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Manche mögen's heiß

Originaltitel: Some Like It Hot
  • 1959
  • 16
  • 2 Std. 1 Min.
IMDb-BEWERTUNG
8,2/10
296.833
IHRE BEWERTUNG
BELIEBTHEIT
1.494
7
Manche mögen's heiß (1959)
Trailer for the classic comedy Some Like It Hot, starring Tony Curtis, Jack Lemmon, and Marilyn Monroe
trailer wiedergeben2:17
3 Videos
99+ Fotos
Buddy ComedyFarceRomantic ComedySatireScrewball ComedyComedyMusicRomance

Als zwei männliche Musiker Zeugen eines Mafiamassakers werden, fliehen sie in einen anderen Staat, indem sie als Frauen verkleidet in einer Frauenband untertauchen. Doch dann treten Komplika... Alles lesenAls zwei männliche Musiker Zeugen eines Mafiamassakers werden, fliehen sie in einen anderen Staat, indem sie als Frauen verkleidet in einer Frauenband untertauchen. Doch dann treten Komplikationen auf.Als zwei männliche Musiker Zeugen eines Mafiamassakers werden, fliehen sie in einen anderen Staat, indem sie als Frauen verkleidet in einer Frauenband untertauchen. Doch dann treten Komplikationen auf.

  • Regie
    • Billy Wilder
  • Drehbuch
    • Billy Wilder
    • I.A.L. Diamond
    • Robert Thoeren
  • Hauptbesetzung
    • Marilyn Monroe
    • Tony Curtis
    • Jack Lemmon
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,2/10
    296.833
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.494
    7
    • Regie
      • Billy Wilder
    • Drehbuch
      • Billy Wilder
      • I.A.L. Diamond
      • Robert Thoeren
    • Hauptbesetzung
      • Marilyn Monroe
      • Tony Curtis
      • Jack Lemmon
    • 531Benutzerrezensionen
    • 246Kritische Rezensionen
    • 98Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Am besten bewerteter Film #136
    • 1 Oscar gewonnen
      • 11 Gewinne & 13 Nominierungen insgesamt

    Videos3

    Some Like It Hot
    Trailer 2:17
    Some Like It Hot
    Some Like it Hot: Meet Sugar Kane
    Clip 2:13
    Some Like it Hot: Meet Sugar Kane
    Some Like it Hot: Meet Sugar Kane
    Clip 2:13
    Some Like it Hot: Meet Sugar Kane
    Some Like It Hot: Beach
    Clip 1:36
    Some Like It Hot: Beach

    Fotos292

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    Topbesetzung87

    Ändern
    Marilyn Monroe
    Marilyn Monroe
    • Sugar Kane Kowalczyk
    Tony Curtis
    Tony Curtis
    • Joe…
    Jack Lemmon
    Jack Lemmon
    • Jerry…
    George Raft
    George Raft
    • Spats Colombo
    Pat O'Brien
    Pat O'Brien
    • Detective Mulligan
    Joe E. Brown
    Joe E. Brown
    • Osgood Fielding III
    Nehemiah Persoff
    Nehemiah Persoff
    • Little Bonaparte
    Joan Shawlee
    Joan Shawlee
    • Sweet Sue
    Billy Gray
    • Sig Poliakoff
    George E. Stone
    George E. Stone
    • Toothpick Charlie
    Dave Barry
    Dave Barry
    • Bienstock
    Mike Mazurki
    Mike Mazurki
    • Spats' Henchman
    Harry Wilson
    Harry Wilson
    • Spats' Henchman
    Beverly Wills
    Beverly Wills
    • Dolores
    Barbara Drew
    • Nellie
    Edward G. Robinson Jr.
    Edward G. Robinson Jr.
    • Johnny Paradise
    Sam Bagley
    • Minor Role
    • (Nicht genannt)
    Brandon Beach
    • Party Guest
    • (Nicht genannt)
    • Regie
      • Billy Wilder
    • Drehbuch
      • Billy Wilder
      • I.A.L. Diamond
      • Robert Thoeren
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen531

    8,2296.8K
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    Zusammenfassung

    Reviewers say 'Some Like It Hot' is acclaimed for its humor, script, and performances by Curtis, Lemmon, and Monroe. Its cross-dressing theme and exploration of gender and sexuality add depth. The blend of comedy and drama, memorable lines, and Wilder's direction are praised. The lead actors' chemistry is a highlight. Despite some criticisms, its innovative approach and cultural impact are noted.
    KI-generiert aus den Texten der Nutzerbewertungen

    Empfohlene Bewertungen

    9silva-w-pius

    Marilyn Monroe. Enough said.

    "Movies should be like amusement parks" filmmaker Billy Wilder once said "People should go to them to have fun". So If Some Like It Hot was an amusement park: it would Thorpe Park, mixed in with Legoland, added with a dash of Disney land. Some Like It Hot is the granddaddy of comedies, the Godfather of laughs and the Mike Tyson of punch lines. Heck! Watching this film is like getting into the ring with Muhammad Ali, as you're constantly hit with fast paced gags. Even when you're least expecting it you're hit with a punch line so funny it leaves your side aching, or a piece of slapstick comedy that leaves your eyes running. Even the fade out line has been regarded as the funniest and most famous in history. Once you hear it, you'll guarantee never ever, ever to forget it. Trust me, it's hilarious!

    After playing witness to a routine gangland shooting, two penniless Chicago musicians, Joe and jerry decide it is the perfect opportunity, to remain safe and get paid a easy buck when they decide to take up residence in an all girl band heading to Florida, crossed-dressed as Josephine (Tony Curtis) and Daphne (Jack Lemmon). But with the only simple aim of getting paid and avoiding the mob, things soon get a little more tricky when a ditsy singer named Sugar (Marilyn Monroe) captures the heart of' Josephine' and a eccentric playboy millionaire falls for 'Daphne'.

    Some Like It Hot is one of those rare occasions, where everyone involved is at the very peak of their powers. Billy Wilder's directing is subtle but instrumental in loading every scene with comedic material ready to pop out like a wound up jack in the box. The writing is excellent, it constantly moves at a furious pace. Imagine Usain bolt on roller blades with jet pack attached to his back, and still that's not even as fast as how the dialogue rips through every scene. People may say that the comedy is too high concept, but for me that's the very reason it's so damn funny , as well a begin genius, because it means that the jokes will stand the test of time and span all generations because it's so easy to understand. Anyway who likes having jokes explained to them? No one!

    But you can't talk about Some Like It Hot, without mentioning Tony Curtis and Jack Lemmon, who were absolutely perfect for their roles, each adding a feeling of assuredness to theirs, as well as bucket full's of originality with every facial expression as well as every line. Initially I was not convinced by Marilyn Monroe, as I felt she was slightly overrated, but in her role as Sugar, she brings a lot of composure to the role adding balance to the high energy of Tony and Jack, but still getting her laughs not through straight jokes but by simply being able to deliverer every air headed line with great delivery and timing. Whilst still being able to remain sweet, helpless and innocent, even as she plunges picks into a solid cube of ice with great fury, as she talks about her weakness for Saxophone players.

    Some Like It Hot it like a magician of comedy, you never know what to expect next, as with every new scene you so excitedly anticipate what piece of comedic magic it will pull out of its sleeve. For me Some Like It Hot is the funniest comedy film I have ever seen, even though it is almost 55 years old, its comedy is still so accessible and funny too!
    darth_sidious

    Awesome, it really is!

    Sit back and enjoy this comedy, I don't believe in greatest this and that when it comes to films, but boy, this is superb.

    The acting here is fantastic, all actors, even Monroe are on top form.

    The direction by Wilder is superb, the guy's style in this picture is perfect. He directed this film in a very clever way, by using one camera for the majority of the scenes, he could easily edit the film together without studio interference.

    The script is well written. The dialogue between Lemmon and Curtis is beautifully balanced.

    Monroe is just too hot for the screen in this picture. Although, Monroe had major off-screen problems (83 takes to get things right) she is fantastic on-screen. She may not have the best lines, but what the heck! She plays the role very well.

    Overall, this is awesome, it really is.
    10gbrumburgh

    Billy Wilder's screwball masterpiece with Curtis, Lemmon and the immortal Marilyn handed the best comedy roles of their careers.

    Admittedly biased, "Some Like It Hot" can certainly stand on its own merit with or without my thunderous round of applause. More than a decade ago, I had the privilege of performing both the Tony Curtis and Jack Lemmon roles in "Sugar," the musical adaptation of "Some Like It Hot" which originally starred Tony Roberts, Robert Morse and Elaine Joyce on Broadway in the 70s. Though it hardly compares to the film's original (how could it???), the musical nevertheless is still a big hit with live audiences. I can't remember ever having a better time on stage than I did with "Sugar," and it's all due to the irrepressible talents that instigated it all.

    In the 1959 classic, Curtis and Lemmon play two ragtag musicians scraping to make ends meet in Prohibition-era Chicago during the dead of winter who accidentally eyewitness a major gangland rubout (aka the St. Valentine's Day Massacre). Barely escaping with their lives (their instruments aren't quite as lucky), our panicky twosome is forced to take it on the lam. Scared out of their shoes (sorry), the boys don heels and dresses after they connect with an all-girl orchestra tour headed for sunny Florida. Killing two birds with one stone, they figure why not go south for the winter while dodging the mob? Once they hit the coast, they'll ditch both the band and their humiliating outfits.

