Alex Garland

Alex Garland (born May 26, 1970, London, England) is a British novelist, screenwriter, and director known for such films as Ex Machina (2014), Annihilation (2018), Civil War (2024), and Warfare (2025). His films often explore science fiction themes and dystopian futures.

Early life

Garland was born in London to Caroline and Nicholas Garland. His mother was a clinical psychologist and psychoanalyst, and his father was a political cartoonist for newspapers. Growing up around his father’s journalist friends, Garland initially wanted to be a journalist and has fond memories of foreign correspondents coming back from Cambodia or Vietnam with great stories and small gifts. “I wanted to be a journalist, and I planned to be a journalist, and then I found that I couldn’t write nonfiction,” he told GQ magazine in 2024. “I wanted to write nonfiction. I still almost exclusively read nonfiction, but I couldn’t write it.” Garland earned a degree in art history from the University of Manchester and initially tried his hand at drawing comic books.

The Beach and breakout success

In 1996 Garland published his first novel, The Beach, at age 26. The book, which is about young travelers from the United States and Europe who are living in a secluded island paradise in Thailand, was a major success and reprinted 25 times in a single year. In 2000 The Beach was adapted into a movie of the same name, directed by British filmmaker Danny Boyle, with the screenplay by John Hodge, and starring Leonardo DiCaprio. Garland admitted to feeling uncomfortable with the novel’s popularity, saying that he never had great ambitions to be a novelist and that he experienced what is now known as imposter syndrome. But when he stepped onto the film set during the making of The Beach, Garland said, he felt much more at home, preferring the collaborative process of filmmaking to the solitude of writing books.

Early work in filmmaking

After The Beach Garland wrote the screenplay for the 2002 zombie movie 28 Days Later, reuniting with Boyle as director. His second novel, The Tesseract (1998), was adapted into a 2003 movie of the same name, for which he cowrote the screenplay. He collaborated with Boyle again on Sunshine (2007), about astronauts attempting to reignite a dying Sun. Garland then cowrote several more screenplays, including Never Let Me Go (2010), based on Kazuo Ishiguro’s 2005 novel, and Dredd (2012). In 2014 he wrote and directed Ex Machina, about a reclusive tech genius who creates the first AI robot, named Ava. “I feel more attached to this film, I feel more strongly about this film than anything I’ve worked on up till now,” he told The Guardian soon after its release. “I think it’s the best-realized thing I’ve done.” He subsequently cowrote and directed Annihilation (2018), about a team of scientists exploring a mysterious zone of alien influence.

In 2020 Garland dived further into science fiction with Devs, an eight-part streaming series on the FX network, about the head of a tech company (played by Nick Offerman) who builds a quantum computer capable of glimpsing both the distant past and the future. Garland has expressed concern that society places too much trust in tech leaders, noting that corporations are not subject to the same checks and balances as governments, even though they can rival nation-states in power, and Devs explores these thoughts.

Civil War, Warfare, and 28 Years Later

Garland wrote and directed one of the most talked about films of recent years, Civil War (2024), which imagines a near-future in which the United States is in the throes of a modern-day internecine war after 19 states have seceded. This time Offerman plays an authoritarian three-term president, and Kirsten Dunst stars as a veteran war photojournalist. In one of the film’s most memorable scenes, a soldier played by Dunst’s husband, actor Jesse Plemons, snarls, “What kind of American are you?”

Although the movie was widely praised for its emotional impact, some critics were puzzled by the origins of the conflict and the unlikely alliance of California and Texas. The New York Times praised the movie as a “blunt, gut-twisting work of speculative fiction,” whereas a “Critic’s Notebook” column in The Hollywood Reporter offered a more critical take, under the headline “The Compellingly Packaged Cowardice of Civil War.”

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Garland defended the film’s clarity: “I personally think questions are answered,” he said at a 2024 South by Southwest Film & TV panel a day after the film’s world premiere. “There is a fascist president who smashed the Constitution and attacked [American] citizens. And that is a very clear, answered statement. If you want to think about why Texas and California might be allied, and put aside their political differences, the answer would be implicit in that. So I think answers are there, but you have to step to it and not expect to be spoon-fed these things. It makes assumptions about the audience.”

Garland released two films in the first half of 2025. Warfare was cowritten and codirected with Ray Mendoza, a former U.S. Navy SEAL and the military adviser for Civil War. It follows a Navy SEAL team on a mission in Iraq and is based on a real operation in which Mendoza took part during the U.S. battle for control of Al-Ramādī in the Iraq War. The New York Times called Warfare “a tough, relentless movie about life and death in battle…a purposely sad, angry movie, and as much a lament as a warning.” Warfare was followed by 28 Years Later, the long-awaited sequel to 28 Days Later, for which Garland again reunited with Boyle, their first collaboration in nearly two decades.