IMDb-BEWERTUNG
7,0/10
3605
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn 1800s English gentleman thinks his lover is a killer.An 1800s English gentleman thinks his lover is a killer.An 1800s English gentleman thinks his lover is a killer.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 4 Oscars nominiert
- 1 Gewinn & 5 Nominierungen insgesamt
Olivia de Havilland
- Rachel Ashley
- (as Olivia deHavilland)
Chet Brandenburg
- Townsman at Church Service
- (Nicht genannt)
Margaret Brewster
- Mrs. Pascoe
- (Nicht genannt)
Argentina Brunetti
- Signora
- (Nicht genannt)
Hamilton Camp
- Philip - Age 15
- (Nicht genannt)
James Fairfax
- Servant
- (Nicht genannt)
Robert Haines
- Townsman at Church Service
- (Nicht genannt)
Lumsden Hare
- Tamblyn
- (Nicht genannt)
Nicolas Koster
- Philip - Age 10
- (Nicht genannt)
Alma Lawton
- Mary Pascoe
- (Nicht genannt)
Ola Lorraine
- Pascoe Daughter
- (Nicht genannt)
Empfohlene Bewertungen
Philip Ashley (Richard Burton) is a brash young man in this Gothic tale. When Cousin Ambrose writes to him that his wife is slowly killing him, he accepts it without question...even though it's very possible Ambrose was not in his right mind. After all, his father died of a brain tumor...perhaps this is causing Ambrose to compose these weird letters. Regardless, Philip is pre-disposed to hate Ambrose's wife, Rachel (Olivia de Havilland). Philip rushes to Italy to see his cousin but the man was dead and buried by the time he arrived. His widow was not there and Philip immediately leaves to return to his estate.
Out of the blue, Rachel arrives at Philip's estate soon after this. Inexplicably, he almost immediately likes her and just assumes the letters were the ramblings of a madman. While this could be true, Philip's change of heart betray him as a very immature sort of young man. And, when he falls for Rachel and wishes to marry her, you wonder....is this a marriage made in Heaven or a prelude to his soon descent into Hell? Regardless, it soon becomes apparent that Philip has some serious issues!
When Ben Mankiewiecz introduced this film, he indicated that many thought Richard Burton was miscast as Philip because he was too old...though he was only 26. He just happened to look older and the part called for a young many about to turn 25. Burton's performance earned him an Oscar nomination--oddly, for Best Supporting Actor even though he was in every scene and clearly was the star. His performance is full of power and intensity...perhaps too much at times for my taste.
This movie is in many ways very reminiscent of the earlier film "Suspicion" which, interestingly, starred de Havilland's sister (Joan Fontaine). It keeps you guessing as to Rachel and her innocence...as well as Philip's sanity. Well made and interesting.
Out of the blue, Rachel arrives at Philip's estate soon after this. Inexplicably, he almost immediately likes her and just assumes the letters were the ramblings of a madman. While this could be true, Philip's change of heart betray him as a very immature sort of young man. And, when he falls for Rachel and wishes to marry her, you wonder....is this a marriage made in Heaven or a prelude to his soon descent into Hell? Regardless, it soon becomes apparent that Philip has some serious issues!
When Ben Mankiewiecz introduced this film, he indicated that many thought Richard Burton was miscast as Philip because he was too old...though he was only 26. He just happened to look older and the part called for a young many about to turn 25. Burton's performance earned him an Oscar nomination--oddly, for Best Supporting Actor even though he was in every scene and clearly was the star. His performance is full of power and intensity...perhaps too much at times for my taste.
This movie is in many ways very reminiscent of the earlier film "Suspicion" which, interestingly, starred de Havilland's sister (Joan Fontaine). It keeps you guessing as to Rachel and her innocence...as well as Philip's sanity. Well made and interesting.
Thanks to an excellent cast, lavish production and a screenplay that remains remarkably faithful to the novel, Daphne du Maurier's romantic suspense novel _My Cousin Rachel_ becomes a very effective film. Ever-elegant Olivia de Havilland displays just enough cool reserve and mystery as the ambiguous title character, while the young Richard Burton is appropriately brooding as he falls under her spell even though he half believes her to be a murderess. Fans of gothic romance will enjoy the period setting and the Cornwall location as well as the suspenseful, surprising plot, which resolves in an ending you will want to talk about with everyone you know.
As others have pointed out over the years, Richard Burton does indeed seem too mature and experienced for his character's naïve infatuation with his cousin Rachel, played by Olivia de Havilland. But his performance, his first starring role in an American film, still is accomplished and has the power and gradual evolution to make the film mildly effective, despite a few other shortcomings. Like Hitchcock's Rebecca, the other 'Cornwall estate mystery' adapted from a Daphne de Maurier novel, My Cousin Rachel doesn't quite flow. It's almost as if the many psychological aspects of the story and the characters were too complex for the filmmakers to convey, and so they simplified and rushed many of them. This gives the picture an academic, somewhat distanced feel, and only occasionally does the mystery and the love story really come alive with full force. Another problem is that Olivia de Havilland, for all her beauty and technical skill, lacks the sexual magnetism and seductiveness which would help explain why a young, inexperienced man would become so mesmerized by her. There's a miscalculation in the casting here, and director Henry Koster is never quite able to disguise and make up for it. Peculiarly, Burton was nominated for an Academy Award in the 'Best Supporting Actor' category despite being in virtually every scene in the movie. Remade in 2017 with Rachel Weisz as the title character.
Richard Burton falls for his uncle's widow in "My Cousin Rachel," a beautifully produced 1952 movie starring Olivia de Havilland in the title role. Burton is Philip Ashley, whose beloved uncle Ambrose moves to Italy for his health, marries a widow, and dies of a brain tumor...or did he? Philip is very suspicious of his uncle's wife and the doctor she brought in to care for her husband, Rainaldi. de Havilland plays the widow Ashley who comes to visit Philip and quickly makes him regret his doubts, as he falls madly in love with her.
This is a highly atmospheric, well acted film with a very intriguing story that keeps the viewer guessing as to the true character of Mrs. Ashley. Is she a greedy, conniving seductress/killer, or a warm, loving woman? Several movie stars have demonstrated the ability of doing period pieces realistically, and Richard Burton was definitely one of them. Handsome, romantic, and boyish in appearance, with a wonderful voice and fine acting ability, he brings Philip to life with a passionate performance. Olivia de Havilland is magnificent as Rachel - hers is a subdued, gentle performance that gives nothing away as to Rachel's true character or motivations. The attraction between the two is entirely believable.
The final moments of the film are its best. Highly recommended.
This is a highly atmospheric, well acted film with a very intriguing story that keeps the viewer guessing as to the true character of Mrs. Ashley. Is she a greedy, conniving seductress/killer, or a warm, loving woman? Several movie stars have demonstrated the ability of doing period pieces realistically, and Richard Burton was definitely one of them. Handsome, romantic, and boyish in appearance, with a wonderful voice and fine acting ability, he brings Philip to life with a passionate performance. Olivia de Havilland is magnificent as Rachel - hers is a subdued, gentle performance that gives nothing away as to Rachel's true character or motivations. The attraction between the two is entirely believable.
The final moments of the film are its best. Highly recommended.
This film, based on the Daphne du Maurier's novel is practically unknown, as it appears to have been forgotten; it never turns on reruns, but it's worth a look nevertheless.
"My Cousin Rachel" was directed by Henry Koster, based on the adaptation by Nunnally Johnson, who did a good job in creating the right atmosphere for the film. The great cinematography of Joseph LaShelle enhances what the director set out to do in more ways than he probably imagined. Mr. LaShelle was one of the most elegant cinematographers of that era. Just look at his seascapes to appreciate his art.
This film marks the beginning of Richard Burton's career in the American Cinema. While it was not his first film, the actor brought such an intensity to his role that earned an acting nomination for best supporting actor. He should have been nominated as the best actor, since his role is the whole movie!
Olivia DeHavilland makes an excellent Rachel, at times loving, at others sly and calculating. She had a special beauty. Her eyes express a lot in her close ups. Ms. DeHavilland was totally convincing in her take of this woman who comes back to claim her inheritance when everything is taken away from her.
The rest of the cast is good as they play in ensemble fashion. Audrey Dalton makes a lovely Louise, the loyal friend. Also John Sutton, who unfortunately doesn't stay around too long to make justice of his role of Ambrose.
As a Gothic mystery, this film will not disappoint.
"My Cousin Rachel" was directed by Henry Koster, based on the adaptation by Nunnally Johnson, who did a good job in creating the right atmosphere for the film. The great cinematography of Joseph LaShelle enhances what the director set out to do in more ways than he probably imagined. Mr. LaShelle was one of the most elegant cinematographers of that era. Just look at his seascapes to appreciate his art.
This film marks the beginning of Richard Burton's career in the American Cinema. While it was not his first film, the actor brought such an intensity to his role that earned an acting nomination for best supporting actor. He should have been nominated as the best actor, since his role is the whole movie!
Olivia DeHavilland makes an excellent Rachel, at times loving, at others sly and calculating. She had a special beauty. Her eyes express a lot in her close ups. Ms. DeHavilland was totally convincing in her take of this woman who comes back to claim her inheritance when everything is taken away from her.
The rest of the cast is good as they play in ensemble fashion. Audrey Dalton makes a lovely Louise, the loyal friend. Also John Sutton, who unfortunately doesn't stay around too long to make justice of his role of Ambrose.
As a Gothic mystery, this film will not disappoint.
Wusstest du schon
- WissenswertesRichard Burton's posthumously-published diaries reveal that he accepted the role of Philip in this film because it was being planned as a comeback vehicle for Greta Garbo under the direction of his friend George Cukor, whom he regarded as one of the great Hollywood directors. He claims that Garbo personally told him she would only do the film with him as her leading man. After negotiations with both Garbo and Cukor fell through (Garbo never made another film, and Cukor was replaced by Henry Koster and he and Burton never worked together), Burton remained attached to the project, which was re-fashioned as a vehicle for Olivia de Havilland. Burton claims that de Havilland was impossibly arrogant following her recent Oscar win for Die Erbin (1949), insisted on having sole above-the-title billing, and would not allow anyone to address her by her first name, only by "Miss de Havilland". He found this state of affairs preposterous and was rude about her for the rest of his life whenever the film (which he also disliked) came up in interviews.
- PatzerAmbrose's death is recorded as 1832 on his gravestone. Within a few months Philip, Rachel and others are shown celebrating Christmas in front of a decorated tree. The Christmas tree was not introduced into England until 1840 by Prince Albert.
- Zitate
Philip Ashley: Because I love her and nothing else! It isn't a little loving. It isn't a fancy. It isn't something you'd turn on and off. It's everything I think and feel and want and know. And there's no room in me for anything else. And never will be again.
- VerbindungenFeatured in Great Performances: Richard Burton: In from the Cold (1988)
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- Mi prima Raquel
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- Budget
- 1.200.000 $ (geschätzt)
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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