IMDb-BEWERTUNG
7,8/10
132
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAnthology of excerpts from Marilyn Monroe's 20th Century-Fox output, narrated by Rock Hudson, and created as a cinematic eulogy to Monroe, who died the year before.Anthology of excerpts from Marilyn Monroe's 20th Century-Fox output, narrated by Rock Hudson, and created as a cinematic eulogy to Monroe, who died the year before.Anthology of excerpts from Marilyn Monroe's 20th Century-Fox output, narrated by Rock Hudson, and created as a cinematic eulogy to Monroe, who died the year before.
Marilyn Monroe
- Self
- (Archivfilmmaterial)
Lauren Bacall
- Schatze Page
- (Archivfilmmaterial)
- (Nicht genannt)
Anne Baxter
- Kit Dodge Jr.
- (Archivfilmmaterial)
- (Nicht genannt)
- …
Cyd Charisse
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
- …
Charles Coburn
- Sir Francis 'Piggy' Beekman
- (Archivfilmmaterial)
- (Nicht genannt)
Wally Cox
- Self (scene from "Something's Got to Give")
- (Archivfilmmaterial)
- (Nicht genannt)
Dan Dailey
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
- …
Tom Ewell
- Self (scene from "The Seven Year Itch")
- (Archivfilmmaterial)
- (Nicht genannt)
Betty Field
- Self (scene from "Bus Stop")
- (Archivfilmmaterial)
- (Nicht genannt)
Mitzi Gaynor
- Katy Donahue
- (Archivfilmmaterial)
- (Nicht genannt)
Betty Grable
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
- …
June Haver
- Self (scene from "Love Nest")
- (Archivfilmmaterial)
- (Nicht genannt)
Celeste Holm
- Karen
- (Archivfilmmaterial)
- (Nicht genannt)
Hope Lange
- Self (scene from "Bus Stop")
- (Archivfilmmaterial)
- (Nicht genannt)
William Lundigan
- Self (scene from "Love Nest")
- (Archivfilmmaterial)
- (Nicht genannt)
Dean Martin
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
- …
Ethel Merman
- Self (scene from "There's No Business Like Show Business")
- (Archivfilmmaterial)
- (Nicht genannt)
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Twentieth Century Fox threw together this "tribute/homage" to Marilyn a year after she died to make even more money off her and to recoup its losses from her last unfinished film, Something's Got to Give. Plain and simple, it has nothing to do with celebrating her and everything to do with being a money grab to exploit her further. Rock Hudson was hired to narrate because he was at the peak of his popularity and Fox figured they'd make even more money with Hudson at the helm. It's interesting to a degree, but also incomplete and impersonal. It's also become so obscure that it's nearly impossible to find.
A reviewer here stated that Hudson and Monroe were never even remotely friends and this isn't true. They didn't socialize together, but Monroe once stated that she looked upon Hudson as "a big brother" and that he was one of what became known as her "telephone friends." (Judy Garland being another.) They'd sometimes talk late at night when one or the other couldn't sleep. Hudson also took the news of her death hard and later remarked to a friend, "if only she had called me that night."
A reviewer here stated that Hudson and Monroe were never even remotely friends and this isn't true. They didn't socialize together, but Monroe once stated that she looked upon Hudson as "a big brother" and that he was one of what became known as her "telephone friends." (Judy Garland being another.) They'd sometimes talk late at night when one or the other couldn't sleep. Hudson also took the news of her death hard and later remarked to a friend, "if only she had called me that night."
Ohhhhhh. drat.
Yes, folks, I am astounded this excellent doco has been so neglected and forgotten as to not be available on video or DVD ...and incredibly not commented upon or reviewed on the IMDb. I can't be the only person in 2005 who knows this exists. Anyway, here's the info: made in 1963 as a Marilyn Monroe - Fox release to take the place of SOMETHING'S GOTTA GIVE which, as we all know was scrapped adding to her demise. Fox filled in the schedule blank (and mopped up as much MM sympathy cash as possible) by creating this 90 minute documentary with intros and links shot in cinema-scope on a blank stage with Rock Hudson narrating the clips from all her Fox films. It looks a lot like the format used later in THAT'S ENTERTAINMENT PART 2 with ladders and spotlights and studio bits for the narrator to wander through before various scenes or musical numbers are presented. Those films with sequences originally shot in 1.33 are presented as such in center frame and the cinema-scope clips fill the whole screen. I have also just discovered thanks to Box office Bill on the Roxy page on the Cinema Treasures site that in 1952, the "Diamonds Are A Girl's Best Friend" song number was shot in two formats: the 1.33 look as released in the feature GENTLEMEN PREFER BLONDES and an experimental cinema-scope version which sat in the vault until it was (now) possibly used as the finale for this c/s doco. I remember showing MARILYN at my cinema in the 70s and 80s and remarking how good this sequence looked in cinema-scope, thinking it was a cropped version of the 1.33. Well, not the case and there is the truth of it. Very good. Thankyou Box office Bill. So it was used eventually, but in a sad celebration. Apart from all this, MARILYN is an excellent doco and today more so as it compiles all the best Fox bits as a stand alone feature. Fox should rediscover their own excellent compilation feature here and get it out into stores on DVD tomorrow! Now if we can get FOX to do the same style of doco with "a celebration of Cinemascope" and a "Fabulous Foxes" and a "Technicolour Two hours" compilation we would sing their praises, instead of moaning the vault is locked. Start with MARILYN. This documentary is a major discovery for anyone in any century.
Yes, folks, I am astounded this excellent doco has been so neglected and forgotten as to not be available on video or DVD ...and incredibly not commented upon or reviewed on the IMDb. I can't be the only person in 2005 who knows this exists. Anyway, here's the info: made in 1963 as a Marilyn Monroe - Fox release to take the place of SOMETHING'S GOTTA GIVE which, as we all know was scrapped adding to her demise. Fox filled in the schedule blank (and mopped up as much MM sympathy cash as possible) by creating this 90 minute documentary with intros and links shot in cinema-scope on a blank stage with Rock Hudson narrating the clips from all her Fox films. It looks a lot like the format used later in THAT'S ENTERTAINMENT PART 2 with ladders and spotlights and studio bits for the narrator to wander through before various scenes or musical numbers are presented. Those films with sequences originally shot in 1.33 are presented as such in center frame and the cinema-scope clips fill the whole screen. I have also just discovered thanks to Box office Bill on the Roxy page on the Cinema Treasures site that in 1952, the "Diamonds Are A Girl's Best Friend" song number was shot in two formats: the 1.33 look as released in the feature GENTLEMEN PREFER BLONDES and an experimental cinema-scope version which sat in the vault until it was (now) possibly used as the finale for this c/s doco. I remember showing MARILYN at my cinema in the 70s and 80s and remarking how good this sequence looked in cinema-scope, thinking it was a cropped version of the 1.33. Well, not the case and there is the truth of it. Very good. Thankyou Box office Bill. So it was used eventually, but in a sad celebration. Apart from all this, MARILYN is an excellent doco and today more so as it compiles all the best Fox bits as a stand alone feature. Fox should rediscover their own excellent compilation feature here and get it out into stores on DVD tomorrow! Now if we can get FOX to do the same style of doco with "a celebration of Cinemascope" and a "Fabulous Foxes" and a "Technicolour Two hours" compilation we would sing their praises, instead of moaning the vault is locked. Start with MARILYN. This documentary is a major discovery for anyone in any century.
The clip of Diamonds Are A Girl's Best Friend used in the doc is not an alternate CinemaScope take. It is the exact version lifted from the original Academy Ratio version of Gentlemen Prefer Blondes. However, the doc was released as a Scope movie, and they zoomed-in on the 1.33 image to create a faux Scope version. Wish it were an alternate version, but sadly it is not... That said, the documentary is a lot of fun, especially in light of Rock Hudson's known public history today compared to that of 1963. It's also interesting watching Rock being manly by smoking while watching the clips - looks terribly effected from today's perspective. It does contain the clips from her unfinished film which has been released on DVD a while back.
Wusstest du schon
- WissenswertesFor almost 3 decades, this documentary contained all the clips from the unfinished film "Something's Got To Give" the public saw. It was said the film was 'unwatchable,' Marilyn's scenes were 'terrible,' and the colour had faded from the negatives. The only one of these true was the last - the colour had degenerated over time. One reason the film was kept from public view, was so it would go along with 20th Century Fox's long-held (fabricated) story of Marilyn being the (sole) cause of the film being shut down. In actual fact, Marilyn had been rehired by Fox - several days before her passing - at terms which were much fairer to an actor of her magnitude, and would also be the concluding film in Marilyn's Fox contract. Tragically, this film, never was, the truth was withheld for decades.
- Alternative VersionenAlternate prints run 94 minutes, including additional sequences from There's No Business Like Show Business (1954), Bus Stop (1956) and Let's Make Love (1960).
- VerbindungenFeatures A Ticket to Tomahawk (1950)
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Details
- Laufzeit1 Stunde 23 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Die Welt der Marilyn Monroe (1963) officially released in Canada in English?
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