Immer wenn er Dollars roch

This film is all in the how. Dead Heat On A Merry Go Round casts James Coburn as one ruthless and amoral ex-convict who has no plans to go straight by any means. In fact he's got a score lined up on the outside that some like James Westerfield thinks he's absolutely nuts to even try. Coburn's so anxious to get out he successfully uses and seduces his prison psychiatrist Marian McCargo to get an early release.

In earlier times the lead in a film like Dead Heat On A Merry Go Round would have been played by a charming rogue type like Tyrone Power, Robert Montgomery, Douglas Fairbanks, Jr., even Errol Flynn whose real life persona as a seducer would have worked in the lead. One of the elements I found interesting was that James Coburn who has played some really deadly killers on the big and small screen only broke hearts in this film. But he's just as deadly with them as with heads.

Coburn's scheme is to rob the bank at Los Angeles International Airport while the Russian premier was arriving for a state visit. I believe the premier would have been Alexei Kosygin at the time of Dead Heat On A Merry Go Round. Of course that's going to bring law enforcement on all levels out in force at the airport. But that's the whole idea, Coburn's going to make all the extra security precautions work for him.

The whole last half of the film is the caper itself and it's one intricately plotted affair. Here's one big hint as far as the film goes. Remember some of James Coburn's early roles. As part of the plan he has to adopt the accent of a foreigner, a nationality he had played successfully on the screen before. He pulls it off beautifully.

I would also note the performance of Carmilla Sparv, the beautiful woman he actually marries and who he uses unwittingly to help case the airport before robbing it and of Robert Webber the very nervous State Department official who is truly relieved that its only a robbery taking place and not some incident involving a visiting head of a foreign government.

If you like intricately plotted caper films you will absolutely adore Dead Heat On A Merry Go Round.

"Dead Heat on a Merry-Go-Round" is a fun film, especially if you remember the '60s. It looks just like a movie from the '60s too - beautiful women, casual sex, calling the cops "the fuzz," and as everyone else has mentioned, Harrison Ford as a messenger. Blink and you miss him.

James Coburn plays a man of many names and professions who needs to raise $90,000 to buy building plans of a bank next to the airport so that he can commit a robbery.

He gets it by seducing women, making copies of their keys, and then robbing them. Once he has the plans, he and his cronies decide to rob the bank the day the Soviet premier is due at the airport.

This film really held my interest, and it had some very tense moments toward the end of the film. James Coburn does a wonderful job in the lead, and there's nice acting in a supporting role by Robert Webber as the self-important head of the security force at the airport.

Camilla Sparv, as one of Coburn's women, received some big publicity in the '60s, but her U. S. career never went anywhere.

Great twist ending. Baby boomers will get a kick out of this one.

FIRST: Let us FOCUS on the Titles's Content and Context....´

In retrospect, I'll bet that when I bought this on DVD a few years ago, it had been re-released because of Harrison Ford's uncredited screen debut as a Bellboy (Although he was 23 when DEAD HEAT was filmed, he does look like a 19 year old "boy"!)

Ahhhh, There's the Rub! The FORD debut is precisely the reason I decided to purchase it! Well, also because I had seen it twice during its theatrical release at the age of 18 and enjoyed it immensely. Recently, I began compiling a list...."Movies that stand the test of time!", and I can assure you, most whole-heartedly, DEAD HEAT won't be on it!!!

This film is extremely dated, both in thematic and in stylistic terms. Even the dialog is peppered with terms you probably haven't heard in ages, like "The FUZZ", for example! (For those of you under 50, "The Police") Although, as usual, James Coburn's screen persona is delightful to watch, there are quite a few occurrences depicted here that stretch suspension of disbelief to the breaking point. Perhaps not so much way back in 1966, but certainly now, half a century later! Coburn's character, Eli Kotch, seems to be 100% impervious to Murphy's Law. Everything goes exactly his way, every single time! In Spanish we say, "Mucha Pelicula!", ...."Just TOO much Movie"!

Despite some real heavyweight talent in the cast, like Aldo Ray, Robert Webber and Rose Marie, the mostly lackluster dialog makes for rather non-memorable performances all around. DEAD HEAT does have a number of interesting moments sprinkled throught its 100+ minute duration, but for a 2015 viewing, I would hesitate to recommend it other than to viewers pining for a little mid-60's Nostalgia!

Any comments, questions or observations, in English o en Español, are most welcome!

This crime movie was only "fair," not worth owning if you are a collector, but worth checking out if you are a James Coburn fan. The title is a lot better than the story.

This is another of those mid-60s films that was Hollywood-in-transition, meaning it was just a year or so away from abolishing any moral codes. Here, we see casual sex accepted as okay and the bank robbers portrayed as the good guys, even though they are anything but good.

The female lead, Camilla Sparv, was a strange-looking lady who never really made it as a star. One can see why. It's also interesting to hear the language of the period with the police being called "the fuzz," etc.

James Coburn is fun to watch, but the rest of the cast is unmemorable, except that it marked the film debut of Harrison Ford, who plays a messenger boy in one quick scene. Other than that, the film provides few noteworthy memories which is probably one reason why there are so few reviews of this here.

Seeing this heist film made me yearn for the no-nonsense efficiency of Kubrick's classic The Killing (1956). I can't recall any other heist film that generated absolutely no tension or suspense the way this one does. Instead the screenplay is cluttered with parts that fit together about as well as a bombed-out house. Writer Girard treats connecting threads as a needless distraction, which I guess we're supposed to take as the mark of European sophistication, 1960's style. Instead, we're treated to the wolfish Coburn's irresistible way with women, something about a Soviet premier on a visit, nameless guys who sort of appear and reappear leaving few tracks, and something about getting money from a bank after it's closed. The idea is to toss them all into the air and see how they come down.

Now, it might be argued that the movie is not really a heist film at all. That it's really not a genre film despite superficial appearances. Rather, the robbery and its planning are merely events leading up to some kind ironic point in the end about Eli outsmarting himself. Or some such more general point than merely a heist film. Okay. But the same general problem remains—the movie's just too slow and disjointed to hold interest regardless how it's defined.

Despite all, there are several redeeming features. There's ditzy Nina Wayne (Frieda) looking and sounding like her sexy sister Carol doing one of her hilarious bits on Johnny Carson's Tonight Show. Then there's the LA airport looking like a giant spider that's decide to squat on the city. And for old movie fans, it's an easy gig for Aldo Ray who gets marquee billing and about three lines of dialog. And finally, there's the neat twist ending—too bad this flash of inspiration is so slow in coming. In my book, it's one of the disappointing crime films of its time.