Video of an early design presentation. We approved everything presented in the room that day. It’s nice to have people like Kent Melton and Megan Tindle plussing your work, making it better than it is on the page.
This is possible because of the love shared between my wife and her mother and the work of my amazingly dedicated crew. Kubo was and is a memorial to family and the memories we share that make us strong enough to transform ourselves and others through love. Artwork by Lou Romano
Destroyed village set from Kubo. I’d do rounds of all the sets to give notes and suggestions. My particular note on this set was ,“make it look more wet.” Pretty sure the crew got tired of hearing that. Sorry guys and thanks for the amazing work;-
I’d like to end the year with hope. An old drawing of Kubo’s mother, singing against the storm.
My favorite princess.
Kubo sequel ain’t happening, but if it did… it might look like this:)
Work in progress of Kent Melton’s Beetle maquette. My character turn in the background.
Beetle is loosely based on my dad, goofy, thoughtful and a little bit forgetful. Sorry dad;-)
Monkey rages. Character expression bust by Christy Becker.
Grandfather maquette by Kent Melton. Design by me. Behind him you can see a 100+ year old Ningyo doll I purchased as inspiration when we started writing the film.
Kent Melton’s Monkey maquette, based on my original design. In the back, just behind Monkey, you can see the original 18.5 foot long lineup I delivered with the script.