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Fast 8 | ShotOnWhat?

Additional Editor The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Captain America: Civil War | ShotOnWhat?

Second Unit Editor Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Furious 7 | ShotOnWhat?

Additional Editor Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Second Unit Editor Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Furious 6 | ShotOnWhat?

Additional Editor Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Total Recall | ShotOnWhat?

Additional Editor Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Fast Five | ShotOnWhat?

Additional Editor Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Race to Witch Mountain | ShotOnWhat?

Sound Effects Editor Race to Witch Mountain (2009)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: David Rennie

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Death Race | ShotOnWhat?

Additional Editor Death Race (2008)

Directed by: Paul W.S. Anderson

Cinematography by: Scott Kevan

Edited by: Niven Howie

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Vantage Point | ShotOnWhat?

Additional Editor Vantage Point (2008)

Directed by: Pete Travis

Cinematography by: Amir Mokri

Edited by: Stuart Baird

The Love Guru | ShotOnWhat?

Sound Effects Editor The Love Guru (2008)

Directed by: Marco Schnabel

Cinematography by: Peter Deming

Edited by: Lee Haxall, Gregory Perler, Billy Weber

Columbus Day | ShotOnWhat?

Additional Editor Columbus Day (2008)

Directed by: Charles Burmeister

Cinematography by: Julio Macat

Edited by: Jake Pushinsky

Talladega Nights: The Ballad of Ricky Bobby | ShotOnWhat?

Additional Editor Talladega Nights: The Ballad of Ricky Bobby (2006)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Sky High | ShotOnWhat?

Sound Effects Editor Sky High (2005)

Directed by: Mike Mitchell

Cinematography by: Shelly Johnson

Edited by: Peter Amundson

Spirit: Stallion of the Cimarron | ShotOnWhat?

Sound Effects Editor Spirit: Stallion of the Cimarron (2002)

Directed by: Kelly Asbury, Lorna Cook

Edited by: Nick Fletcher, Clare Knight

Rush Hour 2 | ShotOnWhat?

Foley Editor / Sound Effects Editor Rush Hour 2 (2001)

Directed by: Brett Ratner

Cinematography by: Matthew F. Leonetti

Edited by: Mark Helfrich, Robert K. Lambert

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Crocodile Dundee in Los Angeles | ShotOnWhat?

Sound Editor: Los Angeles Crocodile Dundee in Los Angeles (2001)

Directed by: Simon Wincer

Cinematography by: David Burr

Edited by: Terry Blythe

Max Keeble's Big Move | ShotOnWhat?

Sound Editor Max Keeble's Big Move (2001)

Directed by: Tim Hill

Cinematography by: Arthur Albert

Edited by: Tony Lombardo, Peck Prior

Cameras: Moviecam Compact Camera

Shanghai Noon | ShotOnWhat?

Sound Editor Shanghai Noon (2000)

Directed by: Tom Dey

Cinematography by: Dan Mindel

Edited by: Richard Chew

The Emperor's New Groove | ShotOnWhat?

Sound Editor The Emperor's New Groove (2000)

Directed by: Mark Dindal

Cinematography by: Thomas Baker

Edited by: Tom Finan, Pam Ziegenhagen

Lost Souls | ShotOnWhat?

Sound Effects Editor Lost Souls (2000)

Directed by: Janusz Kaminski

Cinematography by: Mauro Fiore

Edited by: Anne Goursaud, Andrew Mondshein

Get Carter | ShotOnWhat?

Additional Editor Get Carter (2000)

Directed by: Stephen Kay

Cinematography by: Mauro Fiore

Edited by: Gerald B. Greenberg

Luck of the Draw | ShotOnWhat?

Editor Luck of the Draw (2000)

Directed by: Luca Bercovici

Cinematography by: Keith L. Smith

Edited by: David Kern, Greg Mauer

Scream 3 | ShotOnWhat?

Sound Editor Scream 3 (2000)

Directed by: Wes Craven

Cinematography by: Peter Deming

Edited by: Patrick Lussier

The Bachelor | ShotOnWhat?

Sound Editor The Bachelor (1999)

Directed by: Gary Sinyor

Cinematography by: Simon Archer

Edited by: Robert M. Reitano, Florence Vinger

Rush Hour | ShotOnWhat?

