Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Directed by: James Gray
Cinematography by: Hoyte Van Hoytema
Directed by: Josie Rourke
Cinematography by: John Mathieson
Edited by: Chris Dickens
Directed by: Florian Henckel von Donnersmarck
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Rachel Talalay
Cinematography by: Richard Stoddard
Edited by: William Oswald
Directed by: Rachel Talalay
Cinematography by: Ashley Rowe
Edited by: William Oswald
Directed by: Rachel Talalay
Cinematography by: Ashley Rowe
Edited by: William Oswald
Directed by: Wayne Yip
Cinematography by: Stuart Biddlecombe
Edited by: Edel McDonnell
Directed by: Charlie Palmer
Cinematography by: Mark Waters
Edited by: William Oswald
Directed by: Wayne Yip
Cinematography by: Stuart Biddlecombe
Edited by: Edel McDonnell
Directed by: Daniel Nettheim
Cinematography by: Ashley Rowe
Edited by: Xavier Russell
Directed by: Charlie Palmer
Cinematography by: Mark Waters
Edited by: William Oswald
Directed by: Daniel Nettheim
Cinematography by: Ashley Rowe
Edited by: Xavier Russell
Directed by: Bill Anderson
Cinematography by: Damian Bromley
Edited by: Adam Trotman
Directed by: Bill Anderson
Cinematography by: Damian Bromley
Edited by: Adam Trotman
Directed by: Lawrence Gough
Cinematography by: Ashley Rowe
Edited by: William Oswald
Directed by: Lawrence Gough
Cinematography by: Ashley Rowe
Edited by: William Oswald
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Hughes Winborne
Cameras: ARRI ALEXA XT Camera
Directed by: Oliver Stone
Cinematography by: Anthony Dod Mantle
Lenses: Leitz Summicron-C Series Lenses
Directed by: Edward Bazalgette
Cinematography by: Ashley Rowe
Edited by: Adam Green
Directed by: John Madden
Cinematography by: Sebastian Blenkov
Edited by: Alexander Berner
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke S4/i Lenses
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Directed by: Darcia Martin
Cinematography by: Mark Waters
Edited by: Paul Brown
Directed by: Darcia Martin
Cinematography by: Mark Waters
Edited by: Paul Brown
Directed by: Dominic Leclerc
Cinematography by: Polly Morgan
Edited by: Simon Brasse
Directed by: Dominic Leclerc
Cinematography by: Polly Morgan
Edited by: Simon Brasse
Directed by: Amy Neil
Cinematography by: James Aspinall
Edited by: Paul Brown
Directed by: Douglas Mackinnon
Cinematography by: Suzie Lavelle
Edited by: Adam Green
Directed by: Rachel Talalay
Cinematography by: Stuart Biddlecombe
Edited by: William Oswald
Directed by: Rachel Talalay
Cinematography by: Stuart Biddlecombe
Edited by: William Oswald
Directed by: Justin Molotnikov
Cinematography by: Mike Spragg
Edited by: Mike Jones
Directed by: Justin Molotnikov
Cinematography by: Mark Waters
Edited by: Mike Jones
Directed by: Daniel Nettheim
Cinematography by: Mark Waters
Edited by: William Oswald
Directed by: Daniel Nettheim
Cinematography by: Mark Waters
Edited by: William Oswald
Directed by: Edward Bazalgette
Cinematography by: Richard Stoddard
Edited by: Adam Green
Directed by: Edward Bazalgette
Cinematography by: Richard Stoddard
Edited by: Adam Green
Directed by: Daniel O'Hara
Cinematography by: Richard Stoddard
Edited by: William Oswald
Directed by: Daniel O'Hara
Cinematography by: Richard Stoddard
Edited by: William Oswald
Directed by: Hettie Macdonald
Cinematography by: Ali Asad
Edited by: Selina Macarthur
Directed by: Hettie Macdonald
Cinematography by: Ali Asad
Edited by: Selina Macarthur
Directed by: James Kent
Cinematography by: Rob Hardy
Edited by: Lucia Zucchetti
Cameras: Sony CineAlta F65 Camera
Directed by: Paul Wilmshurst
Cinematography by: Neville Kidd
Edited by: Adam Trotman
Directed by: Rachel Talalay
Cinematography by: Rory Taylor
Edited by: William Oswald
Directed by: Sheree Folkson
Cinematography by: Mark Garrett
Edited by: Lucien Clayton
Directed by: Rachel Talalay
Cinematography by: Rory Taylor
Edited by: William Oswald
Directed by: Douglas Mackinnon
Cinematography by: Nic Morris
Edited by: Philip Hookway
Directed by: Paul Wilmshurst
Cinematography by: Ashley Rowe
Edited by: John Richards
Directed by: Paul Wilmshurst
Cinematography by: Ashley Rowe
Edited by: John Richards
Directed by: Paul Murphy
Cinematography by: Mark Waters
Edited by: William Oswald
Directed by: Douglas Mackinnon
Cinematography by: Suzie Lavelle
Edited by: Selina Macarthur
Directed by: Douglas Mackinnon
Cinematography by: Suzie Lavelle
Edited by: Selina Macarthur
Directed by: Paul Murphy
Cinematography by: Mark Waters
Edited by: William Oswald
Directed by: Ben Wheatley
Cinematography by: G. Magni Ágústsson
Edited by: William Oswald
Directed by: Ben Wheatley
Cinematography by: G. Magni Ágústsson
Edited by: William Oswald
Directed by: Marc Forster
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Cameras: ARRI ALEXA Studio Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Cinematography by: John Brooks
Edited by: John Carnochan
Cameras: Red Epic Camera
Directed by: Saul Metzstein
Cinematography by: Neville Kidd
Edited by: Matthew Cannings
Directed by: Stephen Woolfenden
Cinematography by: Tim Palmer
Edited by: Iain Erskine
Directed by: Saul Metzstein
Cinematography by: Stephan Pehrsson
Edited by: Matthew Cannings
Directed by: Douglas Mackinnon
Cinematography by: Suzie Lavelle
Edited by: William Oswald
Directed by: Jamie Payne
Cinematography by: Mike Southon
Edited by: Nick Arthurs
Directed by: Mat King
Cinematography by: Jake Polonsky
Edited by: Selina Macarthur
Directed by: Farren Blackburn
Cinematography by: Dale McCready
Edited by: Sam Williams
Directed by: Colm McCarthy
Cinematography by: Simon Dennis
Edited by: Mark Davis
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Edited by: Liana Del Giudice
Directed by: Jamie Payne
Cinematography by: Neville Kidd
Edited by: St. John O'Rorke
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Directed by: Cate Shortland
Cinematography by: Adam Arkapaw
Edited by: Veronika Jenet
Lenses: Canon Lenses, Zeiss Ultra 16 Lenses
Directed by: Syd Macartney, Juliet May, Philippa Lowthorpe, China Moo-Young, Minkie Spiro, Darcia Martin, Lisa Clarke, Sheree Folkson, Jamie Payne, Roger Goldby, Thea Sharrock, Thaddeus O'Sullivan, Dominic Leclerc, James Larkin, Rebecca Johnson, Claire Winyard, Christiana Ebohon, David O'Neill, Kate Saxon, Amy Neil, Emma Sullivan, Kate Cheeseman
Cinematography by: Mark Waters, Stuart Biddlecombe, Toby Moore, Chris Seager, Simon Archer, James Aspinall, Gareth Hughes, Ulf Brantås, Nick Dance, Polly Morgan, Mark Garrett, Len Gowing, Sarah Bartles-Smith, Kate Reid, Richard Stoddard, John Rhodes, Michael Snyman, Henry Pierce
Edited by: Alex Kalmakrian, Beverley Mills, Jake Bernard, David Thrasher, Paul Brown, Jamie Trevill, Mary Finlay, Liz Webber, Lois Bygrave, Gareth C. Scales, Les Healey, Daniel Greenway, Simon Brasse, Rachel Hoult, Mark Thornton, Danielle Palmer, Vicky Tooms, Al Morrow, John Dwelly, Alan Harris, Andy Morrison, Louise Pearson, Jamie McCoan, Arthur Davis
Cameras: ARRIFLEX D-21 Camera
Directed by: Saul Metzstein
Cinematography by: Stephan Pehrsson
Edited by: William Oswald
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Edited by: Jamie Pearson
Directed by: Douglas Mackinnon
Cinematography by: Gavin Struthers
Edited by: Mike Hopkins
Directed by: Saul Metzstein
Cinematography by: Stephan Pehrsson
Edited by: Tim Porter
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Edited by: Jamie Pearson
Directed by: Saul Metzstein
Cinematography by: Stephan Pehrsson
Edited by: Tim Porter
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Directed by: Joe Carnahan
Cinematography by: Masanobu Takayanagi
Directed by: David Mackenzie
Cinematography by: Giles Nuttgens
Edited by: Jake Roberts
Directed by: Jennifer Yuh Nelson
Directed by: Farren Blackburn
Cinematography by: Stephan Pehrsson
Edited by: Tim Porter
Directed by: Jeremy Webb
Cinematography by: Tim Palmer
Edited by: Anthony Combes
Directed by: Nick Hurran
Cinematography by: Owen McPolin
Edited by: Tim Porter
Directed by: Nick Hurran
Cinematography by: Owen McPolin
Edited by: Tim Porter
Directed by: Steve Hughes
Cinematography by: Balazs Bolygo
Edited by: Anthony Boys
Directed by: Richard Clark
Cinematography by: Owen McPolin
Edited by: Peter Oliver
Directed by: Richard Senior
Cinematography by: Tim Palmer
Edited by: William Oswald
Directed by: Peter Hoar
Cinematography by: Stephan Pehrsson
Edited by: Úna Ní Dhonghaíle
Directed by: Julian Simpson
Cinematography by: Balazs Bolygo
Edited by: Jamie Pearson
Directed by: Julian Simpson
Cinematography by: Balazs Bolygo
Edited by: Jamie Pearson
Directed by: Richard Clark
Cinematography by: Owen McPolin
Edited by: Peter Oliver
Cinematography by: Dale McCready
Edited by: Simon Reglar
Cinematography by: Stephan Pehrsson
Edited by: Tim Porter
Directed by: Toby Haynes
Cinematography by: Stephan Pehrsson
Edited by: Tim Porter
Directed by: Anand Tucker
Cinematography by: Newton Thomas Sigel
Edited by: Nick Moore
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Directed by: Feo Aladag
Cinematography by: Judith Kaufmann
Edited by: Andrea Mertens
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Directed by: John Landis
Cinematography by: John Mathieson
Edited by: Mark Everson
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Gilles Paquet-Brenner
Cinematography by: Pascal Ridao
Edited by: Hervé Schneid
Cameras: Red One Camera
Directed by: Toby Haynes
Cinematography by: Stephan Pehrsson
Edited by: Adam Recht
Directed by: Toby Haynes
Cinematography by: Stephan Pehrsson
Edited by: Matthew Newman
Directed by: Toby Haynes
Cinematography by: Stephan Pehrsson
Edited by: Matthew Newman
Directed by: Catherine Morshead
Cinematography by: Simon Archer
Edited by: Jamie Pearson
Directed by: Jonny Campbell
Cinematography by: Tony Slater Ling
Edited by: Jamie Pearson
Directed by: Ashley Way
Cinematography by: Mark Waters
Edited by: David Barrett
Directed by: Ashley Way
Cinematography by: Mark Waters
Edited by: David Barrett
Directed by: Catherine Morshead
Cinematography by: Erik Wilson
Edited by: Jamie Pearson
Directed by: Jonny Campbell
Cinematography by: Tony Slater Ling
Edited by: Jamie Pearson
Directed by: Adam Smith
Cinematography by: Damian Bromley
Edited by: William Oswald
Directed by: Adam Smith
Cinematography by: Damian Bromley
Edited by: William Oswald
Directed by: Andrew Gunn
Cinematography by: Graham Frake
Edited by: John Richards
Cinematography by: Graham Frake
Edited by: John Richards
Directed by: Adam Smith
Cinematography by: Owen McPolin
Edited by: Jamie Pearson
Directed by: Euros Lyn
Cinematography by: Rory Taylor
Edited by: Philip Kloss
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Directed by: Alain Gsponer
Cinematography by: Matthias Fleischer
Edited by: Barbara Gies
