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Shirley MacLaine is such fun to watch. She dives into her character body and soul. She leads you on and you follow her. It would be foolish not to. We don't question anything because we're in love with her. This movie is a real rarity.I suspect that Steve Parker, Shirley's husband then and producer of "My Geisha" actually directed this. He chose Jack Cardiff as the director, the great Cardiff one of the top cinematographers of all time -- See "Black Narcisus" for instance -- But, as we all know, a cinematographer is used to work with directors, cinematographers must be artists with a very different kind of ego. What a spectacular way for Steve Parker to direct his movie by proxy. Better plan, impossible. The film is a comedy slash morality tale with a stunning Cardiff like look and a delicious performance by MacLaine. Yves Montand plays her husband. His English is tentative at best but he is unquestionably charming in a clumsy written part. Edward G Robinson is another plus. His character's delight is utterly contagious. Many of my contemporaries are to jaded to enjoy this film, but I've tried it on kids and it works, let me tell you, they love it. Not to mention my parents. So there you are, I guarantee you'll love "My Geisha" if you're young, if you're old or if you're me.

This film is at the top of my "guilty pleasures" list of films; not a great film but one for which I have great affection. I first saw it in the mid 60's when I was a teenager at a Saturday afternoon matinée. Then, I had no idea what the title meant. The word geisha was totally new to me. At that age I would go to a Saturday matinée and watch whatever was offered, and as I watched this film I found myself falling in love with Shirley MacLaine, the music of Puccini's "Madama Butterfly" and Japan. I credit it with starting my abiding interest in and fascination with the culture of Japan and for my making several visits to that country as an adult. I watch it once a year between Christmas and New Year on my now worn VHS tape version. I have been looking forward, in vain, to it's release on DVD which for some reason has yet to happen and to seeing it once again in all its wide screen charm. p.s. Finally, Paramount has condescended to release this film in DVD format and it looks and sounds great.

"My Geisha" never quite manages its transitions smoothly, but they were trying something quite difficult for the period: a comedy with some genuine depth of feeling. They get there in the end, thanks to MacLaine and Montand, but there are a couple of stops along the way. You've read the setup by now, and know that Bob Cummings is playing her leading man, while her husband (Montand) is the Director of his first serious film without his wife's fame to help him succeed. He Has to Do It On His Own. It takes both his wife and his producer much too long to take this seriously, and thereby endanger both marriage and friendship. Because they think he'll come around, or appreciate the joke of her disguise, we do too...until he finally recognizes her. At that point, Montand stops being a supporting player and moves into full partnership. We believe him, and ache for him. We don't believe that "Bob Moore" is his best friend. Cummings' "arrested adolescent" is unfunny and unappealing, and he's given way too much screen time. Edward G Robinson is a pleasure throughout, but a lot of the gags - mixed bathing, sumo wrestling - are fairly condescending and forced in spite of the obvious admiration for Japan and its culture. The scenery is stunning, but there's sadness too in seeing it now. Nobody shoots beautiful films about Japan IN Japan any more; "Last Samurai" was largely shot in New Zealand, "Memoirs of a Geisha" in California. And the undercurrents - the Parker/MacLaine marriage and its eventual dissolution - sometimes haunt the script. Franz Waxman's peppy score keeps preventing us from really believing we're watching a shoot about "Madame Butterfly". When the Puccini music finally arrives, it's marvelous. And when Shirley lip-synchs the aria, she breathes like a singer. Shirley MacLaine went on to prove over and over again that she was more than a kooky comedienne...but at the time this film was made, it was a case of Art imitating Life. It's uneven, but parts of it are definitely worth seeing.

Not a great film by any means---the dialogue tends to the wooden, and the plot to the improbable---but, somehow, it is fun to watch. As the movie goes on, Montand and MacLaine seem to warm to their roles, and some of Montand's introspective musings about love, career, and marriage, in the unwitting presence of his wife, are genuinely touching. MacLaine looks quite stunning made up as a geisha, and the location scenes of Japan in 1961 (Kyoto, Tokyo, Miyajima, Hakone) are alone worth the price of admission. Japanese culture is treated with fond respect, not simply with amusement or exotic interest. The speech by the ancient geisha "master" about the idealization of womanhood strays a bit into embarrassing hyperbole, but this is the exception, not the rule, in the film.