Sound Effects Editor Rush Hour (1998)

Directed by: Brett Ratner

Cinematography by: Adam Greenberg

Edited by: Mark Helfrich

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Hope Floats | ShotOnWhat?

Sound Editor Hope Floats (1998)

Directed by: Forest Whitaker

Cinematography by: Caleb Deschanel

Edited by: Richard Chew

Cameras: Panavision Cameras

Mr. Magoo | ShotOnWhat?

Sound Effects Editor Mr. Magoo (1997)

Directed by: Stanley Tong

Cinematography by: Jingle Ma

Edited by: Michael R. Miller, Stuart H. Pappé, David Rawlins

A Time to Kill | ShotOnWhat?

Dialogue Editor A Time to Kill (1996)

Directed by: Joel Schumacher

Cinematography by: Peter Menzies Jr.

Edited by: William Steinkamp

Cameras: Panavision Panaflex Platinum Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Diabolique | ShotOnWhat?

Sound Editor Diabolique (1996)

Directed by: Jeremiah S. Chechik

Cinematography by: Peter James

Edited by: Carol Littleton

101 Dalmatians | ShotOnWhat?

Sound Effects Editor 101 Dalmatians (1996)

Directed by: Stephen Herek

Cinematography by: Adrian Biddle

Edited by: Trudy Ship

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Mr. Holland's Opus | ShotOnWhat?

Sound Editor Mr. Holland's Opus (1995)

Directed by: Stephen Herek

Cinematography by: Oliver Wood

Edited by: Trudy Ship

Maniac Cop 3: Badge of Silence | ShotOnWhat?

Editor Maniac Cop 3: Badge of Silence (1993)

Directed by: William Lustig

Cinematography by: Jacques Haitkin

Edited by: Michael Eliot, David Kern, Rick Tuber

Sliver | ShotOnWhat?

Sound Effects Editor Sliver (1993)

Directed by: Phillip Noyce

Cinematography by: Vilmos Zsigmond

Edited by: Richard Francis-Bruce, William Hoy, Bert Lovitt

The Three Musketeers | ShotOnWhat?

Sound Editor The Three Musketeers (1993)

Directed by: Stephen Herek

Cinematography by: Dean Semler

Edited by: John F. Link

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Hook | ShotOnWhat?

Sound Editor Hook (1991)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Oscar | ShotOnWhat?

Sound Editor Oscar (1991)

Directed by: John Landis

Cinematography by: Mac Ahlberg

Edited by: Dale Beldin

Harley Davidson and the Marlboro Man | ShotOnWhat?

Sound Editor Harley Davidson and the Marlboro Man (1991)

Directed by: Simon Wincer

Cinematography by: David Eggby

Edited by: Corky Ehlers

Cameras: Panavision Cameras

Spontaneous Combustion | ShotOnWhat?

Editor Spontaneous Combustion (1990)

Directed by: Tobe Hooper

Cinematography by: Levie Isaacks

Edited by: David Kern

Downtown | ShotOnWhat?

Sound Editor Downtown (1990)

Directed by: Richard Benjamin

Cinematography by: Richard H. Kline

Edited by: Jacqueline Cambas, Brian L. Chambers

A Return to Salem's Lot | ShotOnWhat?

Post-production Supervisor A Return to Salem's Lot (1987)

Directed by: Larry Cohen

Cinematography by: Daniel Pearl

Edited by: Armond Lebowitz

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Running Man | ShotOnWhat?

Sound Editor The Running Man (1987)

Directed by: Paul Michael Glaser

Cinematography by: Thomas Del Ruth

Edited by: Mark Warner, Edward A. Warschilka, John Wright

It's Alive III: Island of the Alive | ShotOnWhat?

Editor, Sound Editor It's Alive III: Island of the Alive (1987)

Directed by: Larry Cohen

Cinematography by: Daniel Pearl

Edited by: David Kern

El Norte | ShotOnWhat?

Sound Effects Editor El Norte (1983)

Directed by: Gregory Nava

Cinematography by: James Glennon

Edited by: Betsy Blankett Milicevic

Q | ShotOnWhat?

Post-production Supervisor Q (1982)

Directed by: Larry Cohen

Cinematography by: Fred Murphy

Edited by: Armond Lebowitz

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