    Enter a major detour in the form of luscious Marilyn Monroe as Sugar Kane, given one of the sexiest (yet innocent) entrances ever afforded a star. Snugly fit in flashy 'Jazz Age' threads, a blast from the locomotive's engine taunts her incredible hour-glass figure as she rushes to catch her train to Florida. The boys, stopped dead in their high-heeled tracks by this gorgeous vision, decide maybe the gig might not be so bad after all. As the totally unreliable but engagingly free-spirited vocalist/ukelele player for the band, Sugar gets instantly chummy with the "girls" when they cover for her after getting caught with a flask of booze. As things progress, complications naturally set in - playboy Curtis falls for Monroe but has his "Josephine" guise to contend with, while Lemmon's "Daphne" has to deal with the persistently amorous attentions of a handsy older millionaire.

    What results is an uproarious Marx Brothers-like farce with mistaken identities, burlesque-styled antics, and a madcap chase finale, all under the exact supervision of director Billy Wilder, who also co-wrote the script. Lemmon and Curtis pull off the silly shenanigans with customary flair and are such a great team, you almost wish THEY ended up together! Curtis does a dead-on Cary Grant imitation while posing as a Shell Oil millionaire to impress Marilyn; Lemmon induces campy hilarity in his scenes with lecherous Joe E. Brown (who also gets to deliver the film's blue-ribbon closing line). As for the immortal Monroe, she is at her zenith here as the bubbly, vacuous, zowie-looking flapper looking for love in all the wrong places. Despite her gold-digging instincts, Monroe's Sugar is cozy, vulnerable and altogether loveable, getting a lot of mileage too out of her solo singing spots, which include the kinetic "Running Wild," the torchy "I'm Through With Love," and her classic "boop-boop-a-doop" signature song, "I Wanna Be Loved by You."

    The film is dotted with fun, atmospheric characters. Pat O'Brien and George Raft both get to spoof their Warner Bros. stereotypes as cop vs. gangster, Joan Shawlee shows off a bit of her stinger as the by-the-rules bandleader Sweet Sue, Mike Mazurki overplays delightfully the archetypal dim-bulbed henchman, and, if I'm not mistaken, I think that's young Billy Gray of "Father Knows Best" fame (the role is not listed in the credits) playing a snappy, pint-sized bellhop who comes on strong with the "girls."

    For those headscratchers who can't figure out why the so-called "mild" humor of "Some Like It Hot" is considered such a classic today, I can only presume that they have been brought up on, or excessively numbed by, the graphic, mindless toilet humor of present-day "comedies." There was a time when going for a laugh had subtlety and purity - it relied on wit, timing, inventiveness and suggestion - not shock or gross-out value. It's the difference between Sid Caesar and Andrew "Dice" Clay; between Tony Curtis and Jack Lemmon and Chris Farley and David Spade; between "I Love Lucy" and "Married With Children"; between Lemmon's novel use of maracas in the hilarious "engagement" sequence, and Cameron Diaz's use of hair gel in a scene that ANYBODY could have made funny. Jack Lemmon could do more with a pair of maracas than most actors today could do with a whole roomful of props. While "Some Like It Hot" bristles with clever sexual innuendo, today's "insult" comedies are inundated with in-your-face sexual assault which, after awhile, gets quite tiresome -- lacking any kind of finesse and leaving absolutely nothing to the imagination. I still have hope...

    Having ultimate faith in my fellow film devotees, THAT is why "Some Like It Hot" will (and should be) considered one of THE screwball classics of all time, and why most of today's attempts will (and should be) yesterday's news.
    10claudio_carvalho

    One of the Best Comedies of the Cinema History

    In 1929, in Chicago, the musicians and friends Joe (Tony Curtis) and Jerry (Jack Lemmon) flees from the night-club where they are playing during a police raid. Without any money, they seek a job position for saxophone and bass players in another band and they are invited to play in a concert for one night only in a distant town. Joe borrows the car of a former girlfriend to travel and when they arrive in the parking garage, they witness the "Saint Valentine's Day Massacre" led by the infamous mobster Spats Columbo (George Raft). The criminals discover Joe and Jerry hidden in a corner and when the killers are ready to execute them, they succeed to escape. Joe and Jerry disguise, dressing like women and they head to Florida by train with an all-girl band using the names of Josephine and Daphne. They get close to singer Sugar Kane Kowalczyk (Marilyn Monroe) and Joe falls in love with her but she believes he is a woman. Meanwhile the millionaire Osgood Fielding III (Joe E. Brown) harasses Daphne inviting her to visit his yacht. When Spats and his henchmen arrive in the same hotel where Joe and Jerry are lodged for a mafia convention, the two musicians feel that they are in a dangerous situation.

