What a Woman!

This mildly preposterous riff on the by now standard Rosalind Russell comedy -- high powered woman executive meets easy-going, mildly contemptuous bohemian and falls into frilly love by the end of the fifth reel -- winds along its well-greased way in a mildly bemused fashion. Long-time pro, Irving Cummings directs this well enough, but only Miss Russell puts any oomph into her role and the visuals mainly seem concerned with her head, making sure that she has an odd looking hat or hairdo that seems to change with every scene. She wears some dynamite dresses also; credit Travis Banton for the dresses. He seems to have specialized in gowning Carole Lombard in her movies.

Everyone seems to be giving it the old college try, but by now the formula had grown pretty tired, sustained only by war time movie attendance and some hope that all those Rosies out there, busy riveting together planes and battleships would be able to spend their times in silly hats once the war was over and men like Brian Aherne would be free of the restrictions of bow ties.

The title is highly misleading although it aptly describes the glamorous Miss Russell in the sort of nonsense Doris Day was making her own by the end of the next decade.

Playing an East Coast career girl wearing a succession of killer outfits with enormous shoulders and smoking endless cigarettes (it's no surprise that Rosalind eventually succumbed to cancer), we first see her secretary fielding calls from Walter Winchell, and like the fifties Doris is gratifyingly older than love interest Willard Parker (who's actually quite good as Hollywood's idea of a scholar of Elizabethan history who gets more full of himself as the film goes on).

Typically we never actually see the film that all the fuss is about, just as Brian Aherne as the cynical reporter is never seen at a typewriter, simply confining himself to constantly arriving unannounced looking pleased with himself.

In this romantic comedy from Columbia Pictures and director Irving Cummings, Rosalind Russell stars as high-powered talent agent Carol Ainsley. She's after the mysterious author of a recent bestseller to try and get inspiration for finding the lead actor in a movie adaptation of the book. She tracks him down, only to discover that he's a college teacher named Michael Cobb (Willard Parker) with no interest in further fame. Carol becomes convinced that Michael himself would be the perfect man for the film role and sets out to woo him to the job. Meanwhile, world-weary reporter Henry Pepper (Brian Aherne) has been tasked with writing a profile article on Carol which requires him to shadow her on her daily rounds, eventually leading to romance.

This is a basically agreeable trifle, fast-moving and with good performances from Russell and Aherne. I'm not familiar with Willard Parker, and his role could have been recast with a stronger personality. Shelley Winters can be glimpsed briefly in her second film role as a secretary.

Am saying this with regret. 'What a Woman' may have sounded quite silly in concept, which was not unexpected as romantic comedies and comedies at the time were not the type to be seen for their stories. Saw it anyway, being someone who likes Rosalind Russell and being someone that likes romantic comedy and films from the 30s. Haven't seen enough yet of Irving Cummings' work to say what my overall stance is on him as a director, what has been seen of his (and there is a lot more to see) has been variable.

'What a Woman' left me very mixed. It is a truly great showcase for Russell, in terms of performance that is, because without her or if her role was performed by somebody not as talented or as experienced in this type of role, 'What a Woman' would have been a dud most likely in my view. It does have things that are good, but it does have its fair share of frustrating failures that could have been avoided. A silly premise executed in an even sillier way.

Russell is the reason to see 'What a Woman' and she is a sheer delight all round. Her comic timing soars, even when the comedy itself flounders, she is really charming and easy to engage with. Brian Aherne is more mixed for me generally, have known him to be bland, but he here has a likeability about him and doesn't come over as dreary, he even amuses at times and suitably insensitive when needed. His chemistry with Russell is sweet and tense and it is not hard to see what they see in each other. Willard Parker has a more reserved character, one that isn't as interesting, but gives it a good go.

It looks great, Russell looks luminous in her clothes, the glossy style of the photography isn't gaudy or drab and the lighting is atmosphere. There are very amusing and witty moments in the banter between Russell and Aherne and the more romantic parts have moments of not too sentimental charm.

However, the story is very silly, sometimes straining credibility to the limit, is quite paper thin at times and has very few surprises. It could have done with a tighter pace, clearer character motivations as the final decision was not very easy to buy and the ending comes out of the blue and doesn't feel rounded off enough. The supporting cast are more competent but nobody stands out in sketchy roles, the most interesting being a debuting Shelley Winters. Cummings' direction similarly is far from inept but feels undistinguished.

The script has moments but could have done with more spark, and there isn't enough generally of the sparkling wit and sophistication associated with the best romantic comedies from this period. Funny moments come in spurts, at other points there is a try too hard feel, and the romance is predictable and more complicated than it needed to be.

Summarising, watchable for Russell fans but nothing special. 5/10

seductive against the air of period. Rosalind Russell as axis of a nice comedy about success , a project and love in a mixture who respects classic rules of romantic comedy. that could be all. but it has a special dose of charm and that does it interesting in not ordinary manner. the strong woman, the charming , wise, sarcastic reporter and the innocent Prince Charming, the chaos and the silence, the feelings and the duty as ingredients of a story, like many others, about the metamorphose and real happiness. the mark of period, the brilliant Russell, the splendid performance of Brian Aherne are pillars of a film who , far to be memorable is an inspired choice for remind the flavor of a lost time.