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Showing posts with label superheroes. Show all posts
Showing posts with label superheroes. Show all posts

Monday, December 27, 2010

Links: True Grit, Spidey, Gay Rugby, and "Original" Films

Movie|Line celebrates a year of "The Verge," their great up-and-coming actor series.
Cinema Blend goosing the sales of True Grit (the novel)
Today One of the Fantastic Four will die in the comic's #587th issue. Does anyone still believe in these marketing ploys? I'm sure they'll come back to life within 3 years. That's how comics do.
MUBI The great Michel Piccoli is 85 today. Has anyone seen La Belle Noiseuse (1991)? That's such a good one.
CineEuropa international actor Armin Mueller-Stahl will receive a lifetime achievement award at Berlinale this year.
The Guardian talks to Andrew Garfield about Spider-Man (with audio)
Blog Stage an informative and weird animated bit describing what's going on with Spider Man's Broadway disaster.
Towleroad Mickey Rourke to pay gay rugby legend Gareth Thomas in a sports bio. We've had a lot of sports bios at the movies but you can't say we've had a lot of rugby films, gay or otherwise.
Scott Feinberg, fine Oscar pundit, delivers his top ten.

Finally, the New York Times has a totally bizarre article called "Hollywood Moves Away from Middlebrow Movies" which is about the new quality edict in Hollywood. I never understand these articles which seem to find all sorts of bizarre trends that the box office data doesn't actually support like "originality sells!" Er, no... I wish! I knew the article was in trouble when it says that Hollywood is going for quality and Tim Burton's Alice in Wonderland is referred to as "arty" example of directorial artistry. Let me get this straight, in an article praising studio interest in Quality Original Films one of the prime examples is a messily 3D converted 2D film of a story that's been adapted literally dozens of times for the movies back to the days of silent film?

sigh

I swear to the cinematic gods that that one 2010 junkpile is going to be the death of me. It will not go away. I'll even have to be dealing with it in 2011 for the Oscars. Nooooooooooooooooo
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Wednesday, November 17, 2010

Yes, No, Maybe So: "Green Lantern"

Another round of insta-judgments. Just add trailer. Suddenly we know if...
  • yes) we're buying tickets
  • no) we're shunning the movie, or...
  • maybe so) withholding the judgments until we have more info.
Maybe so is usually the correct answer. Sometimes great trailers lead to disappointing movies. And sometimes virtually every piece of marketing for a movie will practically beg you not to see it when you might actually like it if you do  (*cough* TANGLED... more on that soon).

But it's hard not to pre-judge. Commercials invite you to do just that.



In brightest day... in blackest night... 

Ryan "Sexiest Man Alive" Reynolds stars as the Hal Jordan incarnation of Green Lantern. There have been many Green Lanterns, both before and after him but Hal is the most famous.

Yes. For those of you who are unaware, Green Lantern is actually not just any old superhero. He's powerless. The power is in his ring, a mystical device, and though he's superheroic, he's but one of many. In a way he's like an anonymous everyman worker-bee hero. It's an interesting twist on the typical one-of-a-kind hero concept if you stop to think over it. Which is why I was hoping some really crafty creative type would've pitched this as Green Lantern Corps to some cable station, and made it a really intelligent sci-fi multiple worlds series using something complex/multi-dimensional like Battlestar Galactica as inspirational role model rather than IronDevilSpiderBatSuperHulkMan. Instead it looks like we got...

No. ...just another Superhero Origin Flick. You've got your boyman who is suddenly given the gift of great power and he has to learn adult responsibility and heroism while some bland but beautiful girl encourages him from the sidelines. Sound familiar? It should. And: YAWN. I get that we need our hero myths. But do they have to be so similar every time? Also I laughed so hard this afternoon when @MediaObsessed said on twitter
Blake Lively as a fighter pilot? Oh Hollywood, sometimes penises should not be allowed in casting decisions.
HEE. So so true. I was worried about the casting from the get go. Ryan Reynolds is somewhat talented but there is something a touch blande/assembly line about him... like he's the photograph of a star rather than the flesh and blood actuality (though we totally thank him for the approximation of flesh part). When you add the Hot Girl of the Moment as the love interest it starts to just seem really... generic, like no one had a vision other than a Hulk-like grunted directive "Make Tentpole. Smash Puny Box Office Records."

Maybe So. Er... uh... I got nothing this time. It just looks so generic. It doesn't even look like good eye candy. The visual effects are generic too. It's hard to imagine this even being in contention for Best Visual Effects at the Oscars for 2011. Unless it's a really weak year. They do have 5 visual effects slot now. My point is this: I curse the day that CGI made filmmakers so lazy about the aesthetics of power. Why do all spells, mutations, powers, mystical or scientific equal gaseous colorful swirls?

I'm not interested. I'm a no. I know I complain about superhero movies a lot but I actually love superheroes. Like most boys and some girls, I grew up adoring them. I just want their movie doppelgangers to have more individualized personalities and to be made with real care for the big screen.

You?

Thursday, October 28, 2010

Captain America's Mighty Shield Pecs

Behold: Chris Evans as Steve Rogers (aka Captain America), post-serum obviously.

