Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Evan Schiff
Cameras: ARRI ALEXA XT Plus Camera
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Directed by: Daniel Sackheim
Cinematography by: Alar Kivilo
Edited by: Howard E. Smith
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Directed by: Christopher McQuarrie
Cinematography by: Dick Pope
Edited by: Stephen Semel
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Panaflex Gold II Camera
Directed by: Emilio Estevez
Cinematography by: Peter Levy
Edited by: Craig Bassett
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Directed by: John Murlowski
Cinematography by: Peter Fernberger
Edited by: Michael Schweitzer
Directed by: Randall Miller
Cinematography by: Jerzy Zielinski
Edited by: Eric A. Sears
Directed by: Gene Quintano
Cinematography by: Peter Deming
Edited by: Christopher Greenbury
Directed by: Randall Miller
Cinematography by: Francis Kenny
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: Bernard Gribble
Directed by: Renny Harlin
Cinematography by: Oliver Wood
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Directed by: Dennis Feldman
Cinematography by: John A. Alonzo
Directed by: Rob Reiner
Cinematography by: Thomas Del Ruth
Edited by: Robert Leighton
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Directed by: John Hughes
Cinematography by: Matthew F. Leonetti
Directed by: Mark L. Lester
Cinematography by: Matthew F. Leonetti
Directed by: W.D. Richter
Cinematography by: Fred J. Koenekamp
Directed by: Douglas Trumbull
Cinematography by: Richard Yuricich
Directed by: Francis Ford Coppola
Cameras: ARRIFLEX 35 BL Camera
Directed by: Robert Wise
Cinematography by: Richard H. Kline
Edited by: Todd C. Ramsay