The Case of the Curious Bride

Of all the "Perry Mason" films of the 1930's (there were six films, produced from 1934 to 1937), this one has to be the best. -- At least, it's MY favorite.

Warren William, who played Mason in more of these films than anyone else, elevates this short murder mystery from programmer to an 'almost-A' feature.

Claire Dodd, as Della Street, is little more than window dressing, as were all of the "Della's" in these early Warners' Perry Mason films. Allen Jenkins gives one of his standard (but good) blustery performances as Mason's side-kick, Paul Drake (called "Spuds" Drake in this film, and a complete opposite of TV's dapper Paul Drake, played by William Hopper). The best supporting role was that of Olin Howard as the coroner, who is also Perry's good buddy, and frequent dining partner. The veteran character actress, Margaret Lindsay is the "Curious Bride" of the title.

The real surprise (the first time I saw this) was seeing Errol Flynn doing a "bit" part in a flashback sequence at the end of the film. Flynn has a non-speaking part as Margaret Lindsay's first husband. This flashback scene is narrated by the Curious Bride's current husband, played by Donald Woods (who would later play Perry Mason in another of these Warner Brothers efforts, though not anywhere as entertainingly as Warren William).

The use of soft-focus fades for every scene change, at first seems to help move the story, but can also be a bit irritating.-- Overall though, this is a well photographed film, --both the nicely composed interiors, and the outdoor urban location shots of 1935 San Francisco (although the Mason stories are mostly based in L.A.).

Directed by Michael Curtiz, this swift-moving murder mystery has the feel of many of Curtiz's bigger-budgeted Warner films, and is easily the best of the Mason series. At the same time, it is not too unlike the other 5 Mason films that Warners produced.

Unfortunately, Warren William could not play Mason in all of these films, but overlooking that fact, all six of the Warners "Perry Mason" films, including "The Case of the Stuttering Bishop", "The Case of the Velvet Claws," and "The Case of the Lucky Legs" are very faithful to the source material, and all are entertainingly done.

By the way-- because all of these films were adapted from original Earl Stanley Gardner stories, all of these titles showed up in the 1950's, produced as episodes in Raymond Burr's "Perry Mason" TV series. It's very interesting to see the different treatment these stories were given on TV.

--D.--

Michael Curtiz, one of the most prolific directors Hollywood had, is at the helm of this film, based on one of Erle Stanely Garner's stories, featuring Perry Mason, the famous lawyer. With a screen play by Tom Reed, this film offers a glance at some of the best players working in films in the Hollywood of the thirties.

Warren William, is Perry Mason, a man who knows a lot about the law, as well as what to cook for dinner. Mr. William is at his best playing the lawyer-detective. Margaret Lindsay, is the lady at the center of the crime that Perry Mason is trying to solve. Ms. Lindsay was a beautiful actress who adds a touch of class, as well as mystery to her take on Rhoda Montaine.

The rest of the cast assembled to back the principals was made up of some of the best character actors of the era. Donald Woods is seen as Carl Montaine. Clarie Dodd plays Perry's secretary Della Street. Allan Jenkins is Perry's assistant Spudsy.

A little gem of a film for lovers of the genre.

This is the only Warren William Perry Mason movie I've seen so far, and I thought it was a lot of fun! It gallops along at a breakneck pace, partly thanks to its super-kinetic (and rather disorienting) editing. William and Dodd bring a really delicious tongue-in-cheek camaraderie to the roles of Perry and Della, while Mayo Methot (was she already married to Bogart?)has a lot of fun with the small part of Florabelle. The coroner is not to be missed, by the way!

It is fascinating to see what a different interpretation of the character of Perry Mason William gives; he seems to be drawing as much on his previous performance as Philo Vance as on anything in the books. Naturally, this makes him nothing at all like Raymond Burr's Mason. (And he's in San Francisco, by the way, not Los Angeles.) I certainly missed the gravitas and moral authority that Burr gave the part, but William is hilarious and highly professional, pulling off a performance not unlike that of a drunken tightrope walker working without a net with aplomb and smooth daring-do.

The murder (of Errol Flynn, no less!) is incidental.

Margaret Lindsay approaches Warren William to ask him a question for a friend. It's always for a friend, isn't it? She's about to be married and wants to make sure her first husband is dead. While William goes in search of a bottle of Chablis '21, Miss Lindsay disappears. When the coffin of her first husband is opened, it contains a wooden Indian.

The second Perry Mason movie has him in San Francisco, still a sharp, urbane, sophisticated man, and a bit of a shyster when it comes to defending his clients. It's a nicely tangled little mystery under the direction of Michael Curtiz, with the snap and crackling pace that had become a standard for Warners programmers during the pre-code era, and which had not quite vanished.

Second in the Perry Mason film series starring Warren William as the famed lawyer/detective. It's arguably the best in the series. This time around Perry is asked for help by an old flame and winds up investigating her estranged husband's murder. Fun entry with a weird thread involving Perry's cooking hobby. William is having fun as he usually seemed to be. Allen Jenkins is a hoot as Perry's sidekick. Claire Dodd is an enjoyable Della Street. Errol Flynn has a "blink and you'll miss him" appearance in a flashback. This was his inauspicious feature film debut. One of Humphrey Bogart's wives, Mayo Methot, has a small part. The rest of the fine cast includes the always lovely Margaret Lindsay, the always bland Donald Woods, and the always grumpy Barton MacLane. It's a good-looking film, attractively photographed by David Abel with nice direction from the great Michael Curtiz, who would go on to much bigger and better films, including many starring Flynn.