    Yesterday Tony Curtis died and I decided to watch "Some Like it Hot" again. This film is another masterpiece of Billy Wilder and certainly one of the best comedies of the cinema history. Jack Lemmon is hilarious and responsible for some of the funniest moments especially when Osgood flirts with Daphne. Marilyn Monroe performs the perfect dumb blonde stereotype. Last time I had seen this movie was on 18 August 2000. My vote is ten.

    Title (Brazil): "Quanto Mais Quente Melhor" ("The Hotter, the Better")
    9EijnarAmadeus

    A Legendary Comedy

    With Billy Wilder's steady direction, the great casting, and Wilder/Diamond's sparkling script Some Like It Hot has become one of the most enjoyed comedies of cinema history. The story itself is pure comedy gold; the unhappy jazz-musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) are witness to the St. Valentine massacre in 1929 and flees from Chicago with an all-girl-band who's headed for Miami, dressed up as "Josephine" and "Daphne". Soon both are hooked on Sugar Kane (Marylin Monroe), the band's lead singer - but things gets more complicated when arrived in Miami, Daphne attracts a elderly playboy and the gangster of Chicago arrives at the Floria-hotel to have a mafia-meeting.

    The work of the three participants in center is truly great; Marylin Monroe is at her most sexy and charming, Tony Curtis' brilliant control and Jack Lemmon is truly priceless at his peak. The movie paces fantastically throughout opening scenes of Chicago, onto the train-ride (features fantastically funny moments of brilliant comedy timing) and arriving at the hotel in Florida, and the situations that occurs with the band, with playboy Osgood Fielding III, Marylin Monroe and the mafia. And Billy Wilder shows his talent with keeping such a sparkling screenplay brilliantly paced and edited, never rushing itself - and Wilder sneaks in some fine moments of noir with the Chicago-gangsters brutality and cruelness. And the movie is a altogether different experience as a comedy than anything before it, the absurdity and quirkiness of Curtis and Lemmon in a transvestite-comedy is fantastically funny, and the final dialog between Osgood Fielding and Daphne/Jerry seemingly came out of the blue, and surprised me just as much today as it did back in 1959. Some Like It Hot is nothing less than a must-see in comedy, and cinema history.

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    Handlung

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    • Wissenswertes
      Years after the film's release, a movie reviewer asked Tony Curtis why his "Josephine" was so much more feminine than Jack Lemmon's "Daphne." Curtis explained he was so scared to be playing a woman (or a man pretending to be one) that his tightly wound body language could be read as demure and shy, traditionally feminine traits, whereas Lemmon, who was completely unbothered, and "ran out of his dressing room screaming like the Queen of the May," kept much more of his masculine body language.
    • Patzer
      Early in the movie, Joe talks about the Brooklyn Dodgers, a name not officially used until 1932. From 1914 to 1931 the Brooklyn baseball team was the Robins, not the Dodgers. However, the Dodgers had been an unofficial nickname since 1895, and the World Series program from 1920 even referred to them as the Dodgers instead of the Robins.
    • Zitate

      [last lines]

      Jerry: Oh no you don't! Osgood, I'm gonna level with you. We can't get married at all.

      Osgood: Why not?

      Jerry: Well, in the first place, I'm not a natural blonde.

      Osgood: Doesn't matter.

      Jerry: I smoke! I smoke all the time!

      Osgood: I don't care.

      Jerry: Well, I have a terrible past. For three years now, I've been living with a saxophone player.

      Osgood: I forgive you.

      Jerry: [tragically] I can never have children!

      Osgood: We can adopt some.

      Jerry: But you don't understand, Osgood! Ohh...

      [Jerry finally gives up and pulls off his wig]

      Jerry: [normal voice] I'm a man!

      Osgood: [shrugs] Well, nobody's perfect!

      [Jerry looks on with disbelief as Osgood continues smiling with indifference. Fade out]

    • Alternative Versionen
      Video version contains extended exit music after the film.
    • Verbindungen
      Edited into Vida conyugal sana (1974)
    • Soundtracks
      Runnin' Wild
      (1922) (uncredited)

      Music by A.H. Gibbs

      Lyrics by Joe Grey and Leo Wood

      Played during the opening credits

      Played by the girls on the train and Performed by Marilyn Monroe

      Performed also a capella by Tony Curtis

      Gene Cipriano (tenor sax for Tony Curtis) and Alton Hendrickson (ukulele for Marilyn Monroe)

    Top-Auswahl

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    • Where do Joe and Jerry get the clothes, wigs, and makeup to dress up as girls?

    Details

    Ändern
    • Erscheinungsdatum
      • 17. September 1959 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Una Eva y dos Adanes
    • Drehorte
      • Hotel del Coronado - 1500 Orange Avenue, Coronado, Kalifornien, USA(Seminole Ritz Hotel)
    • Produktionsfirmen
      • Ashton Productions
      • The Mirisch Corporation
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

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    • Budget
      • 2.883.848 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 208.786 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 1 Minute
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.85 : 1

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