by Paul Zimmer
Amongst dogs are listeners and singers.
My big dog sang with me so purely,
puckering her ruffled lips into an O,
beginning with small, swallowing sounds
like Coltrane musing, then rising to power
and resonance, gulping air to continue—
her passion and sense of flawless form—
singing with me, but mostly for the art of dogs.
We joined in many fine songs—"Stardust,"
"Naima," "The Trout," "Jeg elsker Dig," "Perdido."
She was a great master and died young,
leaving me with unrelieved grief,
her talents known only to a few.
Now I have a small dog who does not sing
but listens with discernment, requiring
skill and spirit in my falsetto voice.
When I sing her name and words of love,
Andante, con brio, vivace, adagio,
at times she is so moved she turns
to place her paw across her snout,
closing her eyes, sighing like a girl
I held and danced with years ago.
But I am a pretender to dog music.
Indeed, true strains rise only from
the rich, red chambers of a canine heart;
these melodies best when the moon is up,
listeners and singers together and apart,
beyond friendship and anger,
far from any human imposter—
songs of bones, turds, conquests,
hunts and scents, ballads of
long nights lifting to starlight.
Thursday, August 29, 2013
Wednesday, August 28, 2013
Song of Smoke
by Kevin Young
To watch you walk
cross the room in your black
corduroys is to see
civilization start—
the wish-
whish-whisk
of your strut is flint
striking rock—the spark
of a length of cord
rubbed till
smoke starts—you stir
me like coal
and for days smolder.
I am no more
a Boy Scout and besides,
could never
put you out—you
keep me on
all day like an iron, out
of habit—
you threaten, brick—
house, to burn
all this down. You leave me
only a chimney.
To watch you walk
cross the room in your black
corduroys is to see
civilization start—
the wish-
whish-whisk
of your strut is flint
striking rock—the spark
of a length of cord
rubbed till
smoke starts—you stir
me like coal
and for days smolder.
I am no more
a Boy Scout and besides,
could never
put you out—you
keep me on
all day like an iron, out
of habit—
you threaten, brick—
house, to burn
all this down. You leave me
only a chimney.
Sunday, August 25, 2013
The End
by Victoria Redel
At the end of the marriage they lay down on their big, exhausted bed.
It was crowded with all the men and women they had ever loved.
Of course their fathers and mothers were there and a boy in uniform
she'd kissed on a stairwell. His first wife spooned her first husband.
Ridiculous Affair held hands with Stupendous Infatuation.
There was a racket of dreaming and, though both were tired
from the difficult end and in need of sleep, neither could sleep,
so they began telling each other the long, good story of their love.
She was wearing the red dress. The white boat hitched to the wood dock
filled with rainwater. The swans were again teaching the young to fly.
The story went out to nice dinners, took summer holidays, and by the time
they were done, the old loves rolled over in a jumble on the floor,
and, because this is what they knew to do well with one another,
they made love, and then without thinking it was the last time, said,
I love you, and fell asleep under the heavy, blue coverlet.
At the end of the marriage they lay down on their big, exhausted bed.
It was crowded with all the men and women they had ever loved.
Of course their fathers and mothers were there and a boy in uniform
she'd kissed on a stairwell. His first wife spooned her first husband.
Ridiculous Affair held hands with Stupendous Infatuation.
There was a racket of dreaming and, though both were tired
from the difficult end and in need of sleep, neither could sleep,
so they began telling each other the long, good story of their love.
She was wearing the red dress. The white boat hitched to the wood dock
filled with rainwater. The swans were again teaching the young to fly.
The story went out to nice dinners, took summer holidays, and by the time
they were done, the old loves rolled over in a jumble on the floor,
and, because this is what they knew to do well with one another,
they made love, and then without thinking it was the last time, said,
I love you, and fell asleep under the heavy, blue coverlet.
Thursday, August 22, 2013
Monday, August 19, 2013
American Cheese
by Jim Daniels
At department parties, I eat cheeses
my parents never heard of—gooey
pale cheeses speaking garbled tongues.
I have acquired a taste, yes, and that's
okay, I tell myself. I grew up in a house
shaded by the factory's clank and clamor.
A house built like a square of sixty-four
American Singles, the ones my mother made lunches
With—for the hungry man who disappeared
into that factory, and five hungry kids.
American Singles. Yellow mustard. Day-old
Wonder Bread. Not even Swiss, with its mysterious
holes. We were sparrows and starlings
still learning how the blue jay stole our eggs,
our nest eggs. Sixty-four Singles wrapped in wax—
dig your nails in to separate them.
When I come home, I crave—more than any home
cooking—those thin slices in the fridge. I fold
one in half, drop it in my mouth. My mother
can't understand. Doesn't remember me
being a cheese eater, plain like that.
At department parties, I eat cheeses
my parents never heard of—gooey
pale cheeses speaking garbled tongues.
I have acquired a taste, yes, and that's
okay, I tell myself. I grew up in a house
shaded by the factory's clank and clamor.
A house built like a square of sixty-four
American Singles, the ones my mother made lunches
With—for the hungry man who disappeared
into that factory, and five hungry kids.
American Singles. Yellow mustard. Day-old
Wonder Bread. Not even Swiss, with its mysterious
holes. We were sparrows and starlings
still learning how the blue jay stole our eggs,
our nest eggs. Sixty-four Singles wrapped in wax—
dig your nails in to separate them.
When I come home, I crave—more than any home
cooking—those thin slices in the fridge. I fold
one in half, drop it in my mouth. My mother
can't understand. Doesn't remember me
being a cheese eater, plain like that.
Wednesday, August 14, 2013
Quote of the Day
If you love deeply, you're going to get hurt badly. But it's still worth it...
- CS Lewis
- CS Lewis
Tuesday, August 13, 2013
One Woman
by Ron Carlson
Oh, the old love song again and again
devotion and desire without end,
a woman half dressed somewhere and
being admired, or dressed and being admired.
These men go off alone into their rooms
and write it down: she was this and she was that.
Every man says she's the woman above all,
on a pedestal, though no one says pedestal,
that would be crazy,
and there's a thousand of these poems,
and by that I mean a million declarations
of this singular love of this one of a kind woman,
so rare, an absolute phenomenon which
many times rivals the moon or the oceans,
or the wind in the trees or night or any of the
furniture of night or day.
You see what I mean:
big unknowable things.
What are we to make of it? This:
it's true. Each man is telling the truth.
Each woman puts all the other women second.
It's the way. The strap of her gown off her shoulder,
and the paradox prevails. These poems are
all true. Each woman stands alone
in the doorway or on the pedestal
in the perfect light.
Oh, the old love song again and again
devotion and desire without end,
a woman half dressed somewhere and
being admired, or dressed and being admired.
These men go off alone into their rooms
and write it down: she was this and she was that.
Every man says she's the woman above all,
on a pedestal, though no one says pedestal,
that would be crazy,
and there's a thousand of these poems,
and by that I mean a million declarations
of this singular love of this one of a kind woman,
so rare, an absolute phenomenon which
many times rivals the moon or the oceans,
or the wind in the trees or night or any of the
furniture of night or day.
You see what I mean:
big unknowable things.
What are we to make of it? This:
it's true. Each man is telling the truth.
Each woman puts all the other women second.
It's the way. The strap of her gown off her shoulder,
and the paradox prevails. These poems are
all true. Each woman stands alone
in the doorway or on the pedestal
in the perfect light.
Thursday, August 8, 2013
Small Comfort
by Katha Pollitt
Coffee and cigarettes in a clean cafe,
forsythia lit like a damp match against
a thundery sky drunk on its own ozone,
the laundry cool and crisp and folded away
again in the lavender closet-too late to find
comfort enough in such small daily moments
of beauty, renewal, calm, too late to imagine
people would rather be happy than suffering
and inflicting suffering. We're near the end,
but O before the end, as the sparrows wing
each night to their secret nests in the elm's green dome
O let the last bus bring
love to lover, let the starveling
dog turn the corner and lope suddenly
miraculously, down its own street, home.
Coffee and cigarettes in a clean cafe,
forsythia lit like a damp match against
a thundery sky drunk on its own ozone,
the laundry cool and crisp and folded away
again in the lavender closet-too late to find
comfort enough in such small daily moments
of beauty, renewal, calm, too late to imagine
people would rather be happy than suffering
and inflicting suffering. We're near the end,
but O before the end, as the sparrows wing
each night to their secret nests in the elm's green dome
O let the last bus bring
love to lover, let the starveling
dog turn the corner and lope suddenly
miraculously, down its own street, home.
Next Time
by Joyce Sutphen
I'll know the names of all of the birds
and flowers, and not only that, I'll
tell you the name of the piano player
I'm hearing right now on the kitchen
radio, but I won't be in the kitchen,
I'll be walking a street in
New York or London, about
to enter a coffee shop where people
are reading or working on their
laptops. They'll look up and smile.
Next time I won't waste my heart
on anger; I won't care about
being right. I'll be willing to be
wrong about everything and to
concentrate on giving myself away.
Next time, I'll rush up to people I love,
look into their eyes, and kiss them, quick.
I'll give everyone a poem I didn't write,
one specially chosen for that person.
They'll hold it up and see a new
world. We'll sing the morning in,
and I will keep in touch with friends,
writing long letters when I wake from
a dream where they appear on the
Orient Express. "Meet me in Istanbul,"
I'll say, and they will.
I'll know the names of all of the birds
and flowers, and not only that, I'll
tell you the name of the piano player
I'm hearing right now on the kitchen
radio, but I won't be in the kitchen,
I'll be walking a street in
New York or London, about
to enter a coffee shop where people
are reading or working on their
laptops. They'll look up and smile.
Next time I won't waste my heart
on anger; I won't care about
being right. I'll be willing to be
wrong about everything and to
concentrate on giving myself away.
Next time, I'll rush up to people I love,
look into their eyes, and kiss them, quick.
I'll give everyone a poem I didn't write,
one specially chosen for that person.
They'll hold it up and see a new
world. We'll sing the morning in,
and I will keep in touch with friends,
writing long letters when I wake from
a dream where they appear on the
Orient Express. "Meet me in Istanbul,"
I'll say, and they will.
Wednesday, August 7, 2013
Quote of the Day
Hell is a state where everyone is perpetually concerned about his own dignity and advancement and where everyone has a grievance.
- CS Lewis
- CS Lewis
Thursday, August 1, 2013
Quote of the Day
Pull my chin, stroke my hair,
scratch my nose, hug my knees
Try drink, food, cigarette, tension will not ease
I tap my fingers, fold my arms, breathe in deep, cross my legs
Shrug my shoulders, stretch my back - but nothing seems
to please
I need contact
- Peter Gabriel
scratch my nose, hug my knees
Try drink, food, cigarette, tension will not ease
I tap my fingers, fold my arms, breathe in deep, cross my legs
Shrug my shoulders, stretch my back - but nothing seems
to please
I need contact
- Peter Gabriel
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