Directed by: Christopher McQuarrie
Cinematography by: Fraser Taggart
Edited by: Eddie Hamilton
Directed by: Robert Eggers
Cinematography by: Jarin Blaschke
Edited by: Louise Ford
Lenses: Bausch & Lomb Lenses, Pathé Lenses
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Sidney Wolinsky
Lenses: Zeiss Master Prime Lenses
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Directed by: Kirk Jones
Cinematography by: Jim Denault
Edited by: Mark Czyzewski
Cameras: Red Epic Dragon Camera
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Michele Conroy
Cameras: Red Epic Camera
Editing System: Avid Editing System
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Directed by: Douglas Aarniokoski
Cinematography by: Boris Mojsovski
Edited by: Andrew Coutts
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Directed by: M.J. Bassett
Cinematography by: Maxime Alexandre
Edited by: Michele Conroy
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Directed by: Edgar Wright
Cinematography by: Bill Pope
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Directed by: Rob Stefaniuk
Cinematography by: D. Gregor Hagey
Edited by: Michele Conroy
Directed by: George A. Romero
Cinematography by: Adam Swica
Edited by: Michael Doherty
Directed by: Troy Duffy
Cinematography by: Miroslaw Baszak
Directed by: Peter Hewitt
Cinematography by: Ueli Steiger
Edited by: Carole Kravetz Aykanian
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: ARRIFLEX 435 Camera, Phantom HD Camera
Lenses: Cooke S4 Lenses
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Directed by: Jeffrey Nachmanoff
Cinematography by: James M. Muro
Edited by: Billy Fox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Final Cut Pro Editing System
Directed by: George A. Romero
Cinematography by: Adam Swica
Edited by: Michael Doherty
Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: James Isaac
Edited by: Allan Lee
Cameras: Panavision Cameras
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Edited by: Sébastien Prangère
Directed by: James C.E. Burke
Cinematography by: Alar Kivilo
Edited by: Richard Nord
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Bill Pankow
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Directed by: George A. Romero
Cinematography by: Miroslaw Baszak
Edited by: Michael Doherty
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Directed by: Alexander Witt
Edited by: Eddie Hamilton
Directed by: Paul Hunter
Cinematography by: Stefan Czapsky
Edited by: Robert K. Lambert
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Directed by: Joel Zwick
Cinematography by: Jeffrey Jur
Edited by: Mia Goldman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Marc Evans
Cinematography by: Hubert Taczanowski
Edited by: Mags Arnold
Directed by: Martyn Burke
Cinematography by: Ousama Rawi
Edited by: David Codron
Directed by: Mary Harron
Cinematography by: Andrzej Sekula
Edited by: Andrew Marcus
Directed by: John Ottman
Cinematography by: Brian Pearson
Directed by: Reginald Hudlin
Cinematography by: Johnny E. Jensen
Edited by: Earl Watson
Directed by: Rob Cohen
Cinematography by: Shane Hurlbut
Edited by: Peter Amundson
Directed by: Chuck Russell
Cinematography by: Peter Menzies Jr.
Edited by: Alan Heim
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Howard E. Smith
Directed by: Jamie Blanks
Cinematography by: James Chressanthis
Edited by: Jay Cassidy
Directed by: John Woo
Cinematography by: Bill Wong
Edited by: Ron Wisman
Cameras: Panavision Cameras
Directed by: Ronny Yu
Cinematography by: Peter Pau
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Directed by: Dwight H. Little
Cinematography by: Steven Bernstein
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Directed by: John Landis
Cinematography by: Manfred Guthe
Edited by: Dale Beldin
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Panaflex Platinum Camera
Directed by: Peter Segal
Cinematography by: Victor J. Kemper
Edited by: William Kerr
Directed by: Robert Longo
Cinematography by: François Protat
Edited by: Ronald Sanders
Directed by: Michael Moore
Cinematography by: Haskell Wexler
Directed by: Kelly Makin
Cinematography by: François Protat
Edited by: Stephen Lawrence
Directed by: Tamra Davis
Cinematography by: Victor Hammer
Directed by: Allan A. Goldstein
Cinematography by: Curtis Petersen
Edited by: Patrick Rand
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Directed by: Damian Harris
Cinematography by: Jack N. Green
Edited by: Neil Travis
Directed by: David Blyth
Cinematography by: Ludek Bogner
Edited by: Nick Rotundo
Directed by: Michael Anderson
Cinematography by: Rene Ohashi
Edited by: Ron Wisman
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Chris Wimble
Directed by: Kenneth Johnson
Cinematography by: John McPherson
Edited by: Conrad Buff IV
Directed by: Jim Drake
Cinematography by: Robert Saad
Edited by: David Rawlins
Directed by: Steven Hilliard Stern
Cinematography by: Laszlo George
Edited by: Ron Wisman
Directed by: Leonard Nimoy
Cinematography by: Adam Greenberg
Edited by: Michael A. Stevenson
Directed by: Jerry Paris
Cinematography by: Robert Saad
Edited by: Bud Molin
Directed by: Ken Kwapis
Cinematography by: Curtis Clark
Directed by: Hugh Wilson
Cinematography by: Michael D. Margulies
Directed by: Gillian Armstrong
Cinematography by: Russell Boyd
Edited by: Nicholas Beauman