Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Cameras: Sony CineAlta VENICE Camera
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Lenses: Tokina Vista Cinema Prime Lenses
Directed by: Brian Kirk
Cinematography by: Paul Cameron
Edited by: Tim Murrell
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Cinematography by: Trent Opaloch
Directed by: Tim Story
Cinematography by: Mitchell Amundsen
Edited by: Peter S. Elliot
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Directed by: David Wain
Cinematography by: Michael Bonvillain
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Anubhav Sinha
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Directed by: Shawn Levy
Cinematography by: Dean Semler
Edited by: Dean Zimmerman
Cameras: Panavision Genesis Camera
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Bruce Green
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Directed by: Steven Brill
Cinematography by: Fred Murphy
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Directed by: Pete Travis
Cinematography by: Amir Mokri
Edited by: Stuart Baird
Directed by: Paul W.S. Anderson
Cinematography by: Scott Kevan
Edited by: Niven Howie
Directed by: Brett Ratner
Cinematography by: James M. Muro
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: David Von Ancken, Adam Bernstein, John Dahl, Bart Freundlich, Michael Lehmann, David Duchovny, Seith Mann, Scott Winant, Michael Weaver, Stephen Hopkins, Ken Whittingham, Scott Z. Burns, Tucker Gates, Michael Lembeck, Daniel Ducovny, Jake Kasdan, Beth McCarthy-Miller, Helen Hunt, Millicent Shelton, Eric Stoltz
Edited by: Shannon Mitchell, Kevin D. Ross, Todd Desrosiers, Michael D. Ornstein, Tony Solomons, Mark Manos, David Brixton, James A. Brewer, Ralph Yuan Wong
Directed by: Eric Laneuville
Cinematography by: Cort Fey
Edited by: Mark Goldman
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: David Brixton
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Jack Bender, Stephen Williams, Paul A. Edwards, Tucker Gates, Eric Laneuville, Greg Yaitanes, Bobby Roth, Kevin Hooks, J.J. Abrams, Daniel Attias, Rod Holcomb, Karen Gaviola, Stephen Semel, Marita Grabiak, Michael Zinberg, Adam Davidson, David Grossman, Robert Mandel, Alan Taylor, Matt Earl Beesley, Roxann Dawson, Deran Sarafian, Paris Barclay, Frederick E.O. Toye, Mark Goldman, Mario Van Peebles
Cinematography by: John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei
Edited by: Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Directed by: Joseph Ruben
Cinematography by: Anastas N. Michos
Edited by: Richard Francis-Bruce
Directed by: Mark Rosman
Cinematography by: Anthony B. Richmond
Edited by: Cara Silverman
Lenses: Panavision Lenses
Directed by: Jeffrey Bell
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Directed by: Joe Dante
Cinematography by: Dean Cundey
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Cameras: Moviecam Superlight Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Marita Grabiak
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Directed by: Jeffrey Bell
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Directed by: Jefferson Kibbee
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Directed by: Jeffrey Bell
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Directed by: Lorena David
Cinematography by: Lisa Wiegand
Edited by: Allan Spencer Wall
Directed by: Jay Roach
Cinematography by: Peter Deming
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Directed by: Tim Minear
Cinematography by: Ross Berryman
Edited by: Michael Stern
Directed by: Renny Harlin
Cinematography by: Mauro Fiore
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Blair Hayes
Cinematography by: Jerzy Zielinski
Edited by: Pamela Martin
Directed by: Jessie Nelson
Cinematography by: Elliot Davis
Edited by: Richard Chew
Directed by: Frederick King Keller
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Directed by: Stephen Kay
Cinematography by: Mauro Fiore
Edited by: Gerald B. Greenberg
Directed by: Luca Bercovici
Cinematography by: Keith L. Smith
Directed by: Bruce Paltrow
Cinematography by: Paul Sarossy
Edited by: Gerald B. Greenberg
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Directed by: Winrich Kolbe
Cinematography by: Herbert Davis
Edited by: Michael Stern
Directed by: Bruce Seth Green
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Directed by: Nick Marck
Cinematography by: Herbert Davis
Edited by: Mark Goldman
Directed by: Regis Kimble
Cinematography by: Herbert Davis
Edited by: Michael Stern
Directed by: James A. Contner
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Directed by: David Straiton
