Directed by: James Mangold
Cinematography by: Phedon Papamichael
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Eddie Hamilton
Cameras: Sony CineAlta VENICE Camera
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Directed by: Andrew Dominik
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Directed by: Josh Cooley
Edited by: Axel Geddes
Directed by: Jon Favreau
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA 65 Camera
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Lenses: Panavision Lenses
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Billy Fox
Cameras: Sony CineAlta F65 Camera
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Cinematography by: Renato Falcão
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Directed by: Joss Whedon
Cinematography by: Ben Davis
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Directed by: Ryan Coogler
Cinematography by: Maryse Alberti
Editing System: Avid Editing System
Directed by: Louie Psihoyos
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Cinematography by: John Ashlee Prat
Edited by: Edie Ichioka
Cameras: Canon EOS-5D Mark III Camera
Directed by: James Foley, Robin Wright, John David Coles, Alik Sakharov, Carl Franklin, Agnieszka Holland, Tucker Gates, Tom Shankland, Allen Coulter, David Fincher, Charles McDougall, Joel Schumacher, John Dahl, Jakob Verbruggen, Roxann Dawson, Daniel Minahan, Michael Morris, Jodie Foster, Alex Graves, Kari Skogland, Ernest R. Dickerson, Louise Friedberg, Ami Canaan Mann, Stacie Passon, Thomas Schlamme
Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Directed by: Dan Scanlon
Edited by: Greg Snyder
Cinematography by: Yong Duk Jhun
Edited by: Darren T. Holmes
Directed by: Chris Wedge
Cinematography by: Renato Falcão
Edited by: Andy Keir
Directed by: David Fincher
Cinematography by: Eigil Bryld
Edited by: Kirk Baxter
Directed by: David Fincher
Cinematography by: Eigil Bryld
Edited by: Kirk Baxter
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Edited by: Nicholas C. Smith
Cinematography by: Renato Falcão
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Directed by: Rich Moore
Cinematography by: Rob Dressel
Edited by: Tim Mertens
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Gore Verbinski
Cinematography by: Roger Deakins
Edited by: Craig Wood
Editing System: Avid Editing System
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Edited by: Harry Hitner
Directed by: Enrico Casarosa
Edited by: Steve Bloom
Directed by: Lee Unkrich
Cinematography by: Jeremy Lasky
Edited by: Ken Schretzmann
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Cinematography by: Gil Zimmerman
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Directed by: James Cameron
Cinematography by: Mauro Fiore
Directed by: Tim Blake Nelson
Cinematography by: Roberto Schaefer
Edited by: Michelle Botticelli
Cameras: Red One Camera
Cinematography by: Patrick Lin
Edited by: Kevin Nolting
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Cinematography by: Jeffrey Jur
Edited by: Patrick Lussier
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: Steve Conrad
Cinematography by: Lawrence Sher
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Cinematography by: Scott Beattie
Edited by: Tim Mertens
Directed by: Andrew Stanton
Cinematography by: Martin Rosenberg
Edited by: Stephen Schaffer
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: David Silverman
Edited by: John Carnochan
Editing System: Final Cut Pro Editing System
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Cinematography by: Robert Anderson
Edited by: Darren T. Holmes
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Directed by: José Pepe Bojórquez
Cinematography by: Chris Chomyn
Edited by: Tia Nolan
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Cinematography by: Jeremy Lasky
Edited by: Ken Schretzmann
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Directed by: Jane Anderson
Cinematography by: Jonathan Freeman
Edited by: Robert Dalva
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Directed by: Robert Zemeckis
Directed by: Brad Bird
Edited by: Stephen Schaffer
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Directed by: James Redford
Cinematography by: Paul Ryan
Edited by: Nick Smith
Cameras: Panavision Cameras
Editing System: Autodesk Smoke Editing System
Directed by: David Zucker
Cinematography by: Martin McGrath
Directed by: Roger Donaldson
Cinematography by: Stuart Dryburgh
Edited by: David Rosenbloom
Directed by: James Cameron
Cinematography by: Vince Pace
Edited by: David Ian Salter
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Cameras: Panavision Panaflex Platinum Camera
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Edited by: Darren T. Holmes
Directed by: Eric Armstrong
Edited by: Robert Gordon
Directed by: Tim Blake Nelson
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Directed by: Barry Levinson
Cinematography by: Dante Spinotti
Edited by: Stu Linder
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Craig Wood
Cameras: Panavision Cameras
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Directed by: James Gray
Cinematography by: Harris Savides
Edited by: Jeffrey Ford
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Directed by: Kevin Lima
Edited by: Gregory Perler
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Edited by: H. Lee Peterson
Cameras: VistaVision Cameras
Directed by: Michael Lantieri
Cinematography by: David Burr
Edited by: Michael Fallavollita
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Directed by: Wayne Wang
Cinematography by: Roger Deakins
Edited by: Nicholas C. Smith
Directed by: Mark Pellington
Cinematography by: Bobby Bukowski
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Brad Bird
Cinematography by: Steven Wilzbach
Edited by: Darren T. Holmes
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Cinematography by: Sharon Calahan
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Patrick Lussier
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Directed by: Mark Christopher
Cinematography by: Alexander Gruszynski
Edited by: Lee Percy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Directed by: Richard Linklater
Cinematography by: Peter James
Edited by: Sandra Adair
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Cinematography by: Sharon Calahan
Edited by: Lee Unkrich
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Directed by: Robert Townsend
Cinematography by: Bill Dill
Edited by: Patrick Kennedy
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cinematography by: John Peters
Cinematography by: Rasoul Azadani
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Directed by: Barry Levinson
Cinematography by: Michael Ballhaus
Edited by: Stu Linder
Directed by: Henry Selick
Edited by: Stan Webb
Directed by: Patrick Read Johnson
Cinematography by: Thomas E. Ackerman
Edited by: David Rawlins