Die Showgirls Lorelei Lee und Dorothy Shaw reisen nach Paris und werden dabei von einem Privatdetektiv verfolgt, der vom misstrauischen Vater des Verlobten von Lorelei engagiert wurde. Außer... Alles lesenDie Showgirls Lorelei Lee und Dorothy Shaw reisen nach Paris und werden dabei von einem Privatdetektiv verfolgt, der vom misstrauischen Vater des Verlobten von Lorelei engagiert wurde. Außerdem auf ihren Fersen sind ein reicher, in Liebe entbrannter alter Mann und zahlreiche weit... Alles lesenDie Showgirls Lorelei Lee und Dorothy Shaw reisen nach Paris und werden dabei von einem Privatdetektiv verfolgt, der vom misstrauischen Vater des Verlobten von Lorelei engagiert wurde. Außerdem auf ihren Fersen sind ein reicher, in Liebe entbrannter alter Mann und zahlreiche weitere glühende Verehrer.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
- Wedding Guest
- (Nicht genannt)
- Captain of Waiters
- (Nicht genannt)
- Ship Passenger
- (Nicht genannt)
- Courtroom Spectator
- (Nicht genannt)
- Small Role
- (Nicht genannt)
- Chorus Girl
- (Nicht genannt)
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With such as these to hold out attention, the rest of the film doesn't seem like much, with the usual humdrum romantic plotline, the uninteresting supporting cast, and everything. But it's still a great musical comedy, based on the Broadway show that was in turn based on the famous Anita Loos novel. Howard Hawks' direction, while not as inspired as his "Bringing Up Baby" or "His Girl Friday" work, is lively, the costumes are great, the songs (Those that were retained from Broadway and those added for the film) are all great, and the script, while probably not including much of the wicked satire that the novel is praised for, (Unless I missed it), is funny enough. I should also mention the many classic shots of Marilyn and Jane walking side by side. What a contrast! Marilyn gives it all she's got, and Jane is so low-key about the whole thing she's reviting. What a great team these two ladies were! And, all things considered, what a great movie!
Superficially, Lorelei "seems" like a not very bright "babe", especially in some of her comments. For example, she counsels Russell's character by saying: "I want you to find happiness --- and stop having fun". But there is a subtle quality about Lorelei that suggests that she may be smarter than she lets on. One wonders if Monroe, who was quite intelligent and bookish in real life, was really acting in this film, or just being herself.
While there are several lively, and memorable, musical numbers, they are all lead-ins to the lavish, eye-popping musical finale. On a stage adorned in garish colors (orange, pink, and black mostly), a breathtakingly glamorous Monroe belts out the popular song: "Diamonds Are A Girl's Best Friend". Her singing (partially dubbed) is not quite as credible as the performance of Carol Channing in the Broadway version. Still, the film's finale is a cinematic spectacle, a veritable feast for the eyes and ears. "Gentlemen Prefer Blondes" is not a heavy weight "message" film. It is instead a pleasant and entertaining bit of fluff, where the emphasis is on fun, music, and glamour.
Marilyn's pitch-perfect as the gold-digging Lorelei Lee. She played the 'dumb blonde' better than anybody in movie history. It's impossible not to like her, even when she's doing things you might not agree with. Jane's never been better than here playing Marilyn's sassy man-crazy best friend. Charles Coburn is the horny owner of a diamond mine. Child actor George Winslow steals every scene he's in. Tommy Noonan is fun as Marilyn's fiancé. Elliott Reid is the weakest part of the cast as the private detective who falls for Jane. He's just so stiff and corny that I couldn't see what a great dish like Jane Russell could see in him. He looks like a Fed.
Lots of great lines and scenes. Possibly the best thing about the movie is just how gorgeous it looks. I'm not just talking about the leading ladies, who are both stunning. The Technicolor just pops off the screen. One of my favorite movies of all time. It'll make you smile from start to finish. Colorful, funny, sexy, with enjoyable performances and wonderful songs. Includes one of Marilyn's defining moments - "Diamonds Are a Girl's Best Friend." An absolute must-see classic.
Fox knew what to do with the two lovelies when they cast them as the gold diggers aboard a ship bound for France with nothing on their minds but the pursuit of men with money. Jane has a wonderful song-and-dance routine with Olympic hopefuls in "Ain't There Anyone Here For Love?" and Marilyn gets to do a now-classic routine with "Diamonds Are A Girl's Best Friend". Charles Coburn has some amusing moments as an old-timer with a yen for Marilyn who has a yen for his wife's tiara. "I just love finding new places to wear diamonds", she says in that sweetly innocent Monroe voice. And Russell tops everything off with an imitation of Monroe in a courtroom that's guaranteed to draw chuckles.
It's all done up in vivid technicolor. The girls wear eye-popping costumes and look ultra glamorous together (exact opposites), and the songs aren't bad either. Pure escapist entertainment of the '50s kind with enough humorous moments to keep you entertained by the silly shenanigans. Fans of Monroe and Russell will love this one.
One of the funniest moments: Monroe stuck in a ship's porthole while a little boy holds a blanket around her as she makes small talk with Charles Coburn.
The movie rises above its pretext, its story, its existence as a musical, even its music, and becomes at its best a magic work, yet it is a light-hearted satire of the old adage that when a woman goes bad, men go right after her
The film crowned Monroe in her position as the nation's new 'Love Goddess' with the promise of many sparkling hits to come, and Jane Russell's career continued, with less fanfare, but very successfully for several more years
The story was simple: Dorothy (Jane Russell) and Lorelei (Marilyn Monroe) work together as entertainers and are also good friends Lorelei's millionaire fiancé Gus Esmond (Tommy Noonan) sends the girls to France, but his father (Taylor Holmes) hires a private detective, Malone (Elliott Reid) on the same boat to spy on her during the trip When the three meet, Dorothy falls for Malone, much to the chagrin of Lorelei, who cannot understand Dorothy's indifference to men with money
On board, the girls get into trouble when they meet an old playboy Francis Beckman (Charles Coburn), a diamond merchant
Wusstest du schon
- WissenswertesMarilyn Monroe reportedly suggested the line "I can be smart when it's important, but most men don't like it."
- PatzerIn the "Ain't There Anyone Here for Love" number, just before Dorothy falls into the pool (which was unplanned), it is clear that one of the divers slips before his takeoff, and his legs smash rather heavily into her head.
- Zitate
Lorelei Lee: Don't you know that a man being rich is like a girl being pretty? You wouldn't marry a girl just because she's pretty, but my goodness, doesn't it help?
- VerbindungenFeatured in Die Welt der Marilyn Monroe (1963)
- SoundtracksOverture
(1949) (uncredited)
Music by Jule Styne
Lyrics by Leo Robin
Performed by the 20th Century-Fox Studio Orchestra and Chorus Conducted by Lionel Newman
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Los caballeros las prefieren rubias
- Drehorte
- Produktionsfirma
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Box Office
- Budget
- 2.260.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 24.274 $
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Seitenverhältnis
- 1.37 : 1