I was reading a Wikipedia article on "yelllowface" in the movies. There was.a long list of examples of the practice, but I was frustrated that My Geisha wasn't listed. I kept reading and found it in a secondary list, probably because the audience is aware of the movie's premise--a great example of the extended use of dramatic irony. I saw it when I was 14; I was already a fan of Shirley MacLaine and was surprised that this comedy had some dramatic depth to it. Some of the location photography is stunning, and it was my first introduction to Puccini's music. Well, I haven't seen it since and probably never will just so I don't have to watch Bob Cummings reprising his "ladies man" routine, which was pretty funny on his tv show but lays a huge egg here. Yves Montand is always a pleasure, as is Edward G. Robinson, playing light for a change. Shirley is pretty good as well. My one bit of praise is for the "revelation scene," which makes a clever use of film technology to wake up the inattentive M. Montand. I think I saw it twice, mainly for the music. If you're an opera fan, you should see.the 1995 film version of Madame Butterfly, which I rate as one of the top five filmed operas.

What on the surface appears to be an improbable plot line becomes increasingly plausible due to the combination of great make up work, spectacular costuming, (Edith Head) and a truly amazing performance by Shirley Maclaine. Crisp, sharp focus, color cinematography, interesting locations and set design, combine with a genuine fondness for Japanese culture resulting in an admirable early 60's comedy/drama.

"my geisha" is charming. suspend belief a bit, and one realises how good an actress shirley maclaine is and how convincingly she becomes a geisha.

the movie is fluff. but the attempt to parallel the plot to the libretto of "madama butterfly" is clever and almost successful. edward g.robinson as sharpless; maclaine as pinkerton, and montand as butterfly... it is a very literate attempt to use the sub-plot as the driver for the main plot.

there are moments when one is reminded of a doris day-rock hudson frolic - expected in a comedy from 1962. but there's also a real "edge" that comes from the characters being a little less than saccharine. as has been pointed out, the cinematography is quite sharp. so there is an air of substance to the production, and quality is evident.

in the end, though, one just should enjoy it.

Shirley MacLaine wastes her many talent in this throwaway movie. She has no chemistry at all with flat-as-a-pancake husband Yves Montand. The plot is ridiculous. Shirley plays a Lucille-Ball-type comedienne who wants her director-husband to take her seriously as an actress. So naturally, when he decides to go to Tokyo to film an authentic version of Madame Butterfly starring a real Geisha girl, she flies there and poses as one, and gets the job. Robert Cummings is too old to play Montand's "guy-type-guy" friend, but does what he can with a thankless role. Edward G. Robinson sleepwalks through his role which is okay because it's meaningless anyway. Unless you want a flavor for how Hollywood depicted Japan in 1962, this is one to avoid.

First saw this movie on TV one afternoon whilst I was off from work.Had always wanted to see it,but after it's release(rather like John Goldfarb),it kind of disappeared.Lucky to catch up with it though,as from the opening credits I was hooked.MacLaine,very young and initially kooky,is marvellous in this film.I guess most people know the plot by now,but for a comedy,it does have it's touching moments,especially at the end.The scenery is superb,the music is great,the costumes colourful and I for one am glad this will receive a DVD release in December.Edward G and Yves Montand are both good in their roles,although I found Bob Cummings just a bit long in the tooth for his part.Altogether a very enjoyable movie and one to watch for if you haven't seen it before.Yes,I know some of it doesn't make sense,but heck,this is a comedy,and wonderful it is too.

Beleaguered, contrived story has Shirley MacLaine playing an over-eager actress determined to star in her director-husband's new picture, the musical "Madame Butterfly". But hubby Yves Montand is indifferent, so Shirl travels to the Orient to audition for him disguised as a geisha girl... it's like an episode of "I Love Lucy" where Ricky doesn't recognize his own wife incognito. MacLaine proves to be so convincing in fact that she gets mixed up in romantic misunderstandings and harried make-up switcheroos (the low-point comes when slimy co-star Robert Cummings puts the moves on the sexy geisha--nearly raping her in the process). Terrible movie has a talented star and top-drawer production values, yet it wastes both on ridiculous material. * from ****

My Geisha is a film that I'm not sure why it is overlooked. Essentially Shirley MacLaine plays two roles in this film. One she's Lucy Dell, a Hollywood Actress not unlike Shirley MacLaine. But with a lot of heavy makeup she's also playing a geisha girl who husband/director Yves Montand picks to star in a film version of Madame Butterfly.

Shirley at that time was married to Steve Parker who lived and worked in Japan and they had one of the weirdest marriages on record. They stayed together almost thirty years, basically because they only saw each other once or twice a year with her living in Hollywood. But this film with Steve Parker producing it for his wife brought them together for a much longer sojourn.

