Touch - Der Typ mit den magischen Händen

`You are an odour in the nostrils of God,' jabbers religious zealot August Murray (Tom Arnold). He is damning sometime revivalist Bill Hill's (Christopher Walken) cynical marketing of Christ-like figure Juvenal (Skeet Ulrich essentially playing Edward Scissorhands minus the blades). Hill wearing a glitzy gold jacket and an enormous `Thank You Jesus' necklace sees a book deal and a slot on the awful Debra Lusanne Show (Gina Gershon superb at mimicking Ricki Lake with a snarl) for the innocent healer, who has stigmata on his rib cage.

In lesser hands than Paul Schrader, Elmore Leonard's non-crime novel could have become an overwrought toil in the evils of America's salacious media. However, Touch is actually a wryly amusing and unhurried look at faith and exploitation. The histrionics and belly laughs are bestowed upon the cameos, who obviously capture the best lines: `Do they make condoms that protect the soul' (Arnold) and `Controversy is the oxygen I breathe' (Gershon). Ultimately, best savoured on video. --Ben Walsh

Don't be fooled by the subject matter - an ex-monk, who can heal the sick by touching them, but suffers stigmata each time and gets caught up in a whirl of religious fanatics, big-business evangelists and ratings-hungry media - this is a sweet and touching romantic comedy!

Leave it to Paul Schrader to find a way to do some heavy soul-searching without getting heavy-handed, yet always remaining quirky as we know him from his dramas. A wonderful supporting cast (Christopher Walken, Tom Arnold, Janeane Garofalo, Lolita Davidovich and Gina Gershon) adds color and texture to the story without detracting from the quiet chemistry going on between Skeet Ulrich and Bridget Fonda. When Ulrich says without grandeur that he believes in God and miracles, you don't even think twice about it - you believe every word he says at face value. A rare performance.

Interesting characters and a great cast, but the script really left them with nowhere to go. Bridget Fonda was lovely and I will check out her work in other films (last one of hers I saw was Doc Hollywood in 1991). Will also keep a lookout for Skeet Ulrich who brought a nice blend of charm and mystique to the role of the central character. Christopher Walken is competent as usual, but this is not the sort of part I enjoy seeing him play. Tom Arnold did a good job as the obsessed religious fanatic. I found the labeling of this movie as a comedy strange, but it is hard to say how else it should be categorized. It is definitely a subtle and wry brand of humor. I don't think I laughed aloud even once. One thought provoking thing about the movie is that it shows that people can do good things without being wholly good, and bad things without being wholly bad. That may sound obvious, but too often movie characters are one-dimensional. For example if someone is exploitive (especially in a comedy), they also turn out to be evil to the core. A better script with some added time for plot development would have made this a much more satisfying picture.

Elmore Leonard novels tend to deal with sleazy characters operating at the fringes of society. "Touch" is a strange book in that the sleaze bags are presented in a different light. They're not the obvious con men, but they are people that are trying to take advantage of a situation that is perceived as a money producing scheme.

Paul Schrader has adapted and directed, but the essence of the book is somehow elusive by what is presented to us. Yes, we realize that Bill Hill is into making a fast buck if he can sell Juvenal as the miracle worker with supernatural powers. In fact, this theme has been done more successfully in other films.

What the director accomplishes are good performances from his cast. At times the movie feels flat and without a clear direction as where it wants to go; we don't care too much about Juvenal after he loses his 'touch' and he becomes a mere mortal.

Skeet Ulrich is excellent as Juvenal; this actor is always a welcome sight in any movie he is in. Christopher Walken turns a controlled performance as Bill Hill, the man in search of a good con that will do anything to get it done. Bridget Fonda is also low key as Lynn, the skeptical woman who sees good in Juvenal and ends up falling for him. Also very effective is Tom Arnold, the man that wants to take the church into the right path and will stop at nothing to protect his own views.

I don't know Paul Schrader's work or reputation, nor that Elmore guy who wrote the book, just was lookin' for a decent movie to pass the time. This wasn't it, though there were moments of promise including arty credits, intensely colored rooms and a few good "throw away" lines (not to mention that Bridget Fonda did get naked and looked pretty good in clothes anyway). But the story just didn't hold together, the actors were just "acting" someone needed to direct, edit, pace, something! Had to be written by a perceptive ex-Catholic with a few axes to grind, but even that angle didn't work. Doomed to the dust bin of moviedom, I'm afraid.