Die Showgirls Lorelei Lee und Dorothy Shaw reisen nach Paris und werden dabei von einem Privatdetektiv verfolgt, der vom misstrauischen Vater des Verlobten von Lorelei engagiert wurde. Außer... Alles lesenDie Showgirls Lorelei Lee und Dorothy Shaw reisen nach Paris und werden dabei von einem Privatdetektiv verfolgt, der vom misstrauischen Vater des Verlobten von Lorelei engagiert wurde. Außerdem auf ihren Fersen sind ein reicher, in Liebe entbrannter alter Mann und zahlreiche weit... Alles lesenDie Showgirls Lorelei Lee und Dorothy Shaw reisen nach Paris und werden dabei von einem Privatdetektiv verfolgt, der vom misstrauischen Vater des Verlobten von Lorelei engagiert wurde. Außerdem auf ihren Fersen sind ein reicher, in Liebe entbrannter alter Mann und zahlreiche weitere glühende Verehrer.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
- Wedding Guest
- (Nicht genannt)
- Captain of Waiters
- (Nicht genannt)
- Ship Passenger
- (Nicht genannt)
- Courtroom Spectator
- (Nicht genannt)
- Small Role
- (Nicht genannt)
- Chorus Girl
- (Nicht genannt)
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Fox knew what to do with the two lovelies when they cast them as the gold diggers aboard a ship bound for France with nothing on their minds but the pursuit of men with money. Jane has a wonderful song-and-dance routine with Olympic hopefuls in "Ain't There Anyone Here For Love?" and Marilyn gets to do a now-classic routine with "Diamonds Are A Girl's Best Friend". Charles Coburn has some amusing moments as an old-timer with a yen for Marilyn who has a yen for his wife's tiara. "I just love finding new places to wear diamonds", she says in that sweetly innocent Monroe voice. And Russell tops everything off with an imitation of Monroe in a courtroom that's guaranteed to draw chuckles.
It's all done up in vivid technicolor. The girls wear eye-popping costumes and look ultra glamorous together (exact opposites), and the songs aren't bad either. Pure escapist entertainment of the '50s kind with enough humorous moments to keep you entertained by the silly shenanigans. Fans of Monroe and Russell will love this one.
One of the funniest moments: Monroe stuck in a ship's porthole while a little boy holds a blanket around her as she makes small talk with Charles Coburn.
With such as these to hold out attention, the rest of the film doesn't seem like much, with the usual humdrum romantic plotline, the uninteresting supporting cast, and everything. But it's still a great musical comedy, based on the Broadway show that was in turn based on the famous Anita Loos novel. Howard Hawks' direction, while not as inspired as his "Bringing Up Baby" or "His Girl Friday" work, is lively, the costumes are great, the songs (Those that were retained from Broadway and those added for the film) are all great, and the script, while probably not including much of the wicked satire that the novel is praised for, (Unless I missed it), is funny enough. I should also mention the many classic shots of Marilyn and Jane walking side by side. What a contrast! Marilyn gives it all she's got, and Jane is so low-key about the whole thing she's reviting. What a great team these two ladies were! And, all things considered, what a great movie!
A great light hearted comedy that pairs up Jane Russell and Marilyn Monroe in their prime.
The performances are outstanding- Marilyn's precision comic timing along with Jane's dead-pan delivery make for an unforgettable comedy team.
At a time where men were leading the field for comedy pairings along comes Russell and Monroe and a better combination there is not!
The musical numbers are terrific especially Bye-Bye Baby and the classic Diamonds are Girls Best Friend.
The supporting roles are also well cast with the Charles Coburn as the Multimillionaire "Piggy" who has eyes only for Diamonds and Marilyn and the wonderful late Tommy Noonan as Marilyn's nerdish and gullible love interest Gus Edmond.
If you look beyond the surface which makes this film at first appear to be a seemingly stereotypical tale of young helpless women looking for rich husbands you will actually see a story of two strong and self-sufficient women looking for what they want in life, going out to get it and not settling for less!
But let's not make this any deeper than we need to... this is a FUN FILM... not meant to change the world but just to entertain you for a few hours-- AND THAT IT DOES!
High ranks from young and old... Gentlemen Prefer Blondes is great family entertainment.
Now, might I close with an Anita Loos quote about Marilyn Monroe in GPB:
"I did not write the role Lorelei Lee as Marilyn performed it in the film, but I sure as hell wish I had!"
Wusstest du schon
- WissenswertesMarilyn Monroe reportedly suggested the line "I can be smart when it's important, but most men don't like it."
- PatzerIn the "Ain't There Anyone Here for Love" number, just before Dorothy falls into the pool (which was unplanned), it is clear that one of the divers slips before his takeoff, and his legs smash rather heavily into her head.
- Zitate
Lorelei Lee: Don't you know that a man being rich is like a girl being pretty? You wouldn't marry a girl just because she's pretty, but my goodness, doesn't it help?
- VerbindungenFeatured in Die Welt der Marilyn Monroe (1963)
- SoundtracksOverture
(1949) (uncredited)
Music by Jule Styne
Lyrics by Leo Robin
Performed by the 20th Century-Fox Studio Orchestra and Chorus Conducted by Lionel Newman
Top-Auswahl
- How long is Gentlemen Prefer Blondes?Powered by Alexa
- Was Marilyn Monroe a natural blonde?
- Were Monroe and Russell bitter rivals?
- Is there a Cinemascope version of the 'Diamonds' Number?
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Los caballeros las prefieren rubias
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.260.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 24.274 $
- Laufzeit1 Stunde 31 Minuten
- Seitenverhältnis
- 1.37 : 1