Der 27. Tag

Grossly undervalued, under-marketed and overlooked piece of Scifi. Intellectually right up there with THE DAY THE EARTH STOOD STILL and presenting in some ways many of the inter-racial and socially irresponsible foibles that human-kind finds so entrenched. Made at a time of the escalating Cold War, the film unashamedly picks its sides but hey, its an American production!

I saw the film on its initial release when I was just 12, I could hardly then lay claim to knowledge of all things political, but I KNEW a good film when I saw one. In the viewings since (and it is shown way too infrequently on cable) I have come to admire its message and inherent brilliance.

An alien civilisation whose planet is pretty much the next dead thing (WAR OF THE WORLDS, THIS ISLAND EARTH, etc) looks to speed up destruction of the human condition by giving a representative of each of the five super-powers the ability to eradicate life in totality. For the purpose, an alien drops in with a few vials of 'wipe-out' and hands them out to the chosen five before retiring to the referee's corner to watch the game.

Gene Barry, who played it so cool in WAR OF THE WORLDS is the US agent with the chiselled chin and all the right accreditation. The supporting cast are all good and with hands-on direction, about the only thing to let it down are the micro-cosmic budget-restrictions. It remains though a classic film of the genre and is deserving of a much higher profile than that it currently enjoys. Probably due for a remake about this time.

One of those 1950s sci-fi movies that plays out as a kind of morality play. Five people from all over the planet are taken on a UFO and provided with a mega-weapon as a kind of experiment to find out if mankind will destroy itself in a month. When they're returned, each adopts a different method to cope with their newfound powers. Inevitably this soon adopts a Cold War bent and builds to a climax with incredible - not to mention eyebrow-raising - implications. This reminded me of a TWILIGHT ZONE story.

I liked this movie. It was your typical lets see if human beings act like they have any sense if given the power to act otherwise because if they mess up the Aliens will destroy us movie. But what was different was the solution. What the alien really wanted us to do. And that is what puts this movie above the usual movies in this genre. What I didn't like is the cop out roles they gave the 2 females. I am not going to tell what they did but I was highly disappointed. Why even have the two females in the movie if they were going to do what they did. I guess they needed a love interest for Barry. The actor who played the evil Soviet was very good. He was very scary. Barry played his usual laid back self. Don't expect special effect. This is more of a morals story then a Sci Fi movie IMO.

1957's "The 27th Day' remains a seldom seen Columbia effort made on an obviously low budget without much in the way of special effects. Five people from different nations are chosen at random by a being from another world who identifies himself only as The Alien (Arnold Moss), his world dying but seeking to colonize the earth to survive. As their species abhors violence they need reassurance that mankind can put a stop to their self destructive tendencies, and to that end each of the five is given a small container with three capsules each, capable of wiping out all human life within a 3000 mile radius (the bombardment of radiation has no effect on plants or animals). Granting them the power of life and death, The Alien releases his captives unharmed, the five all facing difficult challenges ahead for they have only 27 days to use these tiny weapons before they are automatically deactivated. The Chinese girl, plucked from a burning village and without hope, takes her own life thus rendering her capsules useless. The Russian soldier is tortured by his superiors to reveal his secrets, the Soviet leader (Stefan Schnabel) eager to force the West to withdraw from Europe and Asia or face obliteration. German professor Klaus Bechner (George Voskovec) flies to Los Angeles for an important conference, only to hear a devastating worldwide broadcast by The Alien revealing the names of all five people in possession of the deadly capsules, injured by a speeding car and having his capsules confiscated by the United States government during his convalescence. Residing in Los Angeles is hot shot reporter Jonathan Clark (Gene Barry), swiftly going into hiding at a nearby race track after reuniting with English Rose Eve Wingate (Valerie French), the only recipient who immediately threw her capsules away into the ocean. Learning that an innocent man thought to be Clark was killed by a panicked mob, the pair decide to give themselves up to find a solution with Prof. Bechner's invaluable assistance, only 12 days left. The viewer is put in the position of wondering what to do in such a situation, and in the hands of comedy specialist William Asher things remain on a commendably serious level (Asher graduated from features to television, at the helm for BEWITCHED, starring his then-wife Elizabeth Montgomery). The ending is a bit too convenient to be credible but at this point adult sci fi was relatively rare, a welcome change from the more juvenile antics of something like "The Giant Claw." Good roles for reliable players like Paul Birch as the Admiral, Mel Welles as a Russian Marshal, and Paul Frees (seen as well as heard) as a newscaster, but Arnold Moss steals the film. A ubiquitous presence on television who did relatively few features, Moss is instantly recognizable by his Shakespearean voice, best remembered as Anton Karidian in STAR TREK's "The Conscience of the King."

Five Earthlings from different countries (including Gene Barry of "War of the Worlds" and lovely English actress Valerie French) are kidnapped by a Klaatu-like alien who gives each of them a palm-sized transparent case containing three silver capsules. The capsules have the power to make millions of humans vanish, without harming animals or causing destruction.

The alien's race desperately needs the planet Earth, but they are morally opposed to conquering it, so they give the war-pron Earthlings the ability to finish themselves off without devastating the planet in a nuclear war.

Don't expect any special effects except for two brief clips from "Earth versus the Flying Saucers", one space scene from "The Day the Earth Stood Still", and a small-scale test of the alien weapon. But the interior of the spacecraft is nicely done. This is an intelligent and uplifting movie, done on a small budget, although it's a bit too talky and actionless for some taste. John Mantley wrote both the screenplay and the original novel. In the novel the capsules had a somewhat more far-reaching (and disturbing) effect on humans than they do in the film. [Originally co-billed with "20 Million Miles to Earth"]