a satellite, the satellite accidentally collides with a UFO...and the UFO crashes to the Earth. This portion and the scientific study of the ship...all this was very well done and interesting. But there's another plot...one which seemed too influenced by Watergate...where some presidential aids take control of how to tell...or NOT tell the public. This portion, while interesting in its own way, kept the film from being better...that is until the nice twist ending.
Overall, a solid sci-fi film masquerading as yet another lousy Sunn film. Well worth seeing and highly original.
It is common to bash this 1980 sci-fi/conspiracy movie for its admittedly not-top-notch special effects and pretty much everything else; the limited budget has a lot to do with it. But with the exception of the 1978 film CAPRICORN ONE, nobody else was trying to mix the two elements (sci-fi and conspiracy) together for the big screen. In essence, HANGAR 18 can indeed be said to presage "The X Files" by a decade and a half.
The film begins with two astronauts (Collins, Hampton) encountering a UFO in orbit while launching a military satellite. The satellite collides with the UFO, causing an explosion and killing a third astronaut in the cargo bay who had been watching the satellite's progress. But the UFO makes a surprisingly controlled landing in the Arizona desert, thus necessitating its quick removal and forcing the president's chief of staff (Vaughn, an absolutely steely performance) to concoct a cover story to avoid serious damage to his boss's chances for re-election.
Naturally, both Collins and Hampton are fingered by Vaughn and his staff for blame in the incident. This forces them to gather hard evidence to clear themselves, but it also means that they'll be pursued by government agents the entire way. Meanwhile, at Hangar 18, located at an air force base in Texas, a team of scientists, led by McGavin, are learning everything they possibly can about the UFO and its alien occupants. What they find about those aliens is how uncannily similar they are to humans.
Despite the film's technical imperfections, HANGAR 18 is still a pretty good and speculative science fiction film from Sunn Pictures, the same Utah-based film company that was known for making speculative documentaries during the 70s and early 80s. McGavin is at his usual best, as he was in the 1972 TV film THE NIGHT STALKER. In terms of plot, HANGAR 18 seems to use Watergate as a starting point and then mixes in elements of Kubrick's 2001: A SPACE ODYSSEY and Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND. And although it is hardly on a level with those two great movies, it nevertheless works because of the approach it takes to the debate not only over UFOs in our present day but also the possibility that visitors from another world have visited Earth before.
The film begins with two astronauts (Collins, Hampton) encountering a UFO in orbit while launching a military satellite. The satellite collides with the UFO, causing an explosion and killing a third astronaut in the cargo bay who had been watching the satellite's progress. But the UFO makes a surprisingly controlled landing in the Arizona desert, thus necessitating its quick removal and forcing the president's chief of staff (Vaughn, an absolutely steely performance) to concoct a cover story to avoid serious damage to his boss's chances for re-election.
Naturally, both Collins and Hampton are fingered by Vaughn and his staff for blame in the incident. This forces them to gather hard evidence to clear themselves, but it also means that they'll be pursued by government agents the entire way. Meanwhile, at Hangar 18, located at an air force base in Texas, a team of scientists, led by McGavin, are learning everything they possibly can about the UFO and its alien occupants. What they find about those aliens is how uncannily similar they are to humans.
Despite the film's technical imperfections, HANGAR 18 is still a pretty good and speculative science fiction film from Sunn Pictures, the same Utah-based film company that was known for making speculative documentaries during the 70s and early 80s. McGavin is at his usual best, as he was in the 1972 TV film THE NIGHT STALKER. In terms of plot, HANGAR 18 seems to use Watergate as a starting point and then mixes in elements of Kubrick's 2001: A SPACE ODYSSEY and Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND. And although it is hardly on a level with those two great movies, it nevertheless works because of the approach it takes to the debate not only over UFOs in our present day but also the possibility that visitors from another world have visited Earth before.
I was flipping through, looking for something to watch & I came across this movie.I'm not normally into movies about outer space, UFO's & stuff like that but after seeing all the names that were in it, Gary Collins, Robert Vaughn, Joseph Campanella but most of all, Darren McGavin (Sorry if I forgot anybody else) I knew I had to check it out.Hangar 18 turned out to be pretty good (Kinda makes you wonder, what do they know that they don't want us to know? Know what I'm saying?) It was interesting to see the outside & inside of the ship, everybody trying to figure out how & what made it work, the 2 astronauts who were accused of causing the accident trying to clear their names & the officials doing everything they can to keep the UFO under wraps.The best part of the movie had to be the ending, the twist within a twist.I also read on IMDb that in 1983 Hangar 18 was released under the name Invasion Force which had an alternate ending.I wouldn't mind seeing the alternate ending but if I don't, no bother.Hangar 18 isn't a movie I'd buy but it is worth watching, if you're a fan of extraterrestrial movies or not
This movie is the first "government conspiracy" flicks I ever saw and frankly it spooked me at the time. The story about the accidental encounter with aliens and the consequent cover-up and framing of the astronauts was as eerie as any later X-Files show. Remember this movie came out in 1980, the only other movie with the concept of government cover-ups at the time was Capricorn One. I'm glad it was made in 1980, if it was done today it wouldn't have had the same punch.
Consider some of the flying saucer films we have seen over the years. The occupants speak perfect English, often with American accents to boot.
In this film we never get to see the aliens; they have a kind of Satanic presence. Instead we have a control panel that displays photographs of military and civilian installations, weird hieroglyphics, and a synthesised voice that speaks an unknown language. Now that is much better than a couple of humanoids with detectable Boston accents who carry away chloroformed females to father the next generation when they get them home.
Robert Vaughn sheds his affable Man from UNCLE image and makes a vicious government agent.
This is the only UFO film that I have ever taken seriously.
In this film we never get to see the aliens; they have a kind of Satanic presence. Instead we have a control panel that displays photographs of military and civilian installations, weird hieroglyphics, and a synthesised voice that speaks an unknown language. Now that is much better than a couple of humanoids with detectable Boston accents who carry away chloroformed females to father the next generation when they get them home.
Robert Vaughn sheds his affable Man from UNCLE image and makes a vicious government agent.
This is the only UFO film that I have ever taken seriously.
Wusstest du schon
- WissenswertesShown on NBC-TV in 1983 (in the wake of the network's highly popular "V" miniseries) as "Invasion Force." This version featured an alternate ending.
- PatzerToward the end of the film, Lew and Steve (the heroes) are driving a gasoline truck, being chased by two government agents. Lew takes a signal flare and goes to the rear of the truck, dumping a large gasoline slick, shutting off the gas flow, then lighting the flare and throwing it on the slick, causing a fire that kills the two agents. The problem is, Lew throws the flare about three seconds after shutting off the gas. The truck is traveling at least fifty miles an hour... meaning that it would have put at least 200 feet between itself and the slick. Lew would have to throw the signal flare 70 yards, with perfect accuracy, for this trick to work. His throw clearly wouldn't carry the flare more than ten or twenty feet.
- Zitate
Steve Bancroft: Are you all right?
Lew Price: I'm fine, but the seat covers are ruined!
- Alternative VersionenAired on TV under the title "Invasion Force" with a different ending.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Hangar 18?Powered by Alexa
Details
Box Office
- Budget
- 11.000.000 $ (geschätzt)
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen