Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Directed by: John R. Leonetti
Cinematography by: James Kniest
Edited by: Tom Elkins
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Directed by: Michaël R. Roskam
Cinematography by: Nicolas Karakatsanis
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Directed by: Chan-wook Park
Cinematography by: Chung-hoon Chung
Edited by: Nicolas De Toth
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Cinematography by: Matthew F. Leonetti
Edited by: Sam Seig
Directed by: David Bowers
Cinematography by: Anthony B. Richmond
Edited by: Troy Takaki
Directed by: Peter Ramsey
Edited by: Joyce Arrastia
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Directed by: David Bowers
Cinematography by: Jack N. Green
Edited by: Troy Takaki
Cameras: Panavision Cameras
Directed by: Mike Mitchell
Cinematography by: Thomas E. Ackerman
Edited by: Peter Amundson
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Directed by: Jennifer Yuh Nelson
Directed by: Chris Miller
Cinematography by: Gil Zimmerman
Edited by: Erika Dapkewicz
Directed by: Thor Freudenthal
Cinematography by: Jack N. Green
Edited by: Wendy Greene Bricmont
Cameras: Panavision Cameras
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Directed by: Gary Winick
Cinematography by: Frederick Elmes
Edited by: Susan Littenberg
Cameras: ARRI Cameras
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Directed by: David Silverman
Edited by: John Carnochan
Editing System: Final Cut Pro Editing System
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Directed by: Mark Levin
Cinematography by: Tim Orr
Edited by: Alan Edward Bell
Editing System: Final Cut Pro Editing System
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Directed by: Todd Phillips
Cinematography by: Mark Irwin
Edited by: Michael Jablow
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Cinematography by: Peter Deming
Directed by: Tom Green
Cinematography by: Mark Irwin
Edited by: Jacqueline Cambas
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Directed by: Charles Robert Carner
Cinematography by: Michael Goi
Edited by: Marc Leif
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Directed by: Antonia Bird
Cinematography by: Anthony B. Richmond
Edited by: Neil Farrell
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Directed by: Kevin Rodney Sullivan
Cinematography by: Jeffrey Jur
Edited by: George Bowers
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Directed by: Martha Coolidge
Cinematography by: Lajos Koltai
Edited by: Anne V. Coates
Directed by: Pat O'Connor
Cinematography by: Kenneth MacMillan
Edited by: Ray Lovejoy
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Directed by: Tom Hanks
Cinematography by: Tak Fujimoto
Edited by: Richard Chew
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Directed by: Ken Kwapis
Cinematography by: Peter Lyons Collister
Edited by: Jon Poll
Cameras: Panavision Cameras
Directed by: Carl Schenkel
Cinematography by: Thomas Burstyn
Edited by: Jimmy B. Frazier
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Directed by: Antonia Bird
Cinematography by: Fred Tammes
Edited by: Jeff Freeman
Cameras: Panavision Cameras
Directed by: Kevin James Dobson
Cinematography by: Ross Berryman
Edited by: Stephen Butler
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Paul Dixon
Directed by: Ben Stiller
Cinematography by: Emmanuel Lubezki
Directed by: Andrew Scheinman
Cinematography by: Donald E. Thorin
Edited by: Michael Jablow
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Kent Beyda
Cameras: Panavision Cameras
Directed by: Howard Franklin
Cinematography by: Peter Suschitzky
Directed by: Edward James Olmos
Cinematography by: Reynaldo Villalobos
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Directed by: Jack Bender
Cinematography by: John R. Leonetti
Directed by: John Badham
Directed by: John McPherson
Cinematography by: Jacques Haitkin
Edited by: Karen I. Stern
Directed by: Bryan Gordon
Cinematography by: Donald McAlpine
Cameras: Panavision Cameras
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Directed by: John Badham
Cinematography by: Robert Primes
Directed by: Mick Garris
Cinematography by: Rodney Charters
Edited by: Charles Bornstein
Directed by: Dave Thomas
Cinematography by: Ronnie Taylor
Edited by: Bud Molin
Directed by: Joe Pytka
Cinematography by: Curtis Wehr
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Directed by: Martin Brest
Cinematography by: Donald E. Thorin
Directed by: Tom Mankiewicz
Cinematography by: Matthew F. Leonetti
Directed by: John Hughes
Cinematography by: Matthew F. Leonetti
Directed by: Stanley Kubrick
Cinematography by: Russell Metty
Cameras: Technirama Camera