Montand directs his wife's films and she's known as a good comic actress in the profession. He and her perennial leading man Bob Cummings want to do a serious drama, Madame Butterfly, film the Puccini opera with dubbed in singers.

MacLaine and producer Edward G. Robinson go to Japan, Shirley in secret and for a lark she puts on geisha makeup and outfit. Montand and Cummings are so taken with her that Montand hires the geisha that Shirley is pretending to be as the lead in Madame Butterfly.

The masquerade is kept going, but the joke runs into some unforeseen complications for all concerned.

My Geisha glides effortlessly from comedy to drama when the careers and egos of both MacLaine and Montand are on the line. It works out in a highly unusual way. Both Montand and MacLaine do very well by their lead parts with Bob Cummings portraying a wolfish leading man and Edward G. Robinson to dispense wise counsel for all.

It's a very good part for Shirley MacLaine. She summons some hidden depths for the film in portraying the tragic geisha of Madame Butterfly. It's one of her best films.

My Geisha could never, ever be made today, for so many reasons. In addition to it being enormously politically incorrect and offensive, it would also anger every feminist on the planet. In the film, Shirley MacLaine plays an actress married to a director, Yves Montand, but he doesn't really take her career seriously. She's an extremely well-loved and successful actress, but he doesn't think she can carry a drama. When he decides to make a movie of Madame Butterfly, Shirley wants the part. Yves doesn't think she'd be convincing in the role, and to prove him wrong, she decides to don a disguise and audition as an actual Japanese geisha. She tries to learn enough Japanese to get by when real Japanese people talk to her, but most of the time, she just makes offensive sounds and hopes no one will notice. I'm not dissing Shirley; these parts were actually written into the script. Why did anyone think was a good idea?

Besides the obvious offensive aspects of the story, I had trouble with the casting. If the entire point of the movie was that Shirley has to talk in an accent and pretend she barely speaks English, why did they cast someone as her husband who talks in an extremely thick accent and seems like he barely speaks English? I always have a hard time understand Yves Montand, and since many of his lines involve teaching English to Shirley-when she's in geisha-mode and pretends not to understand his English colloquialisms-wouldn't it make sense to cast someone who doesn't seem to need lessons himself?

One person I did like in the movie was Edward G. Robinson. I always love him, and I think he transitioned marvelously in his career from a young to middle-aged man. In the 1950s and 1960s, he still took very meaty roles, instead of fading away. You can skip this one, though, and rent A Hole in the Head instead.

Most of this movie is a regular romantic comedy with some excellent stars. But the end of the movie, where Shirley plays the death scene from Madam Butterfly, will make you weep. I first saw this when I was in the military, and had never seen Madam Butterfly. After seeing this movie, I went to the opera to see the full opera, and it has become my favorite. Having seen the death scene many times in my life, Shirley's performance still ranks up there with the best.

Although I only saw this movie once over ten years ago on late night TV,I was struck by the beautiful scenery and the storyline somehow reminded me of James Mason & Judy Garland "A star is born".Shirley Mclaine is a favorite of mine and she managed to imbue the Japanese persona so purely and one could feel Yves Montand frustration and eagerness to achieve success without his wife.I cannot recall much more of this film but I do know that my best friend Maruschka has watched it so many times that her tape copy is wearing out.It is a classic love story. Very hard to find a copy for it and I would love to see it out on DVD.I would then surprise my friend by buying her a copy (and one for me also).Millie

Paul Roubaix (Yves Montand) is a top-notch movie maker. The only problem is that everyone attributes his success to his actress wife Lucy Dell (Shirley MacLaine.) To prove to himself and others, he sets out for Japan to do a remake of 'Madame Butterfly', without his wife's participation.

Unknown to him, the studio, reprehensive played by Edward G Robinson, has condemned him to a black and white film. His wife has cooked up a scheme to extricate her husband from the situation.

Will this plan save face or become the downfall of their career and marriage?

One of the filming locations is Tokyo, Japan. I only visited once in 1967 while on R&R. Mostly on the Ginza in the foreign section of the bookstores. I did not recognize any scenes from the movie.

From a cinematographic point of view this movie is nothing special. However, the performance of Shirley MacLaine, as a Geisha who is secretly playing in her husbands movie, is very good (as always).

Accompanied by some other great movie stars, like Edward G. Robinson and Yves Montand, in the supporting roles, this movie is well worth watching. A typical '50s style comedy/drama.