Directed by: David F. Sandberg
Cinematography by: Maxime Alexandre
Edited by: Michel Aller
Lenses: Zeiss Master Prime Lenses
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Dan Fogelman
Cinematography by: Brett Pawlak
Edited by: Julie Monroe
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Cooke Panchro/i Classic Lenses
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Directed by: Oliver Stone
Cinematography by: Dan Mindel
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Directed by: Gonzalo López-Gallego
Cinematography by: José David Montero
Edited by: Patrick Lussier
Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses: Panavision Primo Digital Lenses
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Cinematography by: Michael Watson
Edited by: Nicholas Wayman-Harris
Cameras: Red One MX Camera
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
Directed by: Larry Bishop
Cinematography by: Scott Kevan
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Directed by: Quentin Tarantino
Cinematography by: Quentin Tarantino
Edited by: Sally Menke
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Directed by: Zach Helm
Cinematography by: Roman Osin
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Directed by: David Twohy
Cinematography by: Hugh Johnson
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Pieter Jan Brugge
Cinematography by: Denis Lenoir
Edited by: Kevin Tent
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Directed by: Reggie Rock Bythewood
Cinematography by: Greg Gardiner
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Directed by: John McTiernan
Cinematography by: Steve Mason
Edited by: George Folsey Jr.
Cameras: Panavision Panaflex Camera
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Directed by: Troy Miller
Cinematography by: Anthony B. Richmond
Edited by: Lawrence Jordan
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Directed by: Jonathan Frakes
Cinematography by: Tim Suhrstedt
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Directed by: Rob Cohen
Cinematography by: Dean Semler
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Directed by: David Twohy
Cinematography by: Ian Wilson
Edited by: Martin Hunter
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Directed by: Sam Pillsbury
Cinematography by: Johnny E. Jensen
Edited by: Margaret Goodspeed
Directed by: Gary Fleder
Cinematography by: Amir Mokri
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Directed by: Greg MacGillivray
Edited by: Stephen Judson
Directed by: Geoffrey Wright
Cinematography by: Anthony B. Richmond
Edited by: John F. Link
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland
Directed by: John Swanbeck
Cinematography by: Anastas N. Michos
Edited by: Peggy Davis
Cameras: Panavision Cameras
Directed by: Scott Silver
Cinematography by: Ellen Kuras
Edited by: Dorian Harris
Cinematography by: Neal Fredericks
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Directed by: Joe Chappelle
Cinematography by: Richard Clabaugh
Edited by: Randy Bricker
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Directed by: David Hogan
Cinematography by: Marc Reshovsky
Cameras: Panavision Cameras
Directed by: Mark A.Z. Dippé
Cinematography by: Guillermo Navarro
Cinematography by: William A. Fraker
Directed by: Gilbert Adler
Cinematography by: Tom Priestley Jr.
Edited by: Stephen Lovejoy
Directed by: Scott Silver
Cinematography by: Tom Richmond
Edited by: Dorian Harris
Directed by: David Hogan
Cinematography by: Rick Bota
Edited by: Peter Schink
Cinematography by: Lisa Rinzler
Edited by: Dan Lebental
Cameras: Panavision Panaflex Gold II Camera
Directed by: Stanley Tong
Cinematography by: Jingle Ma
Edited by: Peter Cheung
Directed by: Ernest R. Dickerson
Cinematography by: Bojan Bazelli
Edited by: Samuel D. Pollard
Directed by: Barry Levinson
Cinematography by: Tony Pierce-Roberts
Edited by: Stu Linder
Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Jay Rabinowitz
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Edited by: Arthur Coburn
Cameras: Panavision Panaflex Series Cameras
Lenses: Zeiss Lenses
Directed by: Richard Compton
Cinematography by: Billy Dickson
Edited by: Robert L. Sinise
Cinematography by: Lisa Rinzler
Edited by: Christopher Koefoed
Directed by: Robert Klane
Cinematography by: Edward Morey III
Edited by: Peck Prior
Directed by: Jack Sholder
Cinematography by: Anghel Decca
Edited by: Michael N. Knue
Directed by: John Lafia
Cinematography by: Mark Irwin
Directed by: Katt Shea
Cinematography by: Phedon Papamichael
Edited by: Gina Mittelman
Directed by: Bill Duke
Cinematography by: Bojan Bazelli
Edited by: John Carter
Directed by: Christian Duguay
Cinematography by: Jeffrey Jur
Edited by: Christopher Greenbury
Directed by: Rupert Harvey
Cinematography by: Thomas L. Callaway
Edited by: Terry Stokes