Ausbruch der 28

Whereas many supposedly modern films such as `Saving Private Ryan' play along a clear black - and - white scheme (us = good decent chaps, Germans inhuman war robots), `The McKenzie Break' goes down a different path; neither of the central characters is readily likeable or even understandable. Captain Jack Connor is an Irishman fighting on the side of the British Army, a maverick by his personality and origin and yet a representative of the status quo. His antagonist Kapitän Willi Schlüter is a fanatical Nazi, yet we unwillingly sympathize with him because, young and sharp - witted, he is a prisoner desperately trying to break free.

Because the film does not force a constructed morality on the viewer, it is truthful and keeps us in suspense; we are never able to predict the ending or even the next turn of events. `The McKenzie' break is truly a neglected gem, an honest, engaging and intelligent movie that stands out among its genre.

An interesting war film that differs from others in a number of ways. Firstly,the plot concerns German prisoners of war held in a POW camp in Scotland planning an escape. While many films have featured Allied POWs, it's quite rare to find one that focuses on Germans held in captivity (Hardy Kruger as "The one that got away" is another example). Secondly, the Germans actually speak in German as opposed to some studio manufactured pidgin English. This adds a welcome note of authenticity so often missing from big name war movies made around the same time. The cut that I've seen on British TV was certainly subtitled. I note that another reviewer had the misfortune to watch a non-subtitled version - he has my sympathy! Another interesting point is that - in a subplot - the film has a gay German POW being persecuted and subsequently murdered by his own compatriots. Whether this actually happened and how much of the film is based on fact I'm not sure. However, the Nazi persecution of homosexuals is well-documented, but not often seen on the screen. It must have been a fairly bold move for a film made in 1970 to address this. There are some loopholes, but it remains well-acted and intriguing.

An irish intelligence officer (Keith) has been given the unwanted task of figuring out what is going on in a british P.O.W. camp for german officers. He suspects the captives, under command of a submarine captain (Griem) are planning a major prison break, and during his investigation has several confrontations with his german counterpart. Brian Keith gives us one of his best performances opposite Helmut Griem (also memorable) in this suspenseful and highly original World War II drama. If you enjoy realistic war movies that doesn't deal with "guys on an impossible mission", you should love the underrated McKENZIE BREAK.

Awesome , tense warlike movie with memorable images and outstanding acting by some well-known faces . This is a splendid film that succeeds largely because of particularly nice interpretations , it deals with a daring breakout from inescapable Scottish concentration camp carried out by Nazi officers incarnated by a good star cast and magnificently realized by Lamont Johnson . It's partially based on facts adapted by William Norton from a bestselling written by Sidney Shelley titled ¨The Bowmanville break¨ . The continuous escapes have caused the British staff ordered 'putting all the rotten eggs in one basket' as the officer prisoners are reunited into a special concentration camp called McKenzie , being commanded by a hard-drinking Major Perry (Ian Hendry) who efforts to stifle riots of the wily Nazis . Irish Intelligence captain named Connor (Brian Keith) , a special troubleshooter , is sent by General Kerr (Jack Watson ) to Scotland for resolving conflicts in the problematic camp . Connor suspects astute captain Schlueter (Helmut Griem) of being the mastermind behind the scheme about a mass escape and he is supposed to stop the action . It deals with hard preparatives of a diverse group formed by Doenitz's U-boat officers and Luffwaffe air officers and soldiers mounting a dangerous getaway from a barbed-wired and strongly controlled camp . The most part of the film concerns on the elaborated process of secretly digging an underground tunnel and the last one deals with spectacular breakout and effort the approx. twenty and some escaped prisoners throughout Scotland trying to make their bid to freedom .

This exciting story contains thrills, intrigue, tension, excitement galore, entertainment and lots of fun . Suspenseful WWII drama about a concentration camp from a German point of sight , it packs exceptional plethora of prestigious actors as British as German incarnating the motley group of POWs , all of them giving good acting and support , as Helmut Griem as U-boat Squadron leader who plans the massive breakout as Ian Hendry as serious Major and of course a sensational Brian Keith whose character , an arrogant Intelligence officer is sent to foil the getaway attempts . The picture belongs to a genre that has given classics as ¨The great escape¨, ¨Stalag 17¨, ¨Escape from Colditz¨, ¨Escape from Sorbibor¨ and many others . Colorful, atmospheric cinematography by Michael Reed , Hammer Production's usual ; it is shot in Ardmore Studios, Herbert Road, Bray, County Wicklow,Ireland ,Santa Monica, California, USA ,Turkey and photography being perfectly remastered . Excellent production design and art direction with evocative sets from concentration camp and barbwire . Rousing and lively soundtrack by Riz Ortalani . This well executed motion picture is well directed by Lamont Johnson . Rating : Two thumbs up , essential and indispensable watching , a real must see for its strong characterizations and interesting issues .

Brian Keith is well-cast as an Irish-born Army Captain with the British forces during WWII who is penalized for some indiscretions and busted down to Intelligence Officer at a prisoner-of-war camp in Scotland; the German inmates there take their orders from a megalomaniac Nazi Kapitänleutnant, who is supervising the digging of a tunnel underneath the barracks to freedom. Although ultimately let down by the lax editing and the careful if plodding pace, this is a well-realized vision of wartime behind barbed wire. The picture runs too long and has some beleaguered plot-threads (such as the sacrificial homosexual), though the match of wits between adept, assured Keith and smug, shrewd Helmut Griem is riveting. The locations (via Ireland and Turkey) give the film a vivid and unique look, and screenwriter William Norton's dialogue is extraordinarily direct. The finale is somewhat dragged out (and far-fetched in the bargain), yet it provides for a satisfying, sardonic close. **1/2 from ****