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Directed by: James Strong
Cinematography by: Rory Taylor
Edited by: Mike Jones
Directed by: Graeme Harper
Cinematography by: Ernest Vincze
Edited by: William Oswald
Directed by: Euros Lyn
Cinematography by: Rory Taylor
Edited by: Philip Kloss
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Directed by: Paul Weiland
Cinematography by: Tony Pierce-Roberts
Edited by: Richard Marks
Cameras: Panavision Cameras
Directed by: Gurinder Chadha
Cinematography by: Dick Pope
Edited by: Justin Krish
Directed by: Anne Fletcher
Cinematography by: Peter James
Edited by: Priscilla Nedd-Friendly
Cinematography by: Yong Duk Jhun
Edited by: Clare Knight
Directed by: Graeme Harper
Cinematography by: Ernest Vincze
Edited by: William Oswald
Directed by: Graeme Harper
Cinematography by: Ernest Vincze
Edited by: William Oswald
Directed by: Graeme Harper
Cinematography by: Rory Taylor
Edited by: William Oswald
Directed by: Alice Troughton
Cinematography by: Ernest Vincze
Edited by: Philip Kloss
Directed by: Euros Lyn
Cinematography by: Rory Taylor
Edited by: Crispin Green
Directed by: Euros Lyn
Cinematography by: Rory Taylor
Edited by: Crispin Green
Directed by: Graeme Harper
Cinematography by: Rory Taylor
Edited by: William Oswald
Directed by: Alice Troughton
Cinematography by: Ernest Vincze
Edited by: Philip Kloss
Directed by: Douglas Mackinnon
Cinematography by: Rory Taylor
Edited by: Mike Hopkins
Directed by: Douglas Mackinnon
Cinematography by: Rory Taylor
Edited by: Mike Hopkins
Directed by: Graeme Harper
Cinematography by: Rory Taylor
Edited by: William Oswald
Directed by: Colin Teague
Cinematography by: Ernest Vincze
Edited by: Mike Hopkins
Directed by: James Strong
Cinematography by: Ernest Vincze
Edited by: Mike Jones
Directed by: Andy Goddard
Cinematography by: Ernest Vincze
Edited by: Richard Cox
Directed by: Chris Weitz
Cinematography by: Henry Braham
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Directed by: David Silverman
Edited by: John Carnochan
Editing System: Final Cut Pro Editing System
Directed by: James Strong
Cinematography by: Ernest Vincze
Edited by: Mike Jones
Directed by: Chris Noonan
Cinematography by: Andrew Dunn
Edited by: Robin Sales
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Directed by: Alejandro Agresti
Cinematography by: Alar Kivilo
Directed by: Michael Caton-Jones
Cinematography by: Gyula Pados
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Directed by: Graeme Harper, Euros Lyn, Douglas Mackinnon, James Strong, Rachel Talalay, Charlie Palmer, James Hawes, Joe Ahearne, Toby Haynes, Nick Hurran, Saul Metzstein, Jamie Magnus Stone, Hettie Macdonald, Richard Clark, Julian Simpson, Daniel Nettheim, Edward Bazalgette, Jamie Childs, Keith Boak, Colin Teague, Adam Smith, Paul Wilmshurst, Lawrence Gough, Wayne Yip, Alice Troughton, Jonny Campbell, Andrew Gunn, Catherine Morshead, Ashley Way, Farren Blackburn, Steve Hughes, Jeremy Webb, Jamie Payne, Stephen Woolfenden, Paul Murphy, Ben Wheatley, Justin Molotnikov, Daniel O'Hara, Bill Anderson, Sallie Aprahamian, Jennifer Perrott, Mark Tonderai, Lee Haven Jones, Nida Manzoor, Emma Sullivan, Brian Grant, Dan Zeff, Andy Goddard, Peter Hoar, Richard Senior, Neill Gorton, John Hayes, Mat King, Colm McCarthy, Sheree Folkson
Cinematography by: Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg
Edited by: William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera
Editing System: Apple Final Cut Pro 7
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Cinematography by: Rasoul Azadani
Edited by: Michael Kelly