Cinematography by: Herbert Davis
Edited by: Michael Stern
Directed by: Anthony Hickox
Cinematography by: David Bridges
Edited by: Brett Hedlund
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Directed by: Matthew Warchus
Cinematography by: John Toll
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Directed by: Hugh Wilson
Cinematography by: Donald E. Thorin
Edited by: Don Brochu
Directed by: James A. Contner, Joss Whedon, David Greenwalt, Tim Minear, Bill Norton, Terrence O'Hara, Skip Schoolnik, Marita Grabiak, Vern Gillum, David Grossman, Michael Grossman, Frederick King Keller, Jefferson Kibbee, David Straiton, Bruce Seth Green, Turi Meyer, Jeffrey Bell, Steven S. DeKnight, Scott McGinnis, R.D. Price, Thomas J. Wright, Michael Lange, David Semel, Tucker Gates, Regis Kimble, Winrich Kolbe, Nick Marck, Krishna Rao, James Whitmore Jr., Sean Astin, David Boreanaz, Ben Edlund, David Fury, John Blush
Edited by: Mark Goldman, Mark S. Westmore, Michael Stern, George Pilkinton, Casey O. Rohrs, Regis Kimble, Frederick Wardell, Ben Wegner
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Directed by: Scott McGinnis
Cinematography by: Herbert Davis
Edited by: Michael Stern
Directed by: James A. Contner
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Directed by: David Straiton
Cinematography by: Herbert Davis
Edited by: Casey O. Rohrs
Directed by: Tucker Gates
Cinematography by: Herbert Davis
Edited by: Mark S. Westmore
Directed by: Michael Bay
Cinematography by: John Schwartzman
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Directed by: Hark Tsui
Cinematography by: Peter Pau
Edited by: Bill Pankow
Lenses: Angenieux Lenses, Zeiss Lenses
Directed by: Christopher Leitch
Cinematography by: Stephen McNutt
Edited by: Richard Bracken
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Cameras: ARRIFLEX 535 Camera
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Directed by: Farhad Mann
Cinematography by: Ward Russell
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: John W. Wheeler
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Edited by: Barry Malkin
Cameras: Panavision Cameras
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Directed by: Michael Moore
Cinematography by: Haskell Wexler
Directed by: Joseph Ruben
Cinematography by: John Lindley
Directed by: Sang-ok Shin
Cinematography by: Eugene D. Shlugleit
Edited by: Pamela Choules
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Directed by: Jeremiah S. Chechik
Cinematography by: Janusz Kaminski
Edited by: Richard Chew
Directed by: Keenen Ivory Wayans
Cinematography by: Matthew F. Leonetti
Edited by: John F. Link
Directed by: John Landis
Cinematography by: Mac Ahlberg
Edited by: Dale Beldin
Directed by: Michael Lehmann
Cinematography by: John Schwartzman
Edited by: Stephen Semel
Directed by: Rupert Wainwright
Cinematography by: Bill Pope
Cameras: Panavision Cameras
Directed by: Peter Segal
Cinematography by: Robert M. Stevens
Edited by: James R. Symons
Cameras: Panavision Cameras
Directed by: Rowdy Herrington
Cinematography by: Mac Ahlberg
Directed by: William Lustig
Cinematography by: Jacques Haitkin
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Steven Soderbergh
Cameras: Panavision Cameras
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Directed by: Sidney J. Furie
Cinematography by: Frank E. Johnson
Edited by: Antony Gibbs
Directed by: James Glickenhaus
Cinematography by: Robert M. Baldwin
Edited by: Jeffrey Wolf
Directed by: Jim Abrahams
Cinematography by: Bill Butler
Directed by: Russell Mulcahy
Cinematography by: Phil Meheux
Directed by: Richard Benjamin
Cinematography by: Richard H. Kline
Directed by: Aaron Norris
Cinematography by: João Fernandes
Directed by: Peter Israelson
Cinematography by: Ronald Víctor García
Edited by: Conrad Buff IV
Directed by: Emilio Estevez
Cinematography by: Tim Suhrstedt
Edited by: Craig Bassett
Directed by: John Cornell
Cinematography by: Russell Boyd
Edited by: David Stiven
Directed by: Stan Dragoti
Cinematography by: Donald Peterman
Edited by: Dov Hoenig
Directed by: Francis Veber
Cinematography by: Haskell Wexler
Edited by: Bruce Green
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Directed by: Robert Towne
Cinematography by: Conrad L. Hall
Edited by: Claire Simpson
Directed by: Buddy Van Horn
Cinematography by: Jack N. Green
Edited by: Ron Spang
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Cameras: Panavision Panaflex Gold Camera
Directed by: J. Lee Thompson
Cinematography by: Álex Phillips Jr.
Edited by: Richard Marx
Directed by: Mark L. Lester
Cinematography by: Fred Schuler
Directed by: Hal Needham
Cinematography by: Nick McLean