Captain America: The First Avenger

In all seriousness now, I have to ask: How they gonna make him look scrawny and unfit before he drinks the drink that transforms him into a super soldier?  If you would like to reread this post for several minutes  (no one will blame you) here's a little musical accompaniment.




 Read my weekly column @ Towleroad...
for a little more Chris Evans, some Cary Elwes, Ryan Kwanten, and the wonderful Stephen Merritt of Magnetic Fields fame.
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Captain America: The First Avenger

Tuesday, October 12, 2010

Super Mario Beats It: The Lessons of NYCC 2010

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JA from MNPP here. New York's Comic Con went down this previous weekend in the massive Javits Center here on the island of Manhattan, and if you were there amongst the stacks of dusty Fantastic Four comics and shiny samurai sword replicas and Jason Voorhees masks you might've seen me wandering around in a glassy-eyed stupor. Every Comic Con I've been to breeds the same overstimulated dullness - within a couple of hours my pupils dilate and seeing things like a ten-foot tall Orc tickling Wonder Woman just starts to seem normal. This happens every day! Still, a couple of things stood out this year and I shall now document them.

10 Random Things I Learned at NYCC This Year

01 Girls really like the Silk Spectre costume - Or maybe it's that they know the boys like seeing them in the Silk Spectre costume - either way, I saw about twenty different ladies wearing the slutty bumblebee ensemble from Zach Snyder's adaptation of Alan Moore's seminal comic book. The film hadn't come out yet when the last Comic Con happened here in NYC - in 2009 NYCC happened in February, while they moved it into October for 2010 (a permanent move), and Watchmen came out in March 0f 2009 - so I don't remember seeing the costume last year, but it was literally - literally! - everywhere you turned this time around. Does this make Malin "Baby Girl" Akerman a geek icon?

02 Danny McBride's a trooper - The panel for David Gordon Green's Your Highness was at the geek-freaking hour of 10:30am on Saturday. Keep in mind you've got at least an hour's wait to even get into the building at that hour, plus with the commute there... needless to say it took me some effort to drag my bum there, but I did. Then I heard through the press-vine that McBride & Co. had been partying hard until the wee hours of morning before the panel and I felt a little less super for my own efforts, since I'd been in bed by 11:30. James Franco seemed dazed, but Danny McBride was firing on all cylinders. Funny man.

And the footage they showed from the film, while definitely geared to the Comic Con audience - Natalie Portman's thong! Puppets smoking from a bong! (hey that rhymes) - was every ounce the bizarre mish-mash I could've hoped the film would be. It looks terrific. I don't entirely understand David Gordon Green's directing career, but it's been a pleasure watching it play out so far.

03 Geeks will stand in a very long line to watch a commercial - This is nothing new to Cons, I've seen it at every one I've gone to, but it always baffles me. The fine folks behind the upcoming release of the Alien Anthology, as they call it, had a booth where they'd close you up in a sleeping pod and right up in your face was a TV screen and it'd show a bunch of clips from the four Alien movies with some sound effects echoing in your ears. The end. And yet the line never stretched less than fifty people long! I suppose the T-shirt they gave you that cleverly stated "Want A Hug?" had something to do with it, but still. (I totally did it anyway, and I cherish my T-shirt.)

04 The family that geeks together, is adorable together - I wish my parents had dressed me up like a Jedi or Baby Yoda and taken me to these sorts of things. So I could immediately fall asleep. Damn you, parents!

05 In The Thing, There Be Tentacles - While I'm still unsure about a prequel to John Carpenter's brilliant 1982 film, itself a remake, the trailer for Matthijs van Heijningen Jr's film - which has made its way online in an exceptionally shaky, hand-held version - had a couple of quick glances of their take on the plant-animal alien monster things and they did excite this nerd's senses. Although only glimpsed, they look right, which in this era of lousy CG was a concern. Now let's just hope they can nail the right paranoiac tone needed too.

06 Katee Sackhoff and Tricia Helfer are pros at this - I can only imagine how many of these events these ladies have entertained at this point, but the dynamic Battlestar Galactica duo had the audience eating out of their palms. They have a terrific rapport - they are apparently great friends in real life - and joked that they're waiting for the reboot of Cagney & Lacey to come along to showcase it. I would watch that.


07 But Michelle Forbes is scary - I don't care that she told us she's nothing like Admiral Cain in Battlestar of the maenad MaryAnn on True Blood or [insert the name of every character she's ever played] and that she's really a hippie-type in real life - there's a reason she's successful for playing harsh ladies, and she made me nervous. I had to keep checking to make sure everybody's eyes weren't going all black, because with all due respect the audience at a Battlestar Galactica panel at Comic Con is not the audience I want to be having an orgy with.

08 M Night Shyamalan, amiable dude - I defended M Night for a very long time, well past when most people had bailed ship - I liked The Village, and I liked parts of Lady in the Water - but the one-two punch of that book about him and The Happening (shudder) kind of killed any arguments I could make anymore. So I only sat through half of his panel by happenstance, in order to get a good seat for the panel following him (on AMC's The Walking Dead, which looks epic by the way). But he came off really well! It was for the 10th Anniversary of Unbreakable, a terribly underrated film, and you could tell he really loves the film and that its negative reception put him into a bit of a tailspin. He came alive showcasing the storyboards for the train scene at the start of the film - you can say a lot of things about him, but I don't think you can argue about the meticulous craft on display. And he was fascinating to watch in discussion of that.

09 According to Frank Darabont, Zombies are the new Vampires - Which seems like an odd argument to make, right? The last decade has seen every iteration of zombies you could ever imagine - it's not like they need to make a comeback to be the hip thing. I get that he was selling his Zombie TV Show, and it does look terrific. But isn't it really Frankenstein Monster's time to shine again? I want sexy Frankenstein, dang it. (Yes, SNL got there already.)

10 You haven't lived until you've seen Super Mario dancing to Michael Jackson's "Beat It" - This one is self-explanatory, and true. You might not know it's true. But then you see it happen, and you understand its truth. The fundamental sort.

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Wednesday, October 06, 2010

Darren Aronofsky: To "SNIKT!" Or Not To "SNIKT!"

Y'all. I am so worried about the continued reports / rumors that Darren Aronofsky is making a superhero picture next. First they said he wanted the Superman reboot that now belongs to Zach Snyder. (Great, just what traditional placid loveably corny Superman needed... a tricked up slo-mo enthused "hip" director. Yikes!) Now, Vulture reports that Aronofsky is close to signing for Wolverine 2: No Longer Forced Into Awkwardly Origin Titling (2012).

Drawing by John Romita Jr. | Darren Insert by Moi


I realize that the Aronofksy/Weisz NYC lovenest probably doesn't come cheap. And I realize that after 5 straight winners showcasing your visual originality, gift with actors, and massive cojones, anyone would be tempted to cash in. But how exactly is that going to look on the filmography? Is he just hoping to get the acclaim that Chris Nolan has from the public by going more mainstream? (If you ask me he's a better director than Nolan but Nolan makes high tech sci-fi/superhero movies so naturally he's a million times more beloved.) Will this sequel be an unsightly blemish or am I just worried because of the permanent scarring from the 100% joy-free X-Men Origins: Wolverine?

Best Case Scenario: On the plus side the only way is up. Wolverine's Japanese detours in the comics are among the hero's most intriguing and could offer enormous possibilities for visual triumphs. Plus, if Aronofsky's filmography to date is any indication he is incapable of making a movie as dull as the first Wolverine, in which no action sequence could raise a pulse because nothing was ever at stake with invincible / indestructable people in every corner. In fact the only sequence that had any electric snap was the watery escape but that was entirely the fault of the mighty power of Naked Hugh Jackman and consider: Aronofsky got more indelible star mojo from that man when forcing him into pajamas and a bald cap.

So maybe it'll be great to see Jackman reinvigorated as an actor within his signature character? It is hard to give a bad or lazy performance in a Darren Aronofsky movie... and they're obviously comfortable with each other via The Fountain. Presumably a director is choosy about which actor he'll direct making love to his longtime girlfriend onscreen.

To make a long story short, this movie is bound to look rosy in comparison to the first Wolverine. And if anybody deserves some safety cushion funding for their next few weirdo projects, it's Aronofsky. So why not cash in?

 Two Face: The Fountain and Wolverine


Worst Case Scenario: The homogeny-loving power of both suits and fanboys sap most comic book projects of any chance at originality and specificity, so what if Aronofsky's artistry is violently sucked from him, the tragic victim of status quo vampirism? What if he makes his first dud? That'd be so sad.

It's true that I haven't seen Black Swan yet and it's true that many people hate The Fountain (but you can't exactly knock it for being generic, can you?) so perhaps I protest too much. But from The Wrestler to Black Swan to... a sequel to someone else's vision?

I worry.

Maybe you don't. Are you already salivating to see the claws come out again or just to see this director/star pair reunited?

Thursday, September 09, 2010

Links: Glenn Shadix (RIP). Plus Jones, Cronenberg, Captain America

/Film first set photos of January Jones as Emma Frost in X-Men: First Class. As I believe I've stated before I love this casting. But it does seem wierd that she is already pigeonholed as "sixties girl". Will this be our first true period piece superhero flick or am I forgetting something? At least they're trying something slightly different with this one.
All Things Fangirl relives the glory of (500) Days of Summer last year with summer concerts in the now featuring JGL and Zooey Deschanel.
Cinema Viewfinder
There's a Cronenberg blog-a-thon going on that I didn't know about. Shame. I don't really understand the format to get to the article contributions but I'm certain there's good things to read there. I shall investigate further. Love that David Cronenberg.
/Film long interview with Never Let Me Go director Mark Romanek.
Film Business Asia the upcoming London Film Festival (we'll be covering it again) has a healthy selection of Asian films.
Sina Andy Lau. Let him eat cake (for an early birthday celebration)
Topless Robot would like you to calm the f*** down about that picture from the set of Captain America.
DListed Henry Cavill on the set of The Cold Light of the Day

Finally, in my weekly column over @ Towleroad I've got a brief bit about The Romantics and yet more links including the sad news that character actor Glenn Shadix passed away two days ago. He's best known as "Otho" from Beetlejuice but when I think of him I nearly always think of that funeral scene in Heathers..."ESK-I-MO!!!" I also lovelovelovelove the two-faced Mayor from The Nightmare Before Christmas which he voiced. He hadn't been seen on the screen much lately but he was actually blogging just last week.He will be missed but he sure will live on through those comedy classics.

Friday, August 13, 2010

Linkville

Serious Film Willy Wonka & the Chocolate Factory = Se7en. lol.
The Playlist Edgar Wright (Scott Pilgrim) names his favorite musicals.
Low Resolution Nekked James McAvoy and the failings of the internet.



ooh, thanks E.T. LOVE AND OTHER DRUGS sneak!

i09 wonders how TV can repeat the success of Smallville. But I have to ask: why does it have to be a teen angst show? There's a million different ways of doing superheroes. Unfortunately people are only trying two of those ways. You can get away with generic at the movies while the genre is at its peak, but peaks don't last forever and if everything keeps feeling "samey" eventually people will get bored.
Geekscape 10 strangest tv and film adaptations ever.
Extra Criticum takes issue with "The New Yorker"'s take on The Kids Are All Right.

Finally, CHUD collects some photoshopped tomfoolery about Inception and calls it a "meme". Oh internets you confuse me. A meme used to just be a thing everyone was passing around like surveys or questionnaires or themes like blog-a-thons without the date specificity. Now apparently it's about lolcat style photo-captioning? I can't keep up internets. But some of them are funny so read the post. And this is really the last time I'm going to mention this movie (until precursor season at least) because I'm so bored with it now. Fast fade... just not enough left to the imagination so how can the imagination stay engaged?

Friday, July 30, 2010

A Story of Run-On Linkings

Sometimes when I fall out of the loop as I just did, taking a few days away from normal internettings to finish a freelance gig I have trouble getting back on the horse because I subscribe to a lot of websites and blogs and I almost never have time to read them and if I stop reading for even one day I end up lost inside multiple levels of nightmares while trying to find my footing again because there's an awful a lot of "news" on the internet that feels totally urgent even when it's not and it's less news than rumors and then retractions of rumors to be replaced by other rumors and which, well, we'd really all be better off it it was all opinion pieces


like "which will be a better 2012 film The Avengers or Batman 3?" because at least that's honest rather than the rumor mill which can take HOURS to sift through and only exists to generate page views and, really now, who cares if The Wasp is going to be in the Avengers when The Scarlet Witch (my favorite) isn't and why would anyone care that Joss Whedon is directing it when it's so sorely lacking in awesome girlpower (see the monotonous photo above for too much penis) and that's like his trademark thang and if people step outside their comfort zone it's sometimes really painful and that's what American Idol is always teaching us and don't even get me started on what a horrible lesson that is to drill into people week after week "STAY IN YOUR BOX!!!" because sometimes the world would really benefit from everyone stepping out of their boxes and doing something a little different, you know, instead of just relentlessly copying previous cool things whether it was their cool thing to begin with or not but...

okay okay okay some people like Gwyneth Paltrow probably shoulda stayed in the acting box instead of wasting her youth on GOOP and what is all this sudden buzz about her Oscar chances for a reboot of Crazy Heart because I had no idea she was acting again and everytime someone asks me about her and the Best Original Song category I actually have no earthly idea what they're talking about -- stop e-mailing me but yes, yes, I thought it was interesting what Tom Hardy said -- because I haven't really been reading the internet in three days because I haven't had much time but even when I don't have much time I totally notice things like how cute Nicole Kidman is looking or that Cheyenne Jackson is going to be on Glee even though he's not playing one of the mysteriously absent gay Rachel dads who make NO narrative sense because gay dads would be alloverthatshit if their daughter was that talented ...not that Glee has ever excelled in making narrative sense but my point is this: sometimes you just have to stop trying to catch up and you have to scream "Begone Old Movie News From Tuesday That I Never Read About!" and simply state "I'll just have to start again from Friday July 30th, 2010 at 5:01 PM," you know?

So that's what I'm saying and doing. How are you?
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Tuesday, July 27, 2010

Could Have Beens: Josh Hutcherson Parker / Toni Roxie Collette

Josh Hutcherson's Spider-Man screen test went up at Latino Review. Though I'm sure they'll be pulled soon it's fun to watch. It's actually interesting to see how much effort went into these screen tests. Wouldn't it be great to see all of them back to back? We're talking wire stunts, editing, scene recreations from the original Spider-Man. Everything. Plus, it's not one of those audition tapes that makes the actor look bad. Hutcherson looks like he'd be an excellent Peter Parker. All the press he got for even being in the running will surely do him good. Well, that and holding his own in the stellar The Kids Are All Right cast this summer. I see a SAG nomination come January 2011 (ensemble).

Here's the video and a few screen caps in case it disappears.




The online wailing about Andrew Garfield is a clear case of fear of the unknown. He's as solid a choice as any and probably moreso given that they went with him without any bankability whatsoever and him being older than they'd planned on going. In other words: they know something we don't, having seen his screen test.

But "could have beens" are fun, too. Every once in a blue moon I try to imagine Basic Instinct with any of the women who were considered or rejected it before Sharon Stone got it... and there were so many. I always wonder if Holly Hunter would have won a second Oscar for As Good As It Gets had she not priced herself out of the movie. Or I try to picture Rachel McAdams as Invisible Girl in Fantastic Four. Easy! Or Brad Pitt attempting an English accent for About a Boy. How weird would that have been? (That's why Not Starring is such a fun site to visit randomly.)

This topic also makes me think of Evita (1996) and how it might have been Streep or Pfeiffer (who recorded a demo) instead of Madonna in another iteration.

My saddest could-have-beens will probably remain Michelle Pfeiffer as Clarice Starling (Fact: turned it down) -- not because Jodie wasn't superb but because, well, Oscar! -- or Toni Collette as Roxie Hart in Chicago (Rumor: deemed not bankable enough despite being first choice). Both would surely have been excellent.



But maybe the Toni Collette as Roxie thing haunts me only because I l-o-v-e-d her in The Wild Party on Broadway so much. And because I wanted her to play Liza Minnelli for so long in a biopic. I'm dying to see Toni in another musical. Will it ever happen again?

Saturday, July 17, 2010

Hugh Jackman is Sleeping. (And Other X-Men Memories)

Shhhhhh. It's a day of rest and Hugh Jackman is sleeping. Let him be.


Wait. Anna!? What are you doing?!? Don't tiptoe up to deadly people while they're having nightmares.


AakHHGGGgghHNnnHhh! ouch

Well, don't say we didn't warn you. Anna Paquin is always hovering carelessly around killers, isn't she? Whether they be clawed or fanged. The girl can't help it.

The X-Men movie franchise was launched 10 years ago in July 2000 and I watched it again last week with the intention of celebrating it with lots of prurient screencaps of Hugh Jackman and Rebecca Romijn and some discussion about the casting for X-Men: First Class (2011) aka Muppet Mutant Babies or "it's time for yet another reboot" but the time got away from me, it did. But better late than never for a couple of observations.

In some ways the original X-Men is a tentative mediocre movie: the budget limitations are obvious, Halle Berry is as lost as you remembered (though Storm is a strangely minor character), and the central evil plot is just dumb. But in other ways it's undervalued.

It makes smart choices about narrowing its focus for a first film (centering on Wolverine & Rogue) and the one character it totally reimagines -- that'd be Mystique -- is a major success.


What's more director Bryan Singer actually makes use of the widescreen in his mise-en-scène sometimes. Too few filmmakers do, just shoving everything into the center of the frame or shooting everything in relentless close-up. Even action sequences are shot with a preference for close-ups these days (see Inception for an up-to-the-minute example) but, much like musical numbers, they're more memorable and coherent when they include whole bodies in the frame.
And even if some of Singer's tricks get a bit repetitive, such as the out of focus introduction of characters in the background, they're aesthetically pleasing.

X-Men was lensed by Newton Thomas Sigel, who is Singer's constant collaborator. This is my favorite shot in the whole movie, Wolverine lost in the X-Mansion, bewildered by the new sites.


Isn't that a beauty narratively speaking? And Jackmanically speaking?

P.S. The Film Experience will be back tomorrow with Craig's Take Three column. I'll personally be scarcer than usual in the next week (off-web deadlines) but there will still be daily postings. We'll figure it out. We just keep putting it out there even though we don't have the recuperative powers of Logan/Wolverine. We sure could use them.

Thursday, July 15, 2010

Send in the (Green) Clowns


I'm off to a slow start this morning. Sometimes it can't be helped. Enjoy this first photo of Ryan Reynolds as Green Lantern while I hook up my coffee IV, finish Oscar page revisions, and write about Inception... all while humming Sondheim's brilliant A Little Night Music score. What a mashup that will be.

BTW, loved the Broadway show last night. Bernadette Peters and Elaine Stritch are theater legends for a reason. Peters was exceptionally moving during "Send in the Clowns" -- I've never heard a Broadway audience go that quiet, basking in every nuance of that spectacular inimitable voice of hers -- and very funny hamming up the comedic portions of the show. There's this line in the second act about watching the summer sky smile, where Elaine Stritch says "That smile was particularly broad tonight." That line reading just killed. It felt like an affectionate elbow to the cast surrounding her that evening. Stritch was so funny that the young actress playing her granddaughter regularly had to wait a few extra beats to be heard above the laughter. Since this 1973 Stephen Sondheim musical is based on Ingmar Bergman's Smiles of a Summer Night (1955) and the film version of the musical in 1977 starring Elizabeth Taylor isn't definitive by any measure, I wonder why it doesn't get a second cinematic go? It couldn't be that expensive to mount since it basically only involves a few locations: mostly people's bedrooms and the grounds of a country estate.

"Desiree" via Eva Dahlbeck (55), La Liz (77), CZJ (09) and Bernadette (10)

All you need is a great actress of a certain age with a killer voice and a good comedic supporting cast. Plus beautiful costumes and careful outdoor cinematography. You're good to go. Do justice to the show's humor and the actress-playing-an-actress theatrical pathos and you've got Oscar nominations for Actress, Supporting Actress and a few tech categories at least.

[Trivia Tangent: Because we've been talking about the EGOT and the triple crown lately due to the upcoming Emmy awards, here's how that shakes out. As you know Catherine Zeta-Jones just won the Tony for this role so she only has to win an Emmy to get a triple crown. Bernadette, replacing her, has multiple Grammys -- or does she? -- and Tonys. She's been nominated for Emmys but hasn't won and the Oscar (let alone a nomination) eluded her even at the heighth of her fame in the late 70s / early 80s when she was in the mix at the Golden Globes winning for Pennies From Heaven and nominated for Mel Brooks' Silent Movie. Elaine has a Tony and multiple Emmys. No Grammy or Oscar.]

Switching gears*, to say the least...

I'm still sad there's going to be a Green Lantern movie instead of a Green Lantern Corps cable series. That could have been the next great complex and fascinating sci-fi television series to follow Battlestar Galactica with the right team. Instead I fear it will be a generic superhero movie franchise. It certainly looks generic. We need another great sci-fi series on television way more than we need another superhero movie.

If you had a power ring, what kind of things would you make it do? I mean, besides conjuring up free Broadway tickets.

*I apologize for the schizophrenia of this post. Everyone knows that superheroes and musicals don't go together.
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Monday, July 12, 2010

"You won't link me when I'm angry"

Hell on Frisco Bay Silent Summer at the Castro. Love the poster for the Louise Brooks picture (such a great movie). This can be filed under the Grass is Always Greener. NYC has a ton of cool film programs and I'm always wishing I could go to the Castro's film programs.
The Film Doctor good piece on a second look at the 'suicidal cool' of Tom Ford's A Single Man.
Serious Film File this one under Lines I Wish I'd Written. On Peter Jackson returning to The Hobbit
"If only there was some convenient metaphor for some thing people just can't bring themselves to let go of."
Movie|Line Angelina Jolie's "lightning round" of possible future projects. Why does the MTV reporter pronounce Maleficent so bizarrely. Did he never see the glorious Sleeping Beauty as a child? P.S. I love Jolie and I love Maleficent but for all that is holy I cannot stand the thought of that fusion under Tim Burton's direction. I literally would have to be dragged to see it which, well, if you understood how much I loved Maleficent you would understand the utter devastation I'm feeling.


Coming Soon meetings have begun for Wicked with several directors interested (JJ Abrams, Rob Marshall, James Mangold, Ryan Murphy). If you're wondering why I haven't written about it, it's that we have no substantial news and I'm just feeling disaster coming. By the time they make this -- if they ever make it -- the market will have already been flooded with about 6 or 7 other Oz projects that are further along in development. I just don't understand why they waited so long. Hopefully The Wizard of Oz (1939) itself gets some sort of cool rerelease for its 75th anniversary in 2014.
/Film if people who cared about superheroes actually read The Film Experience (I know from comments that that's not really your thing) they would realize I'm a genius because I totally predict these things. MORE trouble with The Avengers. Edward Norton is not returning as The Hulk. I knew this superhero team using all big stars was r-i-d-i-c-u-l-0-u-s from the get go and I already called the delays and cancellations and cast issues. I still have trouble believing we'll ever see the film which is why those constant commercials for it interrupting the narrative of Iron Man 2 irritated me so much. (Just concentrate on the movie we're watching!!! This is not too much to ask of a movie. In fact this is just a basic storytelling requirement.) Most sites on the web feed on every crumb from studio pr about superhero movies like it's a manna from heaven, devouring it all as gospel facts until the fact changes which prompts another flurry of articles. Do movie websites do this because of page views or are they all true believers? If they are maybe I should stop writing the equivalent of "Santa Claus doesn't exist".

But what's this...?

HitFix Marvel Studios publicly dissing Edward Norton? Bad bad form. If that's the way they're going to play the movie game, why would any name actor want to work with them again? I mean, aside from the money. But Marvel Studios isn't the only studio that can offer big money.
The Hot Blog David Poland agrees that it's unprofessional.
Cinema Blend it might be Joaquin Phoenix replacing Norton. This news strikes me as hilarious since... well... when did Joaquin Phoenix suddenly get a "so easy to work with!" reputation that he'd be deemed an upgrade from Norton?

Monday, June 28, 2010

"When Captain America throws his mighty shield..."

"...all those who chose to oppose his shield must yield ♪ ♫"

He lost his headwings

Today Captain America: The First Avenger is supposed to start Principal Photography. Or that's what they were saying a month ago, June 28th. Just thought you'd like to know.

I'm still confused about the Marvel movie universe logic wherein Johnny Storm, "The Human Torch" is also Steve Rogers, "Captain America". Perhaps Chris Evans is like Sybil, Eve or (The United States of) Tara and he has multiple (heroic) personalities within? Maybe he should star in The Crowded Room next? That movie feels like it's never going to get made. Development hell for, what, 8-10 years now?

But... superheroes. Remember when they used to have to pad the superhero costumes so the actors looked cartoonishly fit/muscular? Now they just cast people like Evans and Ryan Reynolds. No special effects required.

On the less bulky front, over the weekend the finalist list for the new Spider-Man was talked up. Exactly how many times are we going to hear that there's a final -- this time they mean it! -- finalist list before someone is cast? This is, what, the third time? On that list we encounter the same Chris Evans multiple personality problem.

A type emerges...

I am apparently the only person alive still bothered by an actor starring in multiple similar franchises. They're considering Chekov/Kyle Reese, Percy Jackson and Kick Ass to play the webslinger here. When I go to the movie theater to see Spider-Man I don't wanna be thinking about Star Trek, Terminator or Kick-Ass. I wanna be thinking about Spider-Man! Why is this a difficult concept? It'd be like if Sarah Michelle Gellar was asked to star in a werewolf hunting role. No, no, no. She kills vampires, see? I'm fully willing to enjoy her as another character besides Buffy but not another powerful woman in some supernatural setting, you know?

This is why, as previously stated, I can't stand seeing Samuel L Jackson anymore despite once enjoying him. He's starred in so many actual or would be f/x action franchises now (10+ by my last count) that he takes me right out of whatever movie I'm watching, even non-franchise movies. He's a factory worker and all genre movies coming down the conveyor belt must be fitted with some Jules Winnfield before they are shipped out to the public. It makes everything generic/interchangeable.

So I'm rooting for Jamie Bell or Andrew Garfield as the new Spidey because they don't have much baggage and they only really make me think of Jamie Bell and Andrew Garfield and those aren't unpleasant reference points at all. Though if they wanna hand us Michael Angarano (who we were just watching) or Ehrenreich I suppose that'd be okay, too.

Wednesday, June 09, 2010

don't wanna link, don't wanna touch...

... just smoke one cigarette and hush
don't call my name, don't call my name, Roberto

Stuff No One Told Me Love this. Disney and Porn = eternal human frustration.
MNPP Everything you ever need to know about life... you can learn from Psycho (1960)
Antagony & Ecstasy looks back at the evolution of Warren Beatty's Dick Tracy in a summer blockbuster history series
Cinematical Paul Rudd, soon to be the Idiot Brother, gets four fine funny actresses as co-stars

Emma Frost illustration by Adam Hughes

Movie|Line the angsty drama of 'how will Sandra bullock follow that Oscar?' Methinks her team is thinking too hard. Nobody wants her doing prestige pics.
Socialite's Life Matthew Morrison (Glee) recording a solo CD. I'd be thrilled to buy this (his voice is amazing -- check out the CD of Light in the Piazza for proof) but for the fact that he's gettin JustinTimberlakey with it. Yawn.
What's Good/ What Blows
the dismaying punishment of Charlie Sheen.
Cinematical Michael Fassbender has his choice of two supervillain roles. Which will he go with? Either way he ends up opposite a fine actor (James McAvoy in X-Men: First Class or Jamie Bell in Spider-Man)
Empire speaking of X-Men... seems that Rosamund Pike may be up for the part of Emma Frost, the White Queen. Now that is a casting decision I can really get behind. Love both the actress and the character.
I Need My Fix True Blood season premiere brings the stars out. Is there a more attractive cast on television?
The Big Picture looks at the critic vs. audience divide on Splice.
Boing Boing more on recent silent film discoveries. I always get so excited to hear about found films
In Contention could "Shine" be an Original Song hopeful at the Oscars? I'm still struggling to understand what everyone else sees in that highly praised Waiting for Superman documentary (I didn't like it) but I agree that it's probably going to be up for the doc Oscar.

More on Lady Gaga's "Alejandro"
my piece yesterday in case you missed it
Low Resolution "Instantly Dated Thoughts"
The Critical Condition "Theft and/or Borrowing"
The Critical Condition ...and an interesting follow up piece about the cultural awakenings that happen in our youth.
Flavor Pill "Guide to Madonna References"
Rolling Stone director Steven Klein talks about the video, avoids the Madonna question.
popbytes (I do a brief weekly column here now). The video got me thinking about freaky movie nuns.
Guardian rounds up the groups claiming offense.
The Atlantic Katy Perry vs. Lady Gaga "The Battle of the Bras"

Monday, June 07, 2010

Links, Episode #3,002,038

/Film Jamie Bell may have just been cast as the new Spider-Man. Ah, I knew Marc Webb had good taste (with (500) Days of Summer as evidence)
Trespass Magazine Glenn interviews movie poster maestro Jeremy Saunders, who designed this year's fb gold medal winner for poster (Antichrist).
Little Gold Men Sandra Bullock sapphic smooches, part two.
The TV Addict Katharine Heigl's career killer Killers ?


Deviant Art a fan made poster for The Avengers. This movie will have to give blind men back their sight and maybe part oceans to live up to fanboy expectations.
Movie|Line Luke Evans is on "the Verge". He also wants to star in a film version of Miss Saigon so good on him.
Towleroad Apparently Elton John is going to perform at Rush Limbaugh's wedding. Money may be the reason but it's not like Elton needs any more of it. What a traitor. I've only ever bought two Elton John records in my lifetime but now I'm wishing I hadn't given him a lone dime.
OMG "Make Homosexuals Marry" Actors Justin Long & Mike White tie the knot excruciatingly tight in this campaign vid.
Newsweek on Italy Porn Movies like Eat Pray Love and I Am Love

And finally, I really must take a moment to thank all the cinephile angels involved in the Film Preservation Blogathon. Blogs can be a powerful force for good. The funds raised during that blog-a-thon are being used to restore two silent films. The first is a western named The Sergeant (1910) which is an incredible 100 years old.
...one of the earliest surviving narratives shot on location in Yosemite Valley. The one-reeler shows the magnificent terrain prior to the creation of the National Park Service, when U.S. Army cavalry troops kept order, and it is the military presence that provides the backdrop for the story.
The second is from 1912, another western called The Better Man. That blog-a-thon which was hosted by Marilyn Ferdinand and Self Styled Siren is still taking donations so maybe a third film can be saved! It's a worthy cause if you have the cash.

