IMDb-BEWERTUNG
6,5/10
1676
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn actress disguises herself as a geisha in order to land the lead role in her director husband's film version of 'Madam Butterfly'.An actress disguises herself as a geisha in order to land the lead role in her director husband's film version of 'Madam Butterfly'.An actress disguises herself as a geisha in order to land the lead role in her director husband's film version of 'Madam Butterfly'.
- Für 1 Oscar nominiert
- 1 Nominierung insgesamt
Robert Cummings
- Bob Moore
- (as Bob Cummings)
Tatsuo Saitô
- Kenichi Takata
- (as Tatsuo Saito)
Ichirô Hayakawa
- Hisako
- (as I. Hayakawa)
Junko Aoki
- Geisha
- (Nicht genannt)
Nobuo Chiba
- Shig
- (Nicht genannt)
Marion Furness
- Bob's girlfriend
- (Nicht genannt)
Kazue Kaneko
- Geisha
- (Nicht genannt)
Satoko Kuni
- Maid
- (Nicht genannt)
Mayumi Momose
- Geisha
- (Nicht genannt)
Nariko Muramatsu
- Head waitress
- (Nicht genannt)
Empfohlene Bewertungen
"my geisha" is charming. suspend belief a bit, and one realises how good an actress shirley maclaine is and how convincingly she becomes a geisha.
the movie is fluff. but the attempt to parallel the plot to the libretto of "madama butterfly" is clever and almost successful. edward g.robinson as sharpless; maclaine as pinkerton, and montand as butterfly... it is a very literate attempt to use the sub-plot as the driver for the main plot.
there are moments when one is reminded of a doris day-rock hudson frolic - expected in a comedy from 1962. but there's also a real "edge" that comes from the characters being a little less than saccharine. as has been pointed out, the cinematography is quite sharp. so there is an air of substance to the production, and quality is evident.
in the end, though, one just should enjoy it.
the movie is fluff. but the attempt to parallel the plot to the libretto of "madama butterfly" is clever and almost successful. edward g.robinson as sharpless; maclaine as pinkerton, and montand as butterfly... it is a very literate attempt to use the sub-plot as the driver for the main plot.
there are moments when one is reminded of a doris day-rock hudson frolic - expected in a comedy from 1962. but there's also a real "edge" that comes from the characters being a little less than saccharine. as has been pointed out, the cinematography is quite sharp. so there is an air of substance to the production, and quality is evident.
in the end, though, one just should enjoy it.
Not a great film by any means---the dialogue tends to the wooden, and the plot to the improbable---but, somehow, it is fun to watch. As the movie goes on, Montand and MacLaine seem to warm to their roles, and some of Montand's introspective musings about love, career, and marriage, in the unwitting presence of his wife, are genuinely touching. MacLaine looks quite stunning made up as a geisha, and the location scenes of Japan in 1961 (Kyoto, Tokyo, Miyajima, Hakone) are alone worth the price of admission. Japanese culture is treated with fond respect, not simply with amusement or exotic interest. The speech by the ancient geisha "master" about the idealization of womanhood strays a bit into embarrassing hyperbole, but this is the exception, not the rule, in the film.
Although I only saw this movie once over ten years ago on late night TV,I was struck by the beautiful scenery and the storyline somehow reminded me of James Mason & Judy Garland "A star is born".Shirley Mclaine is a favorite of mine and she managed to imbue the Japanese persona so purely and one could feel Yves Montand frustration and eagerness to achieve success without his wife.I cannot recall much more of this film but I do know that my best friend Maruschka has watched it so many times that her tape copy is wearing out.It is a classic love story. Very hard to find a copy for it and I would love to see it out on DVD.I would then surprise my friend by buying her a copy (and one for me also).Millie
This film is at the top of my "guilty pleasures" list of films; not a great film but one for which I have great affection. I first saw it in the mid 60's when I was a teenager at a Saturday afternoon matinée. Then, I had no idea what the title meant. The word geisha was totally new to me. At that age I would go to a Saturday matinée and watch whatever was offered, and as I watched this film I found myself falling in love with Shirley MacLaine, the music of Puccini's "Madama Butterfly" and Japan. I credit it with starting my abiding interest in and fascination with the culture of Japan and for my making several visits to that country as an adult. I watch it once a year between Christmas and New Year on my now worn VHS tape version. I have been looking forward, in vain, to it's release on DVD which for some reason has yet to happen and to seeing it once again in all its wide screen charm. p.s. Finally, Paramount has condescended to release this film in DVD format and it looks and sounds great.
First saw this movie on TV one afternoon whilst I was off from work.Had always wanted to see it,but after it's release(rather like John Goldfarb),it kind of disappeared.Lucky to catch up with it though,as from the opening credits I was hooked.MacLaine,very young and initially kooky,is marvellous in this film.I guess most people know the plot by now,but for a comedy,it does have it's touching moments,especially at the end.The scenery is superb,the music is great,the costumes colourful and I for one am glad this will receive a DVD release in December.Edward G and Yves Montand are both good in their roles,although I found Bob Cummings just a bit long in the tooth for his part.Altogether a very enjoyable movie and one to watch for if you haven't seen it before.Yes,I know some of it doesn't make sense,but heck,this is a comedy,and wonderful it is too.
Wusstest du schon
- WissenswertesShu Uemura took over the makeup for MacLaine's Geisha role after Michael Westmore fell ill. The international recognition Uemura received for his work enabled him to launch his own cosmetics company.
- PatzerA huge premiere is planned for the movie Lucy is working on mere days after the final scene is shot; in reality, a major film of the magnitude she's starring in would take months for editing and other post-production work.
- Zitate
Kazumi Ito: No one before you, my husband, not even I.
- VerbindungenFeatured in The 54th Annual Academy Awards (1982)
- SoundtracksMADAMA BUTTERFLY
Sequences
Written by Giacomo Puccini, Luigi Illica, Giuseppe Giacosa
Performed by Shirley MacLaine (dubbed by Michiku Sunahara) and Robert Cummings (dubbed by Barry Morell)
Conducted by Franz Waxman
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is My Geisha?Powered by Alexa
Details
- Laufzeit1 Stunde 59 Minuten
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen