Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Directed by: Andy Fickman
Cinematography by: David Hennings
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Directed by: Rob Reiner
Cinematography by: Peter Deming
Edited by: Robert Leighton
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Directed by: Jay Roach
Cinematography by: Peter Deming
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Directed by: David McNally
Cinematography by: Amir Mokri
Edited by: William Goldenberg
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Ulu Grosbard
Cinematography by: Stephen Goldblatt
Edited by: John Bloom
Directed by: Antoine Fuqua
Cinematography by: Peter Lyons Collister
Edited by: Jay Cassidy
Directed by: David Hogan
Cinematography by: Marc Reshovsky
Cameras: Panavision Cameras
Directed by: Robert Butler
Cinematography by: Lloyd Ahern II
Edited by: John Duffy
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Directed by: Paris Barclay
Cinematography by: Russ Brandt
Directed by: Sam Raimi
Cinematography by: Dante Spinotti
Edited by: Pietro Scalia
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Directed by: Robert Townsend
Cinematography by: John A. Alonzo
Cameras: Panavision Panaflex Gold Camera
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Directed by: Frank Oz
Cinematography by: John A. Alonzo
Edited by: John Jympson
Directed by: Tony Scott
Cinematography by: Ward Russell
Directed by: Renny Harlin
Cinematography by: Oliver Wood
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Directed by: Mark L. Lester
Cinematography by: Mark Irwin
Edited by: Scott Conrad
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses