Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: Kirk Baxter
Cameras: Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Adobe Premiere Editing System
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Paul McGuigan
Cinematography by: Oliver Bokelberg
Edited by: Matthew Ramsey
Directed by: Tom Verica, Oliver Bokelberg, Allison Liddi-Brown, Tony Goldwyn, Randy Zisk, Jann Turner, Jeannot Szwarc, Steve Robin, Paul McCrane, Mark Tinker, Debbie Allen, Scott Foley, Sharat Raju, Stephen Cragg, Michael Katleman, Ron Underwood, Roxann Dawson, Julie Anne Robinson, Zetna Fuentes, Regina King, Steph Green, Nzingha Stewart, Nicole Rubio, Paul McGuigan, Bethany Rooney, Jessica Yu, Ava DuVernay, Kevin Bray, David Rodriguez, John Terlesky, Chandra Wilson, Paris Barclay, Salli Richardson-Whitfield, Millicent Shelton, Gregory T. Evans, Joe Morton, Daryn Okada, Darby Stanchfield, Kerry Washington, Valerie Weiss
Cinematography by: Oliver Bokelberg, Michael G. Wojciechowski, Daryn Okada, Steven G. Fracol, Andrew Lemon
Edited by: Gregory T. Evans, Matthew Ramsey, Christal Khatib, Kyle Bond, Matthew Pevic, Joe Mitacek, Karen Castañeda, Julia Grove, Dino DeLorenzo, Jonathan Pledger, David Greenspan, Jamin Bricker, Kurt Courtland
Cameras: ARRI ALEXA Camera, Digital Bolex D16
Lenses: Angenieux Optimo Zoom Lenses
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Cinematography by: Andrew Dunn
Edited by: Lee Haxall
Cameras: Panavision Panaflex Platinum Camera
Directed by: Ruben Fleischer
Cinematography by: Jess Hall
Edited by: Alan Baumgarten
Editing System: Avid Editing System
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Directed by: Craig Mazin
Cinematography by: Thomas E. Ackerman
Cameras: ARRI Cameras
Directed by: Scott Winant
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Directed by: David Von Ancken, Adam Bernstein, John Dahl, Bart Freundlich, Michael Lehmann, David Duchovny, Seith Mann, Scott Winant, Michael Weaver, Stephen Hopkins, Ken Whittingham, Scott Z. Burns, Tucker Gates, Michael Lembeck, Daniel Ducovny, Jake Kasdan, Beth McCarthy-Miller, Helen Hunt, Millicent Shelton, Eric Stoltz
Edited by: Shannon Mitchell, Kevin D. Ross, Todd Desrosiers, Michael D. Ornstein, Tony Solomons, Mark Manos, David Brixton, James A. Brewer, Ralph Yuan Wong
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Directed by: Brett Ratner
Cinematography by: James M. Muro
Directed by: Scott Winant
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Cameras: Panavision Genesis Camera
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: David Brixton
Cinematography by: Charles Minsky
Directed by: Ian Sander
Cinematography by: James Chressanthis
Edited by: John Duffy
Directed by: Ron Lagomarsino
Cinematography by: James Chressanthis
Edited by: Tom Walls
Directed by: Ian Sander, Eric Laneuville, John Gray, Peter Werner, Gloria Muzio, Peter O'Fallon, Frederick E.O. Toye, Kim Moses, James Frawley, James Chressanthis, Steven Robman, Jennifer Love Hewitt, Joanna Kerns, Mark Rosman, John Behring, Jefery Levy, Kevin Hooks, Ron Lagomarsino, Bill Norton, Victoria Hochberg, David Hugh Jones, John F. Showalter, Karen Gaviola, Kenny Leon, Jan Eliasberg, Ralph Hemecker
Cinematography by: James Chressanthis, Crescenzo G.P. Notarile, Bruce M. Pasternack, Scott E. Steele, Nancy Schreiber
Edited by: Neil Mandelberg, Anthony Miller, Michael N. Knue, Regis Kimble, John Duffy, Tom Walls, James Coblentz, William Flicker, Matthew Colonna, Scott Vickrey
Cameras: Panavision Cameras
Directed by: John Gray
Cinematography by: James Chressanthis
Edited by: Scott Vickrey
Directed by: Bart Freundlich
Cinematography by: Julio Macat
Edited by: Stuart Levy
Directed by: Joe Dante
Cinematography by: Dean Cundey
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Directed by: Brett Ratner
Cinematography by: Matthew F. Leonetti
Directed by: J.S. Cardone
Cinematography by: Steven Bernstein
Edited by: Norman Buckley
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Directed by: Luke Greenfield
Cinematography by: Peter Lyons Collister
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Directed by: Peter Segal
Cinematography by: Julio Macat
Edited by: William Kerr
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Directed by: Stuart Gillard
Cinematography by: David Gurfinkel
Directed by: Mel Brooks
Cinematography by: Michael D. O'Shea
Edited by: Stephen E. Rivkin
Directed by: Steve Kloves
Cinematography by: Philippe Rousselot
Edited by: Mia Goldman
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Directed by: Simon Wincer
Cinematography by: David Eggby
Edited by: Corky Ehlers
Cameras: Panavision Cameras
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
Directed by: James Cameron
Cinematography by: Mikael Salomon