Directed by: F. Gary Gray
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Directed by: Randy Zisk
Directed by: James Hayman
Directed by: Jeremy Podeswa
Cinematography by: Matthew Jensen
Edited by: Peter B. Ellis
Directed by: Tawnia McKiernan
Directed by: Elodie Keene
Cinematography by: Geary McLeod
Directed by: John F. Showalter
Directed by: Tucker Gates
Cinematography by: Matthew Jensen
Edited by: Lynne Willingham
Directed by: Chris Long
Directed by: Simon Baker
Directed by: Robert Duncan McNeill
Cinematography by: Tom Camarda
Edited by: David Ekstrom
Directed by: Daniel Attias
Cinematography by: Loren S. Yaconelli
Edited by: Sidney Wolinsky
Directed by: Guy Ferland
Cinematography by: Matthew Jensen
Edited by: Sidney Wolinsky
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Michael Uppendahl
Cinematography by: Matthew Jensen
Edited by: Peter B. Ellis
Directed by: Lesli Linka Glatter
Edited by: Lynne Willingham
Directed by: Chris Long
Cinematography by: Geary McLeod
Edited by: Christopher Cibelli
Directed by: John Dahl
Cinematography by: Matthew Jensen
Edited by: Lynne Willingham
Directed by: Allen Coulter
Cinematography by: Matthew Jensen
Edited by: Sidney Wolinsky
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Sidney Wolinsky
Directed by: John Dahl, Michael Uppendahl, Tucker Gates, David Hollander, Allen Coulter, Daniel Attias, Colin Bucksey, Guy Ferland, Michael Apted, Lesli Linka Glatter, Phil Abraham, Liev Schreiber, Robert McLachlan, Daisy von Scherler Mayer, Stephen Williams, Zetna Fuentes, Daniel Minahan, Jeremy Podeswa, Greg Yaitanes, Ed Bianchi, Tricia Brock, James Whitmore Jr., Carl Franklin, Denise Di Novi, Tarik Saleh, Joshua Marston
Cinematography by: Robert McLachlan, Matthew Jensen, Loren S. Yaconelli, Roy H. Wagner, David Franco, Tim Nagasawa, Dan Stoloff
Edited by: Lynne Willingham, Harvey Rosenstock, John Axness, Peter B. Ellis, Sidney Wolinsky, Tanya M. Swerling, Susan Godfrey, Amy Colla, Garret Donnelly, John Duffy, Miriam Kim
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Directed by: Robert Duncan McNeill
Cinematography by: Tom Camarda
Edited by: Christopher Cibelli
Directed by: Chris Long
Cinematography by: Geary McLeod
Edited by: David Ekstrom
Directed by: Randy Zisk
Directed by: Michael Apted
Cinematography by: Matthew Jensen
Edited by: Peter B. Ellis
Directed by: Eric Laneuville
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Directed by: James Bobin
Cinematography by: Don Burgess
Edited by: James Thomas
Cameras: Red Epic Camera, Red One MX Camera
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Michel Hazanavicius
Cinematography by: Guillaume Schiffman
Cameras: ARRIFLEX 435 ES Camera
Editing System: Avid Editing System
Directed by: Nicolas Winding Refn
Cinematography by: Newton Thomas Sigel
Edited by: Matthew Newman
Directed by: Seth Gordon
Cinematography by: David Hennings
Edited by: Peter Teschner
Cameras: Panavision Genesis Camera
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Edited by: Dirk Westervelt
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Thor Freudenthal
Cinematography by: Michael Grady
Edited by: Sheldon Kahn
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Directed by: Judd Apatow
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Directed by: Tony Scott
Cinematography by: Tobias A. Schliessler
Edited by: Chris Lebenzon
Directed by: Nimród Antal
Cinematography by: Andrzej Sekula
Edited by: Armen Minasian
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Directed by: Chris Long, Eric Laneuville, John F. Showalter, Charles Beeson, Randy Zisk, David Barrett, John Polson, Simon Baker, Guy Ferland, Geary McLeod, Martha Mitchell, Norberto Barba, Lesli Linka Glatter, Roxann Dawson, Tom Verica, Elodie Keene, Robert Duncan McNeill, David Nutter, Adam Kane, Stephen Gyllenhaal, Bobby Roth, Anton Cropper, W. Thomas Snyder, James Hayman, Paris Barclay, Matt Earl Beesley, John Behring, Kevin Dowling, Rod Hardy, Paul Holahan, Dean White, Bill D'Elia, Dan Lerner, Darnell Martin, Bruno Heller, Kevin Hooks, David Von Ancken, Allison Anders, Tawnia McKiernan, David Paymer, Bill Eagles, Michael Nankin, J. Miller Tobin, Sylvain White, Rod Holcomb, Paul A. Kaufman, Nina Lopez-Corrado, Edward Ornelas
Cinematography by: Geary McLeod, Tom Camarda, Frank Perl, Christopher Faloona, Michael Goi, Alex Nepomniaschy, Jeffrey Jur, Bill Roe
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Directed by: Brett Ratner
Cinematography by: James M. Muro
Directed by: Jon Turteltaub
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Directed by: Tony Scott
Cinematography by: Paul Cameron
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Directed by: Tony Scott
Cinematography by: Dan Mindel
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Directed by: Adam McKay
Cinematography by: Thomas E. Ackerman
Edited by: Brent White
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Directed by: Ian Toynton
Cinematography by: Rodney Charters
Edited by: Chris G. Willingham
Directed by: Jon Cassar
Cinematography by: Rodney Charters
Edited by: Scott Powell
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: James Whitmore Jr.
Cinematography by: Guy Skinner
Edited by: Chris G. Willingham
Directed by: Jon Cassar
Cinematography by: Rodney Charters
Edited by: David Latham
Directed by: Jon Cassar
Cinematography by: Rodney Charters
Directed by: Brett Ratner
Cinematography by: Matthew F. Leonetti
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Directed by: Jon Cassar, Brad Turner, Milan Cheylov, Bryan Spicer, Stephen Hopkins, Ian Toynton, Frederick King Keller, James Whitmore Jr., Tim Iacofano, Kevin Hooks, Michael Klick, Rodney Charters, Joseph A. Hodges, Winrich Kolbe, Davis Guggenheim, Paul Shapiro, Ken Girotti, Dwight H. Little, Nelson McCormick
Edited by: David Latham, Scott Powell, Chris G. Willingham, Leon Ortiz-Gil, Casey O. Rohrs, Larry Davenport, Elisa Cohen, David B. Thompson
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: Conrad Buff IV
Lenses: Hawk C-Series Lenses
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Directed by: McG
Cinematography by: Russell Carpenter
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System