Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Directed by: Paul King
Cinematography by: Erik Wilson
Cameras: ARRI ALEXA Series Cameras
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Directed by: Cedric Nicolas-Troyan
Cinematography by: Phedon Papamichael
Edited by: Conrad Buff IV
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Directed by: James Kent
Cinematography by: Rob Hardy
Edited by: Lucia Zucchetti
Cameras: Sony CineAlta F65 Camera
Directed by: Paul King
Cinematography by: Erik Wilson
Edited by: Mark Everson
Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses: Cooke S4 Lenses
Directed by: Mark Waters
Cinematography by: Tony Pierce-Roberts
Edited by: Chris Gill
Cameras: ARRI ALEXA Camera
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Directed by: Amma Asante
Cinematography by: Ben Smithard
Cameras: Sony CineAlta F65 Camera
Directed by: Dustin Hoffman
Cinematography by: John de Borman
Edited by: Barney Pilling
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Directed by: Kirk Jones
Cinematography by: Xavier Grobet
Edited by: Michael Berenbaum
Cameras: ARRI ALEXA Camera
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Cinematography by: Brandon Trost
Edited by: Brian Berdan
Cameras: Red One MX Camera
Directed by: Andrey Konchalovskiy
Cinematography by: Mike Southon
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Directed by: Richard Loncraine
Cinematography by: Barry Ackroyd
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Directed by: John Maybury
Cinematography by: Jonathan Freeman
Edited by: Emma E. Hickox
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Directed by: David Leland
Cinematography by: Ben Davis
Edited by: Jim Clark
Directed by: Frank Oz
Cinematography by: Oliver Curtis
Edited by: Beverley Mills
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Directed by: Roger Michell
Cinematography by: Haris Zambarloukos
Edited by: Nicolas Gaster
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Directed by: Charles Sturridge
Cinematography by: Henry Braham
Edited by: Peter Coulson
Directed by: Charles Sturridge
Cinematography by: Henry Braham
Edited by: Peter Coulson
Directed by: Charles Sturridge
Cinematography by: Henry Braham
Edited by: Peter Coulson
Directed by: Mel Smith
Cinematography by: Steven Chivers
Edited by: Chris Blunden
Directed by: Charles Sturridge
Cinematography by: Peter Hannan
Edited by: Peter Coulson
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Directed by: John Stephenson
Cinematography by: Mike Brewster
Edited by: Colin Green
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Directed by: Mel Smith
Cinematography by: Francis Kenny
Edited by: Chris Blunden
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Panaflex Gold II Camera
Directed by: Christopher Hampton
Cinematography by: Denis Lenoir
Edited by: George Akers
Directed by: Bob Hoskins
Cinematography by: Freddie Francis
Edited by: Ray Lovejoy
Directed by: Richard Loncraine
Cinematography by: Peter Biziou
Edited by: Paul Green
Directed by: Danny Cannon
Cinematography by: Adrian Biddle
Directed by: Mel Smith
Cinematography by: David Tattersall
Edited by: Paul Trejo
Cameras: ARRI ARRIFLEX Series Cameras