Directed by: James Mangold
Cinematography by: Phedon Papamichael
Directed by: Emerald Fennell
Cinematography by: Linus Sandgren
Edited by: Victoria Boydell
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Directed by: Rob Letterman
Cinematography by: John Mathieson
Directed by: Josie Rourke
Cinematography by: John Mathieson
Edited by: Chris Dickens
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Directed by: Joss Whedon
Cinematography by: Ben Davis
Directed by: Dexter Fletcher
Cinematography by: George Richmond
Edited by: Martin Walsh
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Directed by: Marc Forster
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Directed by: Mike Newell
Cinematography by: John Mathieson
Edited by: Tariq Anwar
Directed by: Dexter Fletcher
Cinematography by: George Richmond
Edited by: Stuart Gazzard
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Directed by: John Landis
Cinematography by: John Mathieson
Edited by: Mark Everson
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Directed by: Andrew Morahan
Cinematography by: George Tiffin
Edited by: Giles Bury
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: Chris Weitz
Cinematography by: Henry Braham
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Directed by: Joel Schumacher
Cinematography by: John Mathieson
Edited by: Terry Rawlings
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Directed by: Jez Butterworth
Cinematography by: Oliver Stapleton
Edited by: Christopher Tellefsen
Directed by: Paddy Breathnach
Cinematography by: Cian de Buitléar
Edited by: Tony Lawson
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Directed by: Taylor Hackford
Cinematography by: Slawomir Idziak
Directed by: William Boyd
Cinematography by: Tony Pierce-Roberts
Directed by: Jeremiah S. Chechik
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Edited by: Noëlle Boisson
Directed by: Kenneth Branagh
Cinematography by: Alex Thomson
Edited by: Neil Farrell
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn