Directed by: Buddy Giovinazzo
Cinematography by: Maximilian Schmige
Edited by: William Paley
Directed by: Brea Grant
Cinematography by: Maximilian Schmige
Directed by: John Brawley
Cinematography by: Hilda Mercado
Edited by: William Paley
Directed by: Bronwen Hughes
Cinematography by: John Brawley
Edited by: William Paley
Directed by: Satya Bhabha
Cinematography by: John Brawley
Edited by: William Paley
Directed by: Paul McCrane
Cinematography by: John Brawley
Edited by: William Paley
Directed by: Rob Corn
Cinematography by: John Brawley
Directed by: Rob Corn, David Crabtree, Bronwen Hughes, James Roday, Paul McCrane, Jann Turner, Phillip Noyce, Thomas Carter, Bill D'Elia, Rob Greenlea, Geary McLeod, David Rodriguez, Elizabeth Allen Rosenbaum, Nicole Rubio, James Whitmore Jr., Satya Bhabha, John Brawley, Timothy A. Good, Robert Duncan McNeill, Edward Ornelas, Valerie Weiss, Kelli Williams
Edited by: Timothy A. Good, William Paley, Nicole Vaskell, Greg Babor, Amanda Panella, Emily Mendez, Patrick McMahon
Cameras: ARRI ALEXA Mini Camera, Blackmagic Micro Cinema Camera, Blackmagic Pocket Cinema 4K Camera, Blackmagic URSA Mini Pro 4.6K G2 Camera, Blackmagic URSA Mini Pro Camera
Lenses: Leitz Summicron-C 135 mm T2.0 Lens, Leitz Summicron-C 18 mm T2.0 Lens, Leitz Summicron-C 21 mm T2.0 Lens, Leitz Summicron-C 25 mm T2.0 Lens, Leitz Summicron-C 29 mm T2.0 Lens, Leitz Summicron-C 35 mm T2.0 Lens, Leitz Summicron-C 40 mm T2.0 Lens, Leitz Summicron-C 50 mm T2.0 Lens, Leitz Summicron-C 75 mm T2.0 Lens, Panavision Primo Primes Spherical Lenses, SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens, Zeiss Lenses
Editing System: Avid Editing System
Directed by: Bill D'Elia
Cinematography by: John Brawley
Edited by: William Paley
Directed by: Rob Corn
Cinematography by: John Brawley
Edited by: William Paley
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: John Brawley
Edited by: William Paley
Directed by: James Roday
Cinematography by: John Brawley
Edited by: William Paley
Directed by: Paul McCrane
Cinematography by: John Brawley
Edited by: William Paley
Directed by: David Crabtree
Cinematography by: John Brawley
Edited by: William Paley
Directed by: Rob Corn
Cinematography by: John Brawley
Edited by: William Paley
Directed by: Antoine Fuqua
Cinematography by: Maz Makhani
Directed by: Guy Norman Bee, Edward Allen Bernero, Ashley Way, Norberto Barba, Thomas Carter, Antoine Fuqua, Jon Amiel, John David Coles, Rod Holcomb, T.J. Scott, Peter Werner, Samira Radsi
Edited by: Lisa Binkley, Stein Myhrstad, Jamie Alain, Daria Ellerman, Luis Carballar, William Paley, Adina Moore
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Lenses
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Directed by: Adam Kane
Cinematography by: Robert LaBonge
Edited by: Imelda Betiong
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Cameras: ARRI ALEXA Plus 4:3 Camera
Directed by: Len Wiseman
Cinematography by: Kramer Morgenthau
Edited by: John Refoua
Directed by: Russell Lee Fine, Paul A. Edwards, Douglas Aarniokoski, Ken Olin, Marc Roskin, Dwight H. Little, Wendey Stanzler, Kate Dennis, Olatunde Osunsanmi, Jim O'Hanlon, Ernest R. Dickerson, Liz Friedlander, John F. Showalter, J. Miller Tobin, Len Wiseman, David Boyd, Nick Copus, Jeffrey G. Hunt, Adam Kane, Larry Teng, Romeo Tirone, Hanelle M. Culpepper, John R. Leonetti, Guillermo Navarro, Peter Weller, Sylvain White, Steven A. Adelson, Kellie Cyrus, Michael Goi, Darnell Martin
Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau
Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue
Cameras: Red Epic Camera
Directed by: Antoine Fuqua
Cinematography by: Conrad W. Hall
Edited by: John Refoua
Editing System: Avid Editing System
Cinematography by: Terry Stacey
Edited by: John Refoua
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Directed by: James Cameron
Cinematography by: Mauro Fiore
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Directed by: Billy Ray
Cinematography by: Tak Fujimoto
Edited by: Jeffrey Ford
Cameras: Panavision Cameras
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford