Sodom und Gomorrha

The performance of Amouk Aimee (Queen Bera) and Stanley Baker(Asthorath) is imposing and quite delightful. Evil but lovable at the same time.

Some people complain that it wasnt about naked lust , and explicit orgies were not shown at all. Really? It was filmed in 1961, a naked picture would have been a scandal!

Instead , the scenes are seductive, filled with tasteful naughtiness that leave everything to some subtle imagination. Mitsuko Takara's dance moves are right on target and she is as seductive as beautiful.

My favorite performances came from Queen Bera and Ildith (Pier Angeli). They steal the show with their stunning beauty and performances. Stewart Grange is a bit dissapointing as Lot. And yes, there are some cheesy moments in the film.

Finally, Miklos Rosza shows why he was the master of musical performances. The soundtrack is worth everything he promises.

The movie is worth every detail. However, it cant be watched with a modern perspective.

With the filming of Sodom and Gomorrah, Stewart Granger began a phase of his career on the European continent. Not that Sodom and Gomorrah is any great film, but it was certainly better than some of those spaghetti westerns he did in the Sixties to pay for his hedonistic life style. Something like the one they allegedly lived down Sodom way.

Of course Sodom and Gomorrah doesn't stick to the biblical version of the tale, but then neither did those DeMille epics, Samson and Delilah and The Ten Commandments. Nor is homosexuality singled out as THE sin that got the Deity all upset that he wanted to destroy the place. Then again it isn't even in the Bible.

Lot as portrayed by Stewart Granger doesn't take just his family there, he leads a whole tribe of Hebrew people there after he parts from Uncle Abraham. Pretty soon he gets all tangled up in Sodomite politics and gets a bit entangled himself with Pier Angeli who is a slave girl to Queen Anouk Aimee.

Villain of the piece is Stanley Baker who always improves every film he was ever in. He's Anouk's brother and he's got the idea he ought to be running things. He's also got an eye for Lot's daughters.

There's a very nicely staged battle sequence with the Hebrews defending the land granted them by Anouk. But the script is definitely out of the Cecil B. DeMille school of arcane Victorian writing.

Still it's entertaining in many respects.

Mammoth, colorful and entertaining French-Italian Biblical spectacle chronicling the wars surrounding--and eventual demise of--the twin cities. Stewart Granger plays Hebrew leader Lot, caught in the middle as his people's village is burned to the ground, leaving just one place left to go: across the lake where the wicked and tempting reside. Battle sequences and an impressive flood are worthy of DeMille, though the melodramatics are just as heavy and silly, with the subtext of sexual evil tiptoed around. Good performances, excellent usage of Moroccan locales, and with an unflagging direction by Robert Aldrich (who reportedly fired his 2nd unit director, Sergio Leone, mid-production). **1/2 from ****

Robert Aldrich has directed an entertaining, though far from serious retelling, of the Old Testament saga. The story starts out sticking close to the original. Lot ( Stewart Granger) decides to split with his Uncle Abraham and take his group of Hebrews on a different route as they make their nomadic way across the desert. Of course they come upon the evil cities of Sodom and Gomorrah. The characters they meet there are bigger than life. The Queen of Sodom is wickedly played by the wonderful Anouk Aimee. She rules the twin cities of the Plain with her leering brother portrayed by Stanley Baker. They both have a ball chewing the scenery and seducing whomever strikes their fancy. The Queen has the eye for young female beauties. Her brother has an eye for both of Lot's daughters. These fun plot additions are distinct divergences from the Old Testament tale. Lot himself falls for the slave girl (Pier Angeli). Royal intrigues and political betrayals run rampant. There are also some good action sequences. One in particular has the Hebrews protecting the cities from invading intruders by destroying a dam they have built inundating their enemies as Moses would do centuries later. Of course, the spectacular finale is the destruction of the cities followed by the Pillar of Salt transformation of Lot's wife. The script writers have left out the tidbit about Lot's own daughters getting him drunk and taking him to bed because they think they are the last people on earth. I guess that was a bit too racy for the audiences in 1962. "Sodom & Gomorrah" came at the tail end of the cycle of biblical spectacles. It certainly wasn't the worst. Its entertainment value includes a superb score by Miklos Rozsa which raises all of the fighting and heavy breathing to a higher level than one would expect.

Not quite sure why I am bothering to right anything about this film here tonight, perhaps to give myself a break from finishing my daughter's ancient history assignment which has all but fried my brain!

Have read the majority of critiques here and with the possible exception of Steve Reeves' impressions which follow this (I think he should stick to playing Hercules!) and which are arguably intelligent, there is not much more to be added. It was neither the best nor the worst of the Biblical yarns but much as I liked it, the latter was nearer the mark. A spaghetti epic was never likely to cause waves at the Academy Awards and so the era came to a halt after this.

Having said all that however, I would like to make these observations. Over the years, so many films have yielded up memorable one-liners, which run the gauntlet of emotions from sad, funny, sicko, to tearful, powerful, even chillingly awesome ("Look behind you Dr Floyd" from 2010!) Lines such as Drax in MOONRAKER, speaking to an underling "Take Mr Bond away and see that some harm comes to him," make it all worth-while. Two lines which remain indelibly ingrained in my head for all time, are that which Charlton Heston (as Moses) speaks atop the rock overlooking the Red Sea in THE TEN COMMANDMENTS, "Behold the power of the Lord" and Stewart Granger as Lot at the very conclusion of THE LAST DAYS OF SODOM AND GOMORRAH when he sees his wife turning round, "Ildith, DON'T look back!" It makes up for every critical aspect of the previous 152 minutes. Both scenes were imbued with a quality that did something extraordinary for me.

Yep THE LAST DAYS OF SODOM AND GOMORRAH was certainly low on sin, script and biblical accuracy but it remained watchable enough, even if the girls (as one contributor quite correctly pointed out) appeared to all have had make-overs from Max Factor! Even the sex angle was highly restrained by comparison to current levels of acceptability. It remains though the ONLY film I ever watched at the local theater 5 days running. OK, so I have no taste? Gimme a break, I was only 15!