Hollywood's millionaires and its behemoth corporations could do a lot more to preserve old films -- imagine how many silents could be saved if like one single day's profits (or hell even one showing's) from any of those soulless blockbusters were so directed -- but at least we have devoted cinephiles and government funding helping to preserve cinematic history.

Tuesday, May 25, 2010

Linkily Every After

Movies Kick Ass how the Palme D'Or is not unlike the Oscar, thought its partisans will protest
Movie|Line interviews one of our favorite people in the movieverse, Ari Graynor
TOH! Will Luke Evans be the next big thing once Tamara Drewe opens?
/Film Mark Romanek has completed work on Never Let Me Go. It's due October 1st.
Acidemic would like you to stop judging Lindsay Lohan. Her downward spiral is none of your concern


Total Film has the 21 most storied, insane movie shoots. I refuse to scroll through 21 pages to read it (a blight on all the traffic whores out there!) but I'm guessing you get some Werner Herzog (Aguirre: The Wrath of God) and Coppola's Apocalypse Now therein. Those jungle movies are brutal on filmmakers and cast
Subway Cinema Asian Film Festival in NYC very soon. Lots of exciting stuff including the NYC premiere of the award winning Bodyguards and Assassins [prev post]
Pfangirl has a lengthy look at the superhero genre, where it's been and where it's going. This is the DC edition. Marvel later this week.
Empire Soapdish (1991) is jumping on the remake train along with everyone else. Good luck to however has to top Cathy Moriarty's bitch goddess this time around
Golden Trailer Awards that's happening in June. I don't really understand their nominees but whatevs

Shrek Forever After?
I "love" that the tagline is the final chapter but the movie's actual title promotes Shrek in perpetuity. That's a nightmare ending for me since I hate that lazy green franchise. I am still dumbfounded that Dreamworks suddenly learned how to make good animated films (Kung Fu Panda & How To Train Your Dragon) in its aftermath. Usually studios try and repeat successes rather than find a way to make films that are way better than them. You'd think they would have tried to repeat its success rather than tried to be Pixar (a far worthier goal) given that Shrek films make more than Pixar films (a sad audience-damning truth). So HAPPY ENDING, however improbable. I do so love How To Train Your Dragon. Anyway, Erik Lundegaard looks at Shrek's franchise box office and understands, unlike Hollywood, the math that goes into sequel numbers. Opening weekend is never about the movie you're seeing but about the one before it... provided that there is one before it. If there's not it's about the marketing. Meanwhile Tim at Antagony & Ecstasy shares my fear that this won't be anything like The End
The ostensibly final film in the Shrek franchise (which I'll believe the moment that everybody involved is dead, and not a second before)
He goes on to say that the movie isn't half bad. for this sort of thing. But definitely half bad all the same!

Wednesday, May 19, 2010

Link Crazy Pt. 2: Randomness

Cinema Blend Katey Rich on Sex & The City 2's wardrobe budget "Marie Antoinette might call it a little much."
As Little As Possible Dan Zak on I Am Love "I kind of love the whole movie, either in spite of or because it is such a bald stab at profound auterism, and an exploitation of the visual mysteries of Swinton."
Peer to Peer an interesting interview piece on the decisions behind promotional materials for Red Cliff and Tilda Swinton's star turn in the glorious I Am Love
Kenneth in the (212) "If I had a gun" post = hilariously succinct evisceration of not one but two summer movies


SLatIFR interesting piece on different types of film buffs and where their limits are in terms of interest and history
The Fug Girls Juliette Binoche in The English Patient and at Cannes 2010
Hollywood Elsewhere Blue Valentine press business. I wonder about this "Cannes bounce" apparently the film is shorter now than when I saw it at Sundance. Seven minutes can make a huge difference in how a film plays. Must see it again

offcinema diversions
izasmile makes funny (well, several of them) with Bill Gates and Steve Jobs
Broadway.com makes a 'top ten stage stars of the decade' list. Unfortunately the list should be titled 'top ten film/tv stars who also do stage'. You can't really do justice to the past decade in theater without mentioning Donna Murphy or Sutton Foster

television
The networks have been busy with "Upfronts" lately which means new shows are announced (Ken Levine has advice for the newbies) and old ones are axed. Did you see that ABC is doing a riff on Pixar's The Incredibles mashed up with The Fantastic Four's origin story? It's called No Ordinary Family and mom, dad, daughter and son get superpowers from some crazyweird accident.



Uh... good luck competing with memories of the incredible The Incredibles... although it shouldn't be too hard to wipe the floor with the awful and finally cancelled Heroes.