Fluch der Gewalt

This is a true good western, made by THE specialist Charles Marquis Warren, one of the best masters in this category, but unfortunately underrated. This movie starring Joel McCrea and Barbara Stanwyck could not be bad anyway. The topic is predictable but unusual and interesting to watch. Joel MccRea has here a role which seemed to have been made for him. Barbara Stanwyck is also wonderful, as usual. Rodolfo Acosta is terrific here as Natchez, one of his best characters but amybe not the most know, like the film. It is well written, edited, providing exciting action sequences. Don't miss the opportunity to catch it if you can.

One of Joel McCrea's better westerns is Trooper Hook the story of a man given a mission to deliver a recent captive of the Indians back to her family.

This is no ordinary captive. Barbara Stanwyck has been with the Apaches for several years and has been the squaw of Chief Rudolfo Acosta and has had a son by him. After an a raid on Acosta's village she's discovered by the cavalry and identified. She and her little boy are taken to the fort and McCrea is given the assignment of taking her back to husband John Dehner. But this is going to prove a difficult journey on many levels.

Had Trooper Hook been directed by someone like John Ford it would have gotten far more acclaim than it did. There are elements of Ford's Stagecoach, The Searchers and Two Rode Together in Trooper Hook. And Rudolfo Acosta as Chief Natchez seems to be continuing the part he played in Hondo.

One thing I've always liked about westerns they certainly give the more mature among us the chance to be heroes. And the movies never had a better straight arrow hero than Joel McCrea. It's mentioned he's a career soldier and 47 years old. He needs every bit of that experience for the job at hand.

Stanwyck has a tough road to hoe in this film. A lot of very self righteous people wonder why she just didn't kill herself rather than submit to Acosta. McCrea understands however, the scene where he tells her of his experience in Andersonville prison during the Civil War is the most effective in the film.

Lots of western regulars fill out the supporting roles. In addition to those mentioned look for Earl Holliman as the sympathetic young cowboy who hitches a ride on the stagecoach, Celia Lovsky and Susan Kohner as grandmother and granddaughter, Edward Andrews as a sniveling rat who will make your skin crawl, and Royal Dano as the stage driver.

Rape, Illegitimate birth, Miscegenation and kidnapping were usually not subjects for the Saturday afternoon kiddie crowd who saw westerns. But the Fifties was the decade of the adult western and Trooper Hook is a prime example. In fact on her Big Valley television series, Stanwyck had a similar story line with Michael Burns about a young boy who was born to a white woman captive and later returns to white society. Only the story was from the kid's point of view.

Trooper Hook is the sixth and last film Joel McCrea and Barbara Stanwyck made. It might very well be the best of them. Though director Charles Marquis Warren was obviously influenced by John Ford, I doubt very much if Ford himself could have done a better job. Trooper Hook is an undiscovered masterpiece in need of reevaluation.

Quality entertainment here. Joel Mcrea, Barbara Stanwick and Earl Holliman pull it off along with some good supporting staff to bring us a movie with depth and feeling. The subject matter brings out any hidden prejudice and helps us to examine it in the light of reality. We go back in time when Indians were around and being rounded up and there are many tales to tell about that. This one involves a white woman taken captive and ending up having a son by an Indian chief. Not a very popular position back then and every generation since then has something to say about this subject. We see how we can choose between three choices while watching. Either we accept the situation, reject it or stand-up for it. The movie gives us those positions and more. It also ends on a positive note which back in the day was needful and helpful especially if the subject matter was controversial. Enjoy the horses, towns, dust, general store and stagecoach days as they came and went so quickly but affected many a life. Good movie to snack with a tasty drink too. I always enjoy Westerns that have a catchy tune either in the beginning or ending. This one has it in the middle of it not once but twice. The tune which was a story set to music makes sense. I couldn't help but think they should have done a sequel too. Mount up and lets ride.

After a deadly battle between Apache warriors and cavalry soldiers, the leader of this Indian tribe named "Nanchez" (Rodolfo Acosta) is taken prisoner and escorted back to the fort pending his removal to a reservation. Also captured are a few braves along with several women and children. However, it's only after the soldiers have rounded all of them up that they discover that one of their prisoners is a white woman-and she has a young half-Apache boy with her. To that effect, it is later learned that her name is "Cora Sutliff" (Barbara Stanwyck) and after being captured by the Apache several years earlier was forced to become the wife of Nanchez--and the small child named "Quito" (Terry Lawrence) is a result of this relationship. Complicating matters is the fact that she was married prior to being abducted and, not knowing what else to do, the Army decides to send her and her son back to her husband "Fred Sutliff" (John Dehner) on the next stagecoach to Tucson. And to make sure she gets there safely, a soldier by the name of "Sergeant Clovis Hook" (Joel McCrea) is assigned as her escort. What they don't know is that Nanchez has escaped from custody and, after reuniting with several warriors. Has followed in pursuit--and he has every intention of reclaiming his son in the process. Now, rather than reveal any more, I will just say that this was a fairly decent Western that focused heavily on the issue of racism which was rapidly becoming quite contentious during this particular time in America. Admittedly, there are some scenes involving Quito which were a bit too cutesy but other than that I enjoyed this film, and I have rated it accordingly. Slightly above average.

This 50s western is way ahead of it's time. It deals with child custody and parental rights issues, as well as the racial implications created by the abduction of a white woman by Indians. Once again, director/writer Warren, (Little Big Horn(1951) presents a tidy package, well scripted, acted, with attention to detail. The cast is first-rate and Holliman does a good job in one of his early roles. Put it all together with a nifty title song by Tex Ritter, and what we have here is something FAR from forgettable.