Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Edited by: Kevin Pavlovic
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Directed by: Rob Reiner
Cinematography by: Reed Morano
Edited by: Dorian Harris
Cameras: ARRI ALEXA Camera
Directed by: Callie Khouri, Stephen Cragg, Michael Lohmann, Mike Listo, Paul McCrane, Julie Hébert, Michael Waxman, Allan Arkush, Dan Lerner, Mario Van Peebles, Eric Stoltz, Jean de Segonzac, Arlene Sanford, Lily Mariye, Mike Binder, Timothy Busfield, R.J. Cutler, Patrick R. Norris, Sanaa Hamri, Bethany Rooney, Eric Close, Ron Underwood, Jan Eliasberg, Jet Wilkinson, Devon Gummersall, Dawn Wilkinson, Jesse Zwick, Michael Engler, Lesli Linka Glatter, Mimi Leder, David Petrarca, Wendey Stanzler, Kevin Dowling, Paul A. Edwards, Michael Grossman, Jonathan Pontell, Kate Woods, Thomas Carter, Joe DeMaio, David Grossman, Elodie Keene, Joanna Kerns, Nelson McCormick, Steve Robin, John Carrafa, Michael Goi, Maggie Greenwald, Ron Lagomarsino, Ellen S. Pressman
Cinematography by: Michael Lohmann, Ross Berryman, Shawn Maurer, Tim Sutherland, Rob Sweeney, Rodney Charters
Edited by: Farrel Levy, Lizzy Calhoun, Larry McGinley, Jamin Bricker, Garret Price, Glenn Farr, J. Kathleen Gibson, Michael Hathaway, Keith Henderson
Cameras: ARRI ALEXA Camera
Directed by: R.J. Cutler
Cinematography by: Rodney Charters
Edited by: Keith Henderson
Directed by: Dermot Mulroney
Cinematography by: Óttar Guðnason
Edited by: Heather Persons
Directed by: Todd Strauss-Schulson
Cinematography by: Michael Barrett
Edited by: Eric Kissack
Cameras: Panavision Genesis Camera
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Directed by: Richard Berry
Cinematography by: Thomas Hardmeier
Edited by: Camille Delamarre
Directed by: Rob Reiner
Cinematography by: Thomas Del Ruth
Edited by: Robert Leighton
Directed by: M.J. Bassett
Cinematography by: Dan Laustsen
Edited by: Andrew MacRitchie
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Directed by: John Madden
Cinematography by: Caleb Deschanel
Directed by: Fred Cavayé
Cinematography by: Alain Duplantier
Edited by: Benjamin Weill
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Directed by: Werner Herzog
Cinematography by: Peter Zeitlinger
Edited by: Joe Bini
Directed by: Kaige Chen
Cinematography by: Peter Pau
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Directed by: Robert Luketic
Cinematography by: Peter Lyons Collister
Edited by: Scott Hill
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Directed by: Roger Donaldson
Cinematography by: Stuart Dryburgh
Edited by: David Rosenbloom
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Larry Charles
Cinematography by: Rogier Stoffers
Directed by: John McTiernan
Cinematography by: Steve Mason
Edited by: George Folsey Jr.
Cameras: Panavision Panaflex Camera
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Directed by: Kevin Reynolds
Cinematography by: Andrew Dunn
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Directed by: Brad Bird
Cinematography by: Steven Wilzbach
Edited by: Darren T. Holmes
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
Directed by: Pat O'Connor
Cinematography by: Kenneth MacMillan
Edited by: Ray Lovejoy
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Gilbert Adler
Cinematography by: Tom Priestley Jr.
Edited by: Stephen Lovejoy
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Edited by: Barry Malkin
Cameras: Panavision Cameras
Directed by: John McTiernan
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Directed by: Stephen Herek
Cinematography by: Oliver Wood
Edited by: Trudy Ship
Directed by: Pat O'Connor
Cinematography by: Kenneth MacMillan
Edited by: John Jympson
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Directed by: Richard Donner
Cinematography by: Vilmos Zsigmond
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Directed by: Stephen Herek
Cinematography by: Dean Semler
Edited by: John F. Link
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: David Seltzer
Cinematography by: Jan de Bont
Edited by: Craig McKay
Directed by: Richard Donner
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Platinum Camera
Directed by: Kevin Reynolds
Cinematography by: Douglas Milsome
Edited by: Peter Boyle
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Directed by: Michael Lehmann
Cinematography by: Dante Spinotti
Directed by: Tony Scott
Cinematography by: Ward Russell
Directed by: Franco Amurri
Cinematography by: Stefan Czapsky
Edited by: Carroll Timothy O'Meara
Directed by: Renny Harlin
Cinematography by: Oliver Wood
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Directed by: Joel Zwick
Cinematography by: Dana Christiaansen
Edited by: David Ray
Cameras: Panavision Cameras
Directed by: Terry Gilliam
Cinematography by: Giuseppe Rotunno
Edited by: Peter Hollywood
Directed by: Craig R. Baxley
Cinematography by: Matthew F. Leonetti
Edited by: Mark Helfrich
Cameras: Ultracam 35 Camera
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Directed by: Chris Columbus
Cinematography by: Ric Waite
Directed by: Larry Elikann
Cinematography by: William Wages
Edited by: Harry Kaye
Directed by: Michael Gottlieb
Cinematography by: Tim Suhrstedt
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Directed by: Steve Miner
Cinematography by: Jeffrey Jur
Edited by: David Finfer
Cinematography by: James Crabe
Edited by: Bob Wyman
Cameras: Panavision Cameras
Directed by: Hal Ashby
Cinematography by: Caleb Deschanel
Directed by: Jerry Schatzberg
Cinematography by: Vilmos Zsigmond