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The Green Hornet | ShotOnWhat?

Key Costumer The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Alice in Wonderland | ShotOnWhat?

Set Costumer Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Get Smart | ShotOnWhat?

Set Costumer Get Smart (2008)

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: Richard Pearson

Cameras: Panavision Genesis Camera, Panavision Panastar Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Hancock | ShotOnWhat?

Set Costumer Hancock (2008)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Live Free or Die Hard | ShotOnWhat?

Set Costumer Live Free or Die Hard (2007)

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

Transformers | ShotOnWhat?

Mission: Impossible III | ShotOnWhat?

Set Costumer Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Memoirs of a Geisha | ShotOnWhat?

Set Costumer Memoirs of a Geisha (2005)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

A Series of Unfortunate Events | ShotOnWhat?

Set Costumer Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Daredevil | ShotOnWhat?

Set Costumer Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

Big Fish | ShotOnWhat?

Set Costumer Big Fish (2003)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Salton Sea | ShotOnWhat?

Costumer: Mr Kilmer The Salton Sea (2002)

Directed by: D.J. Caruso

Cinematography by: Amir Mokri

Edited by: Jim Page

Planet of the Apes | ShotOnWhat?

Set Costumer Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Red Planet | ShotOnWhat?

Key Costumer Red Planet (2000)

Directed by: Antony Hoffman

Cinematography by: Peter Suschitzky

Edited by: Robert K. Lambert, Dallas Puett

At First Sight | ShotOnWhat?

Costumer: Mr Kilmer At First Sight (1999)

Directed by: Irwin Winkler

Cinematography by: John Seale

Edited by: Julie Monroe

Speed 2: Cruise Control | ShotOnWhat?

Set Costumer Speed 2: Cruise Control (1997)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

The Saint | ShotOnWhat?

Costumer: Mr. Kilmer The Saint (1997)

Directed by: Phillip Noyce

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Island of Dr. Moreau | ShotOnWhat?

Costumer: Mr Kilmer The Island of Dr. Moreau (1996)

Directed by: John Frankenheimer, Richard Stanley

Cinematography by: William A. Fraker

Edited by: Paul Rubell, Adam P. Scott, Thom Noble

Batman Forever | ShotOnWhat?

Costumer Batman Forever (1995)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Heat | ShotOnWhat?

Costumer: Mr. Kilmer Heat (1995)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Cameras: Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Terminal Velocity | ShotOnWhat?

Set Costumer Terminal Velocity (1994)

Directed by: Deran Sarafian

Cinematography by: Oliver Wood

Edited by: Peck Prior, Frank J. Urioste

Flashfire | ShotOnWhat?

Wardrobe Assistant Flashfire (1994)

Directed by: Elliot Silverstein

Cinematography by: Albert J. Dunk

Edited by: